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242
September 20, 2026
53 min
Ren Faire LARPing (Pencil Primer, Part 3)
Tim Andy Johnny
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Description & Show Notes

The Pencil Primer returns with part three: the other end of the pencil. We trace the eraser from stale bread crumbs to Goodyear's vulcanized rubber to Hymen Lipman's well-timed patent sale, then get into ferrules — wartime plastic ones, the Blackwing's famous clip, and why American pencils wear erasers while Japanese and German ones mostly don't.

This transcript was generated from an audio file by AI, and may contain inaccuracies.

Transcript

Tim 0:00

It's like, I imagine Johnny walking into a pencil store or like a stationery store like Ron Swanson in that episode where he goes into Home Depot and the guy's like, can I help you? And he's like, I know more than you.

Andy 0:10

Yeah.

Tim 0:19

Hello and welcome to The Erasable Podcast. This is episode 242 and I'm Tim Wasem on head hosting duties. Tonight is a or today, whatever time of day it is for you. It is the next installment of our Pencil Primer series, which we're kind of going back and explaining some things in case you've come along later in the process. And we're gonna talk about a little bit of the history and what's behind the different parts of the pencil. Today we're gonna talk about the other side, the eraser, the ferrule, things like that. But first I wanna introduce my two Prime Pencil pals, Andy and Johnny.

Johnny 0:47

What up?

Andy 0:48

How's it going, guys? Johnny, which end of the pencil are you?

Johnny 0:51

Middle.

Tim 0:52

Good call.

Johnny 0:54

Yeah.

Tim 0:56

So how are you doing, you guys? Pretty good.

Andy 1:00

It's Friday.

Tim 1:02

Yeah, yeah, yeah.

Johnny 1:04

It's like in, in Baltimore, it's a little after 1 on a Friday, so it's like I set myself like 3 alarms so I didn't miss time for a nap.

Tim 1:14

Yeah, yeah, it is like this whole week has been Miserably hot here. Like it's just, it feels like fall is never gonna come. I know it will eventually. I have faith, but it's, it's been like 90 degrees every single day. Or like air conditioning is like, what's going on?

Andy 1:30

Are you getting, Tim, are you getting all the crazy weather that's happening in North Carolina?

Tim 1:35

No, we're starting to get some rain the next few days.

Andy 1:39

Mm-hmm.

Tim 1:39

But not nothing like crazy. Yeah. Nothing, nothing too weird.

Johnny 1:43

Yeah.

Tim 1:43

What part of North Carolina is it in?

Andy 1:45

I didn't even know about that. Is it Isn't there some flooding or something happening? I could be— I know that, uh, he who must not be named— yeah, he who will not be named was telling people in North Carolina that he's going to like withhold FEMA funding if, you know, if they don't vote for him and— or vote for his people in the primary.

Johnny 2:03

But I'm a good swimmer, I'll go. It's great.

Tim 2:07

Yeah, I thought you're gonna say that they didn't— they don't need FEMA, they just need a strong president. I mean, to stop the flooding.

Andy 2:15

Same, right?

Johnny 2:17

Thoughts and prayers.

Andy 2:18

Yeah.

Johnny 2:18

Thoughts and prayers.

Tim 2:20

Um, cool. Well, today, like I was saying, we're doing the third part of our Pencil Primer series, but before that, we're gonna run through some Tools of the Trade and Fresh Points. So Andy, you wanna start us on Tools of the Trade? Yeah.

Andy 2:33

I feel like I have a very Tim Wasem-coded Tools of the Trade today.

Johnny 2:37

I was thinking that when I saw it. Yeah.

Andy 2:40

I've been consuming Phoebe Bridgers' new album, which is very good.

Tim 2:44

I've heard it's good. I have not listened to it yet.

Andy 2:45

Yeah. It's, uh, it's, uh, it's interesting. There's some really good, like very like melodic things on it. And then there's also these very like atmospheric kind of like, like vibey, uh, songs and yeah, she, the video that goes with the Lost Boys song, that's, I think the kind of the big single from like on the album is, uh, Uh, is really good. It's kind of like this Dungeons and Dragons-esque, or like, it's more like ren faire LARPing, I would say.

Tim 3:13

Yeah. So that's an episode title right there.

Andy 3:16

Ren faire LARPing. Um, but that, I mean, that part is Tim Wasem, but I think the more Tim Wasem part is, uh, just the rabbit hole that I went down. So I was watching some of, just as one has lately, just some of Dolly Parton's old stuff and. For some reason I've gone all this time and have missed the two trio albums that Dolly Parton did with Linda Ronstadt and Emmylou Harris.

Tim 3:40

I didn't know about those either until it was like on a, it was some, I don't know, we were watching something on the TV and they did like a segment about her and it was like the life of Dolly Parton, like a little 10-minute segment. And I was like, wait a second. Yeah. I didn't know that existed. So I didn't know about that either.

Andy 3:55

It was so good. And I watched, yeah, just like some videos and then listened to their album of them singing like fairly, fairly old Appalachian folk music. Like I think that, yeah, it was, it was really good. Like I, I'm familiar with Emmylou Harris. I'm familiar with Linda Ronstadt, but like in completely different contexts and the three of them together was really interesting. So, so the rabbit hole was, I was listening to that. I found a video of them performing on Johnny Cash's variety show from the '70s.

Tim 4:23

Oh, cool.

Johnny 4:23

Yeah.

Andy 4:23

And then I was watching some of Johnny Cash's variety show from the '70s and June Carter was on in the late '60s with the Carter family, like her two sisters and her aunt, um, Mother Maybelle. And like, I think that her mother Sarah was also on there. And then I was just like, just watching like the life of Sarah and Maybelle and A.P. Carter and just like where they came from. And just like, like Mother Maybelle seemed like a strict lady.

Tim 4:52

Like, I don't want to cross her. So it's only like, it's gonna be like a week and you're gonna be like, well, I'm on episode 9 of Ken Burns' Country Music. I'm almost done with it.

Johnny 5:01

Exactly.

Tim 5:02

I've watched 15 hours of country music documentaries.

Johnny 5:05

Yeah.

Andy 5:05

I, I watched this like, this movie about the life of like the early Carters and like how Maybelle and Sarah and AP, who was Sarah's husband, one of their husbands, they were like touring and like they were discovered by like a, like a producer. It was very much like a, um, Oh Brother, Where Art Thou? Kind of a situation. 30 Minutes is probably based on that.

Tim 5:26

Yeah. Bristol, Bristol, Tennessee, right down the road.

Andy 5:28

Really?

Tim 5:28

That's where, that's where they recorded. Like I've been to the place where they recorded.

Andy 5:30

Yeah.

Tim 5:31

It was like the, that's what they call the birthplace of country music. Cuz there was like some little studio that recorded a bunch of these people like really early on that got interesting.

Andy 5:39

And, uh, so apparently A.P. Carter was like an itinerant and like fairly, I don't know if I, I think he was a drunk and he, at one point they were getting ready to record with this, this producer and he just sort of like wandered off. And the producer was like, "Where's AP?" And they were just like, "Oh, he does this sometimes. He should be back in a month or two." And the guy was just like, "Um." That's amazing. "No." A month or two. And so they changed it from like the Carter family to the Carter sisters. And because it was just them. And so he joined them occasionally after that, but they were really the ones that took momentum.

Tim 6:11

He would just walk out of the woods, everyone smiling, just, "Oh, hey, hey, he just does that." Anyhow.

Andy 6:17

That was a fun rabbit hole. I knew who June Carter was just because of she and Johnny Cash. And I knew that there was a Carter family, but I didn't know anything about them. So that was a good just kind of rabbit hole. And I am writing in my Golden Gate Field Notes in this kind of like a leather case that I've been like playing with that a while ago I spilled coffee on. And it's kind of hard to see if you're looking at the video, which by the way, if you support us on Patreon, you can see it, but like, there's this big kind of blister from where I just spilled really hot coffee on it, which I really kind of dig. I think it looks— makes this cover look really cool. So, uh, that is— oh, and I'm writing with a Travel Pen Co pen, which like I, I forgot. I'm in the office today and I forgot to bring any writing instruments with me, so this was just in my, in my bag.

Tim 7:04

So that's cool.

Andy 7:05

Nice little ballpoint.

Johnny 7:06

I like that.

Andy 7:07

Yeah.

Johnny 7:08

Yeah.

Andy 7:08

How about you, Johnny?

Johnny 7:10

I've just been like watching TV and taking naps a lot because I've had this cold for 2 weeks I can't get rid of. Did you guys see The Gentlemen? Season 2 came out.

Andy 7:19

I haven't seen The Gentlemen season 1.

Tim 7:21

Okay, so I've never heard of The Gentlemen.

Johnny 7:24

It was a movie with Matthew McConaughey about this drug cartel that grows weed underneath of English estates where like the owner has a title but they need money. So, um, then they made a show and Guy Ritchie did it. I think I actually did the movie too, but then season 2 just came out and it's like crazy.

Tim 7:42

It's wild.

Johnny 7:42

It's really cool. The first episode of the first season involves somebody having to dance like a chicken. And no spoilers, there's a lot of cocaine and a shotgun. It's like, whoa, it's really cool.

Andy 7:56

No spoilers. Yeah, just like a chicken, cocaine, and shotgun.

Johnny 8:00

If you see the trailer, like a normal Tuesday to me. Yeah, yeah, yeah. And, um, yeah, and similarly, Grantchester, the show, the Masterpiece show about the country vicar in, uh, mid-century England. I'm watching the last season of that. I have like one more episode to go. So have you guys seen that show before? No.

Andy 8:19

Is it like The Vicar of Dibley?

Tim 8:23

You just made that up.

Andy 8:23

That's not— it is a, uh, it's like a sitcom from like the '90s in England, and she's— it's this woman vicar who comes to a small kind of conservative village, and it's hijinks ensue.

Johnny 8:36

No, this is, um It's a vicar who is really good friends with the police detective and helps him solve crimes, kind of like Father Brown, but he's not Catholic.

Andy 8:46

I have not seen it, but I've seen clips of it. It's like a little— it's like a little campy, right?

Johnny 8:51

No, it's like—

Andy 8:52

no, is it gritty?

Johnny 8:53

The rooms are kind of smoky because it's the '60s. Okay, it's the '60s now, but, um, they've gone through like 3 different vicars and like, it's a good show. It's not too wholesome. Yeah, two of the main characters are like openly gay men, so there's a season where one of them is in jail for just being who he is, and then all of his friends like bust him out. It's cool, it's a cool show, surprisingly good acting in it. And I have started reading this really big book that everybody who does— makes books has to read called The Art of the Fold by Heidi Kyle. That's about like making books that involve folding and like tucking and stuff like that. It's really interesting stuff. Or if you're like, you know, bored with normal books where you just turn the pages, this is like, hey look, it's a cornucopia of envelopes. And that's cool. It's cool. Look, and I've been writing with— I don't know if you guys have seen this, it's the Asvine C80. I don't actually have it in my hands, but it has a number 8 nib, so it looks like a normal size pen until you hold it and you're like, holy crap. It's like a baton.

Andy 10:00

And like, do you have it right now with you?

Johnny 10:02

It's in another room.

Andy 10:03

Okay.

Johnny 10:04

But, um, the feed is so big, for a long time I thought it was leaking, but just my hand kept touching the feed. It's going down so far. But, um, they're like $30, um, no clip, and they're made of really pretty resin. They're really cool pens. Mine's called Green, but it's actually Blue.

Andy 10:20

I feel like the S-Fine pens are like— are they either new to the market or newly discovered? Because I feel like I just heard of them like a couple episodes ago.

Johnny 10:28

They've been taken off. They put out some ebonite pens that are like not cheap, which is cool, but there's already a company doing that, but they're like way more expensive. So it's fun. Their quality control is really good apparently. I mean, I've only had a couple, but everyone I've had take it out, it writes perfectly immediately. They don't feel cheap, if that makes sense. But, um, this as a nod to Andy— let's see if I can get this to show up. Nope. Maybe. Yeah, it's a new color from Girbonne. It's forest green. It's really pretty. It's very rich. I have to pick that up.

Tim 11:04

I want to try that one.

Andy 11:05

I don't know if it can like usurp my Sierra, like, Lierre Sauvage, the wild ivy color, but like, I would love a forest green.

Johnny 11:13

Yeah, it's darker, it's more blue, but it's not like spruce blue. That makes sense. Yeah, that's what did it. Amaranth, that's really nice for fall. And I didn't try it yet, but they have a nice iris.

Tim 11:25

Nice.

Johnny 11:25

Um, I'm using that and a very tiny Cedar Pointe. And do you guys remember the PaperMate American Naturals? They were green with a green ferrule.

Tim 11:33

Yeah, yeah.

Johnny 11:34

For a very short time, they were yellow and cedar, and they had a pink eraser, and they were so pretty. And I was using one and sort of like looking down and I didn't realize that the foil is blue. So they're like instantly one of my favorite pencils. So I need to find more because they're really specific. I think I have a dozen or two stashed away if you guys are interested.

Tim 11:58

Wink wink wink.

Johnny 11:59

But, um, indeed, I don't know. I'm just currently writing on a scrap of paper, but it's very nice paper.

Andy 12:06

Super nice paper.

Tim 12:09

Yeah, so I have been consuming a book. And so I've read a lot of Beatles books over the years. Like, I've read and listened to, like, I don't know, 10 of them or something like that. Uh, and I just got a new one that came out pretty recently, and I think it's my favorite, at least, like, for me. It's like, I've read the individual biographies, and I've read books just kind of like about the Beatles in kind of general, but it's a new one that came out that's specifically, it mentions all of them, but it's called— it's about John and Paul, and it's called John and Paul: A Love Story in Songs. And so the organization of the book is every chapter is a song. So it's like, he uses like what was happening in writing that song and why. So maybe I really am liking it so much because of the songwriting aspect, because they're talking about like what makes this song really amazing, but also like what was going on around this song and when did they write it, where they, you know. And it's really, really good. I'm only maybe 10 chapters in so far. Like, it was— they're just really cool insights in it. I like about She Loves You, which was one of their first big hits, and the way they described it is like, oh well, this song technically is like two guys, friends, bumping into each other on the side of the road and having a conversation about their— one of their girlfriends in a way that at the time would have seemed like a feminine conversation to be like talking, because guys didn't go around, you know, giving each other advice. So I'm like, oh no, she loves you, she really loves you. Yeah, yeah, yeah, promise.

Johnny 13:33

Yeah, yeah.

Tim 13:34

Yeah, she loves you. So, so that was like a cool insight I'd never thought about. They're like, that's one thing about the song that was really unusual because it was like, that wasn't the kind of conversations that guys had. So, and that was interesting. And then also just talked about even the chords, like it starts on the minor, starts on a minor chord and then shifts over like things that they like were explaining why that song, like if you go back and listen to it, why it sort of like hits you like a waterfall, like it's sort of like or like an avalanche, like it's like coming and then, and then it like goes into the song. So it's a great book. I'd recommend it to any Beatles fan and definitely if you have any interest in like songwriting, cuz they get into not like super gritty details. It's still like anyone could read it.

Johnny 14:15

Mm-hmm.

Tim 14:16

But, but yeah, so that's been really good. I went to see the Oasis reunion documentary in theaters cuz it came to Johnson City. I have no idea why. For like 4 days, I was the only person in the theater and I had the best time. It was so great.

Andy 14:35

I have been in movie theaters when there's only been 1 or 2 other people and it's the best.

Tim 14:39

Yeah, it is. It was awesome. And the documentary was amazing. It was so good. It was really like uplifting because it's all like about— a lot of it is about the people who went to these shows who've been waiting for 15 years to hear them again. And so it's, you know, it's not like rehashing all the like beefs between the brothers. It's actually like really positive. It was so good. So highly recommend that to anybody. But it was funny because they only had two showtimes, and for one of the showtimes was like, I couldn't go because it was just the wrong time of day. And I was like, I'll go to this one, but it's, oh, that's weird, it says it has— that's— but I found it really funny because I was like, oh, that's hilarious, because it says it has like automatic subtitles for it. And I was like, that's so funny because they speak English, you know. And then I went and I was like, Thank God I went to this one because I couldn't understand what they were saying. It's like their thick, you know, Manchester accents.

Andy 15:31

And it was like, if I didn't have the subtitles, I wouldn't have gotten it. They're speaking the same language originally, allegedly.

Tim 15:34

I would've been like, wait, what's going on?

Johnny 15:36

Like, what's happening?

Tim 15:37

Because they're talking so fast. It's one thing when they're being interviewed and like talking straight to the camera, but when they're talking to each other, you're like, what's, what is happening right now? So I'm really glad I chose that one. I thought it was so funny that that even existed. In the first place. So that was great. I also started watch— or I didn't start watching, I started watching and finished watching Tires. Have you guys watched Tires?

Andy 15:56

Mm-hmm.

Tim 15:57

The Shane Gillis show on Netflix.

Johnny 15:59

Hmm.

Tim 16:00

If you, if you're a Shane Gillis fan, like, but it's, it's a standup comedian. He's the guy who is like, he kind of rubs people the wrong way. He was on SNL and then was kicked off SNL because he said something on his podcast or that guy.

Andy 16:13

That's right.

Tim 16:13

But the show is really funny. It's pretty irreverent, but—

Andy 16:18

Tim, is he the one who was George Washington in like those skits on SNL? Like—

Tim 16:23

That's Nate Bargatze.

Andy 16:25

Okay. I think I get the two of them confused.

Tim 16:26

Okay. No, they're very different vibes.

Johnny 16:29

Um, okay.

Tim 16:30

But he's, he's just kind of like big, you know, he's— I like him a lot. I think, I think his comedy's really funny. Sometimes he says things and you're like, oh geez.

Johnny 16:36

Okay.

Tim 16:36

I'll just skip that. But the show is about him and his cousin, the character, his character, and then his cousin who are, taking over his cousin's dad's tire shop. There's like 3 seasons, really short, but it's very good. I watched all 3 seasons in like a week, just like blew through them.

Andy 16:56

I think I've seen a trailer for this.

Johnny 16:57

Yeah.

Tim 16:57

Yeah.

Andy 16:58

It sounds familiar. Just like really intense. Like somebody's just kind of like drifting and somebody's like really intensely trying to like keep this tire shop running and yeah.

Tim 17:06

But his like goofball cousin keeps like messing with him and doesn't take anything seriously. But it's also like, there is like a, you know, behind it there's kind of like a, A lot of like good messages about like friends caring for each other and like, what does it mean to like, you know, take over a family business? And, but it's set up like The Office or something where there is like a, an overarching storyline, but every episode kind of stands as its own little story. So it's not like an episodic, like, oh, you gotta see what happens next. There's a little bit of that, but you can kind of jump in anywhere. But it was fun.

Johnny 17:37

Nice.

Tim 17:37

It's a good show. And writing, I have resurrected— I think this was the first Pilot Metropolitan that I ever got, this guy right here. And it was the one that I had put— when I had to— you used to have to buy the Plumix and like take the medium stub nib off, or the italic nib, and then slide it in. And I just— I haven't stopped using it since I reinked it up. It's just such a fantastic pen. I love this thing so much. And I think this is my favorite ink now that I'm still using. So it's in the green ink family, but this Aurora Borealis.

Johnny 18:12

Oh, that is a nice one.

Tim 18:13

This one is so good. You can see it's like a sort of a turquoise-ish, like a dark turquoise.

Johnny 18:20

I love it.

Tim 18:21

I love writing with a medium metallic nib. It's the best.

Johnny 18:24

Um, that's a very specific statement, but I think everybody listening is like, yep, yep, you're talking to the right people.

Tim 18:31

Yeah, they're my people. But it's just been a— it's been a joy. Because I have nicer pens and I even got that Nuvolur, whatever, Narwhal pen recently, which I, I like a lot, but I find myself picking this up more often lately. Those are the two that I have inked up and using right now. I actually think I need to switch the nib on the Narwhal back to the medium one because I, I got a fine nib and a medium nib and I think the fine nib's just like not doing it for me. So I'm gonna switch that back.

Johnny 18:55

There's too much of a difference between their fine and medium.

Tim 18:59

Yeah, I need to, because I haven't used the medium with like the ink that I'm using now. So I think I'll switch back, see how it is. Cool. So how about Fresh Points, Andy?

Andy 19:09

Yeah. Keep it quick. I think we alluded to this in a previous episode, but I wanted to mention it again. If you, uh, if y'all need a book to read, pick up a book that just came out earlier this week called Against Convenience by Gabe Bullard, HarperCollins book. It's really good. I think we're probably going to interview him at some point in the near future. Um, I need to like talk to the publicist and schedule a time, but it's really good. It's not about like an anachronism. It's not about like, oh, hey, I'm going to go like listen to records because they're better. And I'm going to go use a pencil because it's like more tactile. Like it's not a kind of a, like a Luddite thing. But what it is about is just like the, what all of these like little digital conveniences we have are kind of doing to our brains and what the kind of hidden cost of that is like every time we get like a DoorDash order or, uh, same-day Amazon order. Like, it's very convenient for us, but it sort of like subtracts convenience and goodwill from somebody else's life. And it talks a little bit about like, it's kind of like Enchitification by Cory Doctorow. It talks, it's not like, it's like pragmatic anti-capitalism, right? Like, it's like, hey, here's some like little things that he's trying to do to make his life just a little bit more wholesome and a little less convenient, which counterintuitively is making it better in a lot of ways. So yeah, good book. I'm maybe a quarter of the way through. I need to continue, but it is out now. So y'all should pick up a copy. Ironically, you can get it as an ebook, um, as like from the Amazon site, but, uh, you can also get a paper book too. So, um, pick that up if you want to take part in a near future Erasable book club. We'll give you at least, let this count as your 2 or 3 week notice for that. So that is all I have. Link in the show notes.

Tim 21:02

Cool.

Andy 21:03

Johnny, how about you?

Johnny 21:04

Uh, the only Fresh Point I have is that, uh, Musgrave has some new Halloween stuff out, including a new Seras, which is black everything.

Andy 21:14

It's so nice looking.

Johnny 21:16

Like, oh my God, they're in my cart. I'm gonna order them later when I finish adding stuff to my cart. That's one question, but like The box is all black with black imprint. I'm like, Jesus.

Andy 21:26

Yeah, they're, um, they're really doing it with the series. Like there's, yeah, that, that was what they used for the like America 250 pencils, right?

Johnny 21:34

Yes. And they're sold out of the gross of those.

Andy 21:37

Okay.

Johnny 21:38

So if you want a dozen, another dozen, I would pick 'em up.

Andy 21:40

I'm using at home, I'm using the red, uh, one from that pack and I just like that, that paint is so much like nicer and deeper than I thought it was going to be like compared to so many Musgrave Pencils.

Johnny 21:54

And I think they're still $9. The black ones are $9 for a nice dozen in a custom box.

Tim 22:00

Damn. Yeah.

Johnny 22:01

How are y'all in business? Tell me your secrets. Yep. That's, uh, that's all I have. Shout out for Musgrave News. Cool.

Tim 22:09

I have one, two things. One really quick thing. It was just a cool interaction I had. It was actually over YouTube. Uh, there's, I follow a lot of YouTube channels of guitar players, obviously, like And there's, there's a lot of session guitar players in Nashville, and I was watching one. There's this guy, his name's Justin Nostrander, and he's played on everything. He's played on like a million different records. And in his video, he was talking about— he decided to do a video about like what he takes with him to every single session. And I was watching, and he didn't mention anything specifically, but he was going through all, like, going through all the stuff. And then he said, also, I always take a pencil. He like held one up, and I kind of recognized that it looked like a Tombow or something. And he said something about how he's like, I've actually become like kind of obsessed with pencils. And so I really, you know, and this is—

Andy 22:57

you're like, excellent.

Tim 22:58

Yeah, yeah, exactly. And so, because he said, you know, they have to write out charts all the time and make notes on their charts and redo things or whatever. And so I sent him a message, and I just, just to say, hey, I love the video, this is interesting, I actually do this podcast, and You know, happy to like share some pencils with you if you want anything. And he responded and, and he said like, oh no, he did mention specifically the pencil cuz the pencil that he was holding was the, yeah, that's right. It was the Blackwing Volumes 33 1/3. He's like, cuz he likes the grip, grippiness of it. And of course the theme is, the theme fits. So anyways, I had this like cool interaction and he was telling, yeah, oh, I love Tombow 2558s. And I said, you should try the Mitsubishi 9850. And then he responded and told me that like actually a, a lot of session musicians are becoming mild pencil nerds, which I just thought was like really fascinating.

Andy 23:48

You should invite him on the show.

Tim 23:49

I could try it. He seems like busy. I mean, he's playing on like, you know, Luke Combs records and, you know, all these like big country stars. Like he's kind of like in high, high demand, but also he's a session musician, so he's probably got time on his hands.

Andy 24:05

When he's not in the studio.

Tim 24:05

But I'd love to because he's a really cool guy. I love his channel. Yeah.

Andy 24:08

I would love to understand. I don't think we've ever had anybody with that niche talking about like musical notation with pencils and mm-hmm. Yeah.

Tim 24:16

Yeah. And they do it about it, but yeah, they do it where like they have to write out like a chart. Like they write out like, oh, this song is one, like the chords, like 1, 2, 4, 5, you know, whatever. They chart out the chords so that if they change keys, they don't have to change anything on the paper, but they can like sort of make notes and stuff.

Andy 24:31

Yeah.

Tim 24:32

And the other thing I was gonna bring up is that, uh, Blackwing came out with another Fender collaboration. Uh, so they did the Stratocaster Pencil and Notebook. I don't know when that was, a year ago, something like that. And they just came out with one for the Telecaster, which is like my I mean, that's my, I love Telecasters. And so they came out with a new notebook and pencil dedicated Telecaster specifically.

Andy 24:53

Oh, go ahead. I was, please continue that I'm gonna ask you a question about guitars from, that's probably stupid.

Tim 24:58

No, I love questions about guitars. Nobody asks me questions about guitars in my house.

Andy 25:02

Go on.

Tim 25:02

Um, no, ask me now. Yeah, but it's a collaboration with the Telecaster, specifically the butterscotch colored original Telecaster, which I just couldn't help but feel like they I'm sure this is a Fender decision, so I'm not blaming Blackwing, but they don't— people don't call them butterscotch blonde Telecasters. They call them Blackguards, which is like their like nicknames, which would have been such— that would have been a perfect name to, uh, to incorporate into the Blackwing collab. You know, Blackguard Blackwing. But they're pretty cool. I ordered some like the day they announced them. They still haven't gotten here. They get here tomorrow, I think.

Johnny 25:37

I don't know.

Tim 25:37

It's taken a long time, but, uh, and there's a notebook that has like a butterscotch silhouette of the guitar on the front with black around the borders. And then on the backside, it's all the butterscotch color. So I'm really excited for that to come in. But it's, it's a butterscotch blonde barrel with a black ferrule and a yellow eraser. And I'm, I'm pretty excited for that to come out. I'll be here tomorrow. So I'll tell you guys.

Andy 26:03

So we're like the Volume 725, the first ever Blackwing Volume. What guitar is that?

Tim 26:11

That was a Stratocaster as well.

Andy 26:12

Okay.

Tim 26:13

It was, that was specifically Bob Dylan's Stratocaster when he went electric, like the one he played at the Newport Folk Festival. That was what it was dedicated to. So then they came out with another Sunburst Stratocaster pencil, but whatever.

Andy 26:27

So, so now they have 3 different Fender guitars. It's like they have Blackwings of 3 different ones. Okay. And so what are the other, the other 2 they just came out with?

Tim 26:35

No, 2 technically, cuz they're the, the 2, the collabs, like the official collabs, it was a Stratocaster and a Telecaster. And then the one way back, the first volume was a Stratocaster as well. Okay.

Andy 26:46

Just 2 different patterns of Stratocasters.

Tim 26:49

Yeah. Or just a different approach. Cuz I think they technically both are like about the sort of sunburst look, like where it's like fades from black to brown to yellow. Uh, but the first one was about like a specific guitar cuz it was about Bob Dylan. So, and so technically only two different guitars.

Andy 27:04

And so what's the difference between a Telecaster and a Stratocaster?

Tim 27:07

Oh, shape, briefly. So Stratocaster is the one that has like the two horns that come up on either side.

Johnny 27:12

Mm-hmm.

Tim 27:12

Well, like, and then the Telecaster is the one that has kind of like a rounded hump and then on the other side has a horn. And then, so that's the shape difference. And then they have different pickups, like wildly different pickups. So, uh, Stratocaster, think of like the sounds of Pink Floyd or something, be kind of smooth and not as like harsh. And a Telecaster is like country music, like it has that real twangy sound. And that's the best way I can describe it briefly. It's like kind of like that country twang sound with a Telecaster. And then a Strat can be like Hendrix, that sort of big Hendrix sound, or like the big Pink Floyd sound.

Johnny 27:50

So yeah, cool. If they don't do a bass one next, I'm gonna just weep. And like put it all over the internet.

Tim 27:55

They should totally. I, I, if they do one more, it will 100% be a P-Bass. Oh, 'cause that was like a big deal. P-Bass is like they invented the electric bass and then no one has improved on it since.

Andy 28:08

I think that pencil should be extra long.

Tim 28:11

That would be awesome.

Johnny 28:12

Should be like fatty pencil with a ferrule the size of a sandwich.

Tim 28:16

That would be so funny if it was like an extra inch and a half. Long. It would be so weird to write with that thing.

Johnny 28:22

It's charcoal.

Andy 28:24

Very deep and black.

Johnny 28:28

So yeah.

Tim 28:29

So that's, that's what I've got for those Fresh Points. I'm looking forward to getting those tomorrow. I'll send you guys some, some footage. So, so yeah. So let's get into our main topic. So we're going to be talking about, uh, this is part 3 of our 3. That's this many fingers. Part 3 of our Pencil Primer. And yeah, Johnny, you want to get us, get us started?

Johnny 28:50

Sure. You might have noticed that we missed one of the ends of the pencil. We talked about what's inside a pencil, and then last time we talked about the outside, mostly the wood. So we didn't talk about the other end of the pencil, which if you have like a stenography pencil could be sharpened, but usually it's something, especially in the United States. So, um, how many of these should I do?

Andy 29:13

Yeah.

Johnny 29:14

I'll switch to good.

Andy 29:15

No, I can—

Johnny 29:16

How about that?

Andy 29:17

Yeah. I can give it a little pause and I'll, I'll like pick it up right after.

Johnny 29:21

Yeah.

Andy 29:22

Yeah.

Johnny 29:23

You wanna start on the rubber part?

Andy 29:26

Yeah. So yeah. So erasers, as we've certainly talked about before and other people have, once, once people kind of figured out that you can, like, once you make graphite marking, you can erase it. It wasn't even a rubber thing at first. Like, I think we've, talked about it a few times on here, but like people used to use stale bread to like erase their pencil markings, which I've always meant to try and I never actually have just because like the last thing I should be doing is just, yeah, just rubbing some stale bread on some paper. Yeah. So they would use breadcrumbs to get pencil marks off of the bread since anything that could break that kind of static cling that makes the graphite stick to paper sticker, uh, paper fibers, uh, would work. So that would work. Um, ooh, have you ever tried rubbing like a balloon, you know, you can rub balloon on your hair. I wonder if you can rub balloon on a pencil or pencil markings.

Johnny 30:15

Would that work with the latex?

Andy 30:17

We should do a little, just a little test. Well, I mean, if you can rub balloon on a pencil or pencil markings. Would that work with the latex? We should do a little, just a little test. Well, I mean, if you're—

Tim 30:20

Like a little Mark Rober video.

Andy 30:22

Yeah.

Tim 30:22

We can just, like, do a bunch of experiments. Will it erase?

Johnny 30:26

Find— We're gonna jump into this— A non-lubricated condom, see if that works.

Andy 30:29

We're gonna jump into a pool full of graphite.

Johnny 30:33

So yeah.

Andy 30:35

That'd be a fun, like, little video. Just like, see, yeah. Like, will it erase?

Johnny 30:39

Yeah.

Tim 30:39

It's like a, it's like an old David Letterman bit where they would do, uh, will it float? You remember that?

Andy 30:47

Do you remember the guy, uh, will it blend?

Johnny 30:49

Oh no.

Andy 30:50

Like he, he would shove a bunch of stuff in blenders and I remember the, when the first iPhone came out, like 20, in 2007 or '08, like he, they were really hard to get and this dude put an iPhone in the blender. Turns out an iPhone does, does blend and produces this black smoke that is not anything I would ever want to inhale.

Tim 31:09

Oh, gross.

Andy 31:09

Yeah.

Tim 31:10

Yeah.

Andy 31:10

Anyhow, back to, back to eraser.

Tim 31:12

So yeah.

Andy 31:13

So that, that's, that's a way that you could, uh, that you could do that.

Johnny 31:19

Yeah. Yeah.

Tim 31:19

And then so Edward Nairns is the name that Johnny has in here, which is, I don't think I knew the name, but yeah, eventually we're moving into the use of rubber erasers, which was like in the late 1700s. And there's a guy, you might have heard of him, his name is Goodyear.

Andy 31:39

From, from the blimp.

Tim 31:40

Yeah, from the blimp and the tires came up with the concept of vulcanization. So they were able to create rubber erasers, I guess like faster and like much more like efficiently where they could make it from materials as opposed to in sort of raw form.

Andy 31:59

And I think the, the vulcanization did a lot of refining so that the rubber wouldn't just sort of, cuz rubber was just like sap from a tree, right? Like I think the vulcanization made it so it doesn't just sort of like get gross and sticky and gooey. And when it like, you know, get, when it gets older, it gets harder, right? Like that's sort of the, yeah.

Johnny 32:17

And you could put stuff in it. Yeah. I forgot to put this in there. Pink erasers are pink because of the color of the pumice they used to put in there.

Andy 32:24

Oh, that's right.

Johnny 32:25

Mm-hmm. Oh, cool. Now, you know, this plastic.

Tim 32:27

Yeah.

Johnny 32:28

Yeah. It works better.

Tim 32:29

Now, like, my, I remember growing up, my mom did architectural renderings and she would always have those, like, putty erasers. Ah, so fun. So are those, yeah, those are so fun. But are those still, that, I mean, that's vulcanized rubber, but it's just, like, combined with something to make it squishy like that. Do you know? Or is it, like, less vulcanized?

Johnny 32:44

I don't know if it's even rubber. Cause, like, most erasers that aren't art gums anymore are Synthetic.

Tim 32:51

Okay. So it might be synthetic.

Johnny 32:52

Like little white block erasers. They used to be vinyl, but they phased it out.

Andy 32:56

So according to Wikipedia, the kneadable erasers are made either of vulcanized rubber, um, or, um, or synthetic polymers.

Tim 33:05

So I think raw milk.

Andy 33:08

They have, they have polyisobutylene, which is a viscoelastic synthetic rubber that is also used in chewing gum. So that's.

Johnny 33:15

Hey.

Tim 33:16

Great.

Andy 33:17

And sealants and inner tubes.

Johnny 33:20

Yeah. Yeah. Yeah. Yeah. Yeah.

Tim 33:24

Cool.

Johnny 33:24

So, okay. Sorry.

Tim 33:27

Go for it.

Johnny 33:28

Okay. So until 1858, when Hyman Lippmann patented the pencil with the eraser, you never had them together. But there are two cool facts about this. First, the rubber was inside the wood. Like lead is, but it's on the other side, so you'd have to sharpen it to pull the eraser out, which is like, oh yeah, so the other side would have a little point and you would just use that. Yeah, yeah, I have a couple examples around. They're like, they're so pretty. And this was back before they started really painting them, so they're all just like really nice round wood. And, um, I remember this, right? Hyman Lippmann sold his patent to was it Faber-Castell or something, or Eberhard Faber, one of those companies, for like, I don't know, $100,000. And then they sued somebody, and a judge said that patent was invalid because you didn't invent anything new. So Hyman Lippmann just like ran away with money.

Andy 34:23

He got his—

Johnny 34:24

like, love it.

Andy 34:26

Good job, Hyman.

Johnny 34:28

Yeah, yeah. So I gotta go. This was before, um, pencil sharpeners, when people were still just using knives. So I wonder They stopped doing that with the advent of pencil sharpeners because putting the rubber in there would totally screw it up.

Andy 34:42

Yeah. And I feel like you would be wasting so much rubber too. So another, another thing which I, I feel like is always when I can tell that there is a pencil person is when they know what a ferrule is, right? Like, so that's like a nice little dog whistle for pencil people.

Tim 34:57

True.

Andy 34:58

So, so after a while, like after they start—

Tim 35:00

like a code word where you walk up, you say ferrule and they're like, the, the Talking about pencils. Ferrules sent me.

Johnny 35:06

Yeah. Yeah.

Andy 35:06

So kind of after erasers started being like a little, like a little tiny blob that they put on the other end of the pencils, eventually they started, uh, using little metal barrels to clip that together called a ferrule and other things that ferrules, I'm trying to remember.

Johnny 35:20

Paintbrushes. Where else?

Andy 35:21

Paintbrushes. And also kind of like.

Johnny 35:24

I found it this summer, kayaking paddles.

Tim 35:26

Yes.

Johnny 35:27

Yeah. Yeah.

Andy 35:27

Yeah. I've heard it on things like that before. Yeah.

Tim 35:30

I just realized that we could have called our podcast The Ferrule Animals.

Johnny 35:34

That would've been awesome.

Tim 35:36

We, I'm gonna start a band called the Ferrule Animals. Yeah.

Andy 35:39

We had an early, I mean, do you remember when we were brainstorming like names for this? I think that the Ferrule Files was on the table.

Tim 35:45

Oh, okay.

Andy 35:46

And eventually Johnny, you, you made that a, we had a little news, like newsletter for a while.

Johnny 35:50

I think we called it the Ferrule Files. Oh man. Yeah.

Andy 35:52

Gosh. Yeah.

Johnny 35:52

Gonna bring that back.

Tim 35:53

Um, it's a long time ago.

Johnny 35:54

Yeah.

Andy 35:56

All of our various like content needs. So, so eventually they started putting that on there to attach smaller but wider pieces of rubber, which I think just allowed for extra. Extra canvas, right? Like to distinguish a brand or model of pencil. So you could kind of like stamp that on the end. And, and certainly like it helped, like Ticonderoga had that signature green ferrule, right? Like other companies had like these really gorgeous, man, like there used to be so many cool ferrule patterns and now I feel like we have 3 standard ones or something. Blackwing notwithstanding, like you can always, I feel like I can always tell a Musgrave Pencil because even if the ferrules are differently colored, they all have the same sort of design, rivets, lines, rivets, things like that. So yeah, I also have, um, a couple examples of ferrules with plastic, like, um, like melamine ferrules, because during World War II, uh, they're doing a lot of metal rationing. So I, um, I can't remember what the brand is, but I have, yeah, something with like a Bakelite. Ferrule and I dare not use it because that thing would just snap instantly.

Tim 37:04

And there's also, um, and back in the old days when there was actually a reason for making things crappier, now they're just like, let's just make it crappier. We'll make more money off of it.

Andy 37:12

For the troops.

Johnny 37:12

Yeah.

Andy 37:13

There's a Target pencil that is exceedingly poor quality that has a, like a purple plastic ferrule. I'm trying to remember the brand of that, but it's like the, it has that dyed wood and like, it's a very kind of like Wopex feeling. Core.

Johnny 37:27

Oh, I know what you're talking about.

Andy 37:30

Yeah, yeah, that's it, that's it.

Johnny 37:32

I do think that they have one right here.

Andy 37:35

I do like their plastic ferrule.

Johnny 37:37

I think it's kind of cool looking, but yeah, yeah, they used to make those. I don't know if they still make them. They were— the ferrule was a color and the wood was a color, and then there was another finish color on top, so they were like bonkers. Millennial yikes.

Andy 37:54

Yeah. And it's funny cuz like having grown up, I'm sure you guys grew up in the US, so like I, my exposure to pencils was definitely with an eraser on the end of it. And so I find it really great for, um, counterbalance. Like it just feels, it feels really good to hold and it's, you, it's a little bit like, I don't know, using a sword or something like that, like a little tiny. Little tiny wooden sword. Like, it has a nice counterbalance on the end.

Tim 38:21

Like posting a pen. Like, some pens you just like really— yeah, it's just like a totally different experience if you post the cap on the back of it or if you, if you write with it.

Johnny 38:27

What? I never ever post a pen. Well, I'm that jerk that like holds the Sharpie cap in my hand because I don't cap anything anymore.

Tim 38:36

Oh, even the Sharpie?

Johnny 38:38

Okay. Nope.

Andy 38:39

Yeah.

Johnny 38:39

All right. Even like a Bic pen, I'm like holding the cap.

Tim 38:41

I find it really satisfying with these, like the The eraser, the Uni-ball erasers, cuz they, they go pretty deep down on the pen. Yeah. I like those.

Johnny 38:50

I shouldn't tell you this. They have new barrel design. They're really cool. They're colorful. Yeah. Thanks, Johnny. It's the right—

Tim 38:57

see you at Amazon.

Andy 38:59

And, uh, but that's an American experience, right? Like having the eraser. I know, Tim, like there's other places don't have erasers, right?

Johnny 39:06

Yeah.

Andy 39:07

Yeah.

Tim 39:07

Like if you go and buy pencils that are made in Germany. In the UK, India, Japanese pencils, like famously don't, most of them don't have, have erasers on. So like, I mean, I'm a big fan of, we're, we're big fans of the Tombow Mono series and things like that. And of course Faber-Castell pencils will often not have a, do Faber, do they make a pencil with a, I'm sure they do make one with a ferrule on it, but I just like everyone I've ever owned has been, yeah, just a solid pencil or has like a cap on the end of it. And, um, they usually skip it, I guess, because of having a, they'd rather not have a terrible eraser on the back of a pencil. They'd rather have a separate eraser that is like a higher quality. All right. So they, they also, one thing you'll see when you shop at like a Japanese stationery store or something is that, yeah, the pencils won't often have erasers on the end, but they'll have a wide variety of awesome erasers that do different things or have different qualities. Um, I was thinking about those. Is it Tombow? The Tombow eraser? The like sort of iconic, like rectangular one that has the little sleeves?

Johnny 40:12

Is that Tombow?

Tim 40:12

Those are the best. I mean, I find those all over my house. Yeah. My daughter uses those all the time, even with pencils that have erasers. She does a lot of art. So yeah, also they last forever. They do. They last forever. So yeah. So some of them, you know, they'll, they'll be capped. They'll have some options, but I've discovered that most of my favorite erasers on pencils are from some of these brands. So it's like, if they're gonna put an eraser on it, it's gonna be a nice one.

Andy 40:37

Favorite kind of like colors and varieties of, of erasers on the tip. I think my favorite is like when it's kind of like that dark, like almost black, like the dark gray, just because it is, it's very sandy. And I feel like it doesn't leave off— what the pink ones, you get a lot of like debris, like, like shape, like, I don't know, crumbles. And with the white ones, you just kind of get like one roll, right? Like, uh, just kind of like one, Waste roll. And that's kind of the point of those, those, um, plastic ones is they, they're not very messy, but I like the Blackwing because I think A, it erases better and B, you get, it's like you get a sand. Yeah. Just like that. Yeah.

Tim 41:17

These are my favorite eraser pencils. The 9850EW that I mentioned earlier. But I love, yeah, you can see that. That's my favorite eraser that comes with a pencil. It's not like, uh, you know, some of the, if you can get a vintage Ticonderoga or something that has a working eraser. Those are pretty fantastic too.

Johnny 41:34

But yeah, yeah, even, uh, recent Ticonderogas with the synthetic rubber work really well. Mm-hmm. They're, I mean, you know, they're not pumice anymore. They just dye 'em pink.

Andy 41:44

Yeah.

Johnny 41:44

But I'm always a sucker for a pink eraser with a silver ferrule.

Andy 41:47

It's classic.

Johnny 41:48

Classic.

Andy 41:49

Yeah. Mm-hmm.

Johnny 41:50

Yeah. And even Ticonderoga, like if I line them up, like the green shades all vary. Like it used to be the Chinese ones were a different color than the Mexican ones. And different, um, ages are more green or more yellow. Yeah. It's kind of fun to like, you know, play a mind trick on yourself and just look at 'em like, I'm not going blind. They're different.

Andy 42:09

I do really like, like after becoming acquainted with like Japanese pencils and European pencils, I do really love just like a bright accent tipped cap on the end.

Johnny 42:18

Mm-hmm.

Andy 42:19

There's a, oh, my brain isn't working there. There's a really great Japanese pencil that's like, has a, like a deep blue barrel and then it has this sort of like fluorescent yellow cap on the end. And I just love that accent. It just looks so cool. And, and it kind of catches your eye when you're writing with it, cuz this like little, this little bright yellow, like pixel just keeps like swiping around in your view.

Tim 42:41

Yeah, that's nice.

Andy 42:43

Just pencil things.

Tim 42:44

Yeah, it is amazing with those, those brands like in Japan and Germany and things like that. They don't often leave it just empty on the end. Like they're going to use those caps and yeah, it's just like a sign of how much attention to detail there are. And especially in those two markets, we get the bright red that's on like, uh, Staedtler Noris.

Andy 43:06

Yeah.

Johnny 43:06

Mm-hmm. Noris.

Tim 43:07

Yeah. Noris. Like the bright red one. Like those look, I mean, it just looks amazing.

Andy 43:11

It looks like—

Johnny 43:11

It's like a cheap school pencil, but they use a different tip for everyone. That's so awesome. They did the white and then the color.

Andy 43:18

What else have people put on the end of pencils besides either cap or erasers? There's like some of those as well. It's like an eraser pencil that has the brush, right?

Johnny 43:26

Yeah, those are cool. Yeah, so, um, I have one somewhere and I couldn't find it, so I put a link in the document to one on Reddit. But they're— you ever seen like an old restaurant, they'll have an exhaust fan that looks like a weird cylinder with fins? It's— they had one of those on pencils and it was to dial rotary phones.

Andy 43:44

Oh cool, so interesting.

Johnny 43:46

It wasn't like— I think the end of a Bic 4-color is supposed to be for that, but these actually were bigger and they rotated themselves, so they work really well.

Tim 43:55

Interesting, that is cool.

Johnny 43:56

Don't chew on them. Just for example, I've seen stuff lately with, um, like a fidget spinner, and like you can kind of like take them apart, little plastic things. My aunts bought me some from travels that have like heavy metal end caps that are related to where they came from. The globe. Um, I have a really cool one from Athens with like a Greek god on it.

Andy 44:17

That's cool.

Tim 44:17

Oh, that's cool.

Andy 44:18

One of my favorite kind of novelty pencils is from, I think it's from like a gift shop that's somehow attached to the Supreme Court where like the end of the pencil, the pencil goes up and it's kind of T-shaped and there's two erasers that looks like a gavel. Very nice. Like I have a couple of those.

Tim 44:36

That's cool.

Andy 44:37

And I've seen those elsewhere too.

Tim 44:38

Pencil from the, uh, Hemingway Museum that instead of eraser at the end of it has a cat.

Johnny 44:43

A shotgun. Okay. Ooh, a cat.

Tim 44:45

Double barrel pencil.

Johnny 44:46

Yeah. A bottle of rum.

Tim 44:48

Yeah. It just has like a painted cat, like a sort of Florida, very Key West like stylized cat.

Andy 44:56

Cool.

Tim 44:56

Wooden cat on the end of it.

Andy 44:58

Can you send me a picture of that? I would love to see that.

Tim 45:00

And I might even find it. I even have extras that I might even wanted to send you. So I'll, I'll update out. It's, I have to find my, uh, You know, as everybody has big plastic tub full of pencils in the garage.

Johnny 45:11

Yeah. Yeah. There were, I don't know if the company's still around. There was a company called Sprout that made, um, mm-hmm.

Andy 45:18

Oh yeah.

Johnny 45:19

Cedar pencils and they had that green cap and you'd plant 'em. Yeah. And the end of it had etched into there what it was. So you could just like leave it there and identify the plant.

Andy 45:28

Fun fact, if you, if you do not, uh, ever use those pencils and plant them, but you don't leave them in like a dry environment, they just sort of just deteriorate. Oh, because it's like extremely water soluble on the end of that.

Tim 45:40

So yeah, they're gonna say, oh, if you left it in a moist environment, would it just start sprouting out of the pencil? I guess you're using it, you live in Florida and it's all humid.

Johnny 45:48

Another pencil to not chew on.

Andy 45:50

Yeah.

Johnny 45:51

Oh yeah, it's like turnips growing out of your ears, like, oh man. Yeah, graphite is a very good fertilizer, it turns out.

Andy 45:59

Really? No, no, you convinced me, Johnny.

Tim 46:04

I still save it for, uh, actually I was thinking about pencil shavings, using 'em for starting fires. Like I'll use 'em as like kindling in the fires cuz it smells like super awesome. Like when I make 'em in my fire pit and we bought this magnetic thing that holds dryer lint, like the, when, when you're doing laundry, it just like sticks up. It's like against our air conditioning duct that is right next to it. But I was like, I should get another one of those for pencil shavings cuz it's, it's this big, it would be awesome. I could like put it on this filing cabinet right here and you just stick it on and it's like a little magnetic cap that pops open. Like it just Drop my shavings in there.

Andy 46:35

Keep that away from any ovens or stoves or whatever though.

Johnny 46:38

Yeah. I don't think this counts as an end maybe, but there's the Faber-Castell Perfect Pencil where it has that cap with a sharpener built in.

Tim 46:46

Oh yeah.

Johnny 46:47

It is a pencil end if you put it on the end of it.

Tim 46:49

Yeah. Oh, now it has an eraser on it too.

Johnny 46:51

I didn't think I liked that little guy. It comes with— those things are awesome.

Andy 46:54

We, we of course can't not talk about the Blackwing Pearl, which is kind of its most distinctive thing and I think like if you're new to pencils and this is a primer for you, maybe you don't know about Blackwing Pearls, but they have the eraser inside is a little bit longer and it, it has a little clip. And so it extends. Um, and I think, I think the story goes, I, I have no idea if this is verified, but the story goes like the rate, the reason Eberhard Faber stopped making the Blackwings originally was because the single machine that like stamped out those ferrules broke.

Johnny 47:26

And oh, I heard it was the machine that makes the clip, the clips.

Andy 47:29

Yeah. Yeah. Sorry.

Johnny 47:30

Like why don't you just—

Andy 47:32

the tiny little, yeah. And they were just like, that broke. And they were like, well, guess we're not doing these anymore.

Tim 47:37

That's over.

Andy 47:38

Like how, and I imagine it's probably like, maybe it was the only one in the world that did this and to retool it or to replace it would have been just like so expensive.

Tim 47:47

Uh, maybe it makes—

Andy 47:49

yeah. Or that maybe the, the Blackwing was already on its way out and I just use that as an excuse, but yeah, that's just an interesting ferrule fact. It's just like, Yeah. Yeah.

Johnny 48:01

Yeah. I remember pencils were just like an afterthought. Get some pencils for school. Like what kind? I don't know.

Andy 48:08

But like the Blackwing, the Blackwing was never an afterthought, right? Like it was always a very good quality pencil and that was like its whole thing. And it's maybe you bought those on purpose. Yeah. And they weren't cheap even when they were new. They weren't like expensive as they are now. But like, like I feel like, yeah, people were, people who really loved pencils were like, buying the Blackwing and I guess, well, at that point, at that point it was, it was still Faber-Castell, right?

Johnny 48:33

Like it was, yeah, I think they hadn't sold, it was getting ready to, they were getting ready to start writing Sanford on stuff.

Andy 48:40

That's right.

Johnny 48:40

By then.

Andy 48:41

Yeah.

Johnny 48:41

But not, I don't think they ever put it on a Blackwing.

Andy 48:44

Sanford was kind of the death knell of a lot of like legacy stationery brands like that when they bought out.

Johnny 48:50

Tombow.

Andy 48:51

Yeah.

Johnny 48:52

They went bye-bye in the US for a while.

Andy 48:55

Yeah. So yeah, that was a, speaking of a, of a signature ferrule, the Mungo kind of black with the gold stripes.

Johnny 49:03

Oh yeah. That one was awesome.

Tim 49:04

Mungos are great. So yeah, that's a Hall of Famer.

Andy 49:07

Yeah.

Johnny 49:08

And the, um, what was it? The Mirado that had like the, um, burgundy red stripe around it.

Andy 49:14

Oh, that's really good. Yeah.

Johnny 49:15

Iconic.

Andy 49:15

And my precious Golden Bear. I love the, like a little orange stripe that they have on the back. Oh yeah.

Tim 49:19

That's, I was just looking at one of those behind me.

Andy 49:20

Yeah.

Tim 49:21

I really like the— is it the 2558 that has the ferrule that's kind of like tinted purple?

Andy 49:29

Oh yeah. Uh-huh. Yeah.

Tim 49:30

I like that one. I dig that.

Andy 49:31

Is that, is that, is it recycled? Is that why it does that?

Tim 49:34

I don't know.

Andy 49:34

I can't remember.

Tim 49:35

That's not the recycled one.

Andy 49:36

The—

Johnny 49:37

okay.

Tim 49:37

This is, well, the recycled or the one that's made from like slats, like, uh, where they like use extra slats to make the EW. That one's, it's, yeah, I guess it is sort of that color. Yeah. This is that the same?

Andy 49:49

Yeah.

Tim 49:49

Yeah. I think it is the same. It just doesn't, it just looks, you can kind of see it there, but it looks darker on this one cuz of the black eraser, but it, I like it with the pink eraser cuz it kind of makes it, the contrast stands out more.

Johnny 50:00

Yeah.

Tim 50:00

It's cool looking.

Andy 50:01

Also love the old Futura ferrules with the like little, little pink stripes on it that goes really well with the pink bodies.

Johnny 50:07

Yeah. Yeah. It's really good. So Ticonderoga were gold with a yellow stripe before World War II and then they use green to copy the plastic. But, um, the velvet from Venus, they're blue with, um, yellow stripes in World War II. I meant to look up whether that's why they were the color they were for a while.

Andy 50:26

Yeah, yeah, I don't think I'm familiar with that one. I'll look it up. Love that pencil.

Tim 50:31

But you know, the one we, we didn't talk about, I, I don't know other examples of it. What's that? Is it like the Kraft Technologies Is that the brand?

Andy 50:41

Oh yeah.

Tim 50:42

The white eraser that's like— yeah. So like, how is that attached? Is that just like glue? Do they do that? They just glue it straight on or is there, does it insert into it at all?

Johnny 50:53

Yeah. There's like a really thin piece of wood.

Andy 50:55

It's like a little peg inside there and they glue it.

Tim 50:57

Oh, inside of the eraser.

Andy 50:58

Okay.

Tim 50:59

That makes more sense. Yeah. Cause that one's, those, those look awesome.

Andy 51:01

Uh, yeah, I think those are made by— yeah, those are made by, are they They're made by Camel, right? Like I know Itoya also has one, but I don't know if the Itoya— well, Helvetica. I don't know if the Helvetica ones are Camel or if those are their own.

Johnny 51:13

I think they are.

Andy 51:14

Okay.

Johnny 51:15

I was at a shop once and the clerk was explaining it to me and I'm like, dude, I already know. I have a podcast. I have a pencil. I know what's up.

Tim 51:22

I'm like, dude, thanks for the information.

Johnny 51:24

Can you explain to me? No, I don't need a bag. Thanks. Yeah.

Tim 51:26

It's like, I mean, Johnny walking into a pencil store or like a stationery store, like Ron Swanson in that episode where he goes into Home Depot and the guy's like, can I help you? And he's like, I know more than you.

Andy 51:35

Yeah.

Johnny 51:37

The guy just walks away.

Tim 51:40

I know more than you. Okay.

Johnny 51:43

Yeah.

Tim 51:44

All right.

Andy 51:45

Should we, should we wrap it up?

Tim 51:47

Yeah, this is good. I think we, I think we covered it. We'll come back at some point with additional segments, right? What else do we need to talk about with our primer series?

Andy 51:55

I really want to talk about kind of the original, the original intention was like having people who are brand new to pencils and don't want to like listen to our backlog. Like if you're new, like what should you think about with of getting a good pencil over like a cheap pencil. So, so like that, some sort of a buyer's guide or something like that would be good.

Johnny 52:12

Yeah. And a lot's changed in the 12 years.

Tim 52:15

Yeah.

Andy 52:15

That too.

Johnny 52:16

Yeah, for sure. Yeah.

Tim 52:18

Sharpeners and also like, I mean, I don't know if it'd be worth talking about, maybe it'd be more like a, we could have like a miscellaneous kind of like potpourri episode.

Andy 52:24

Oh yeah.

Tim 52:25

At the end of just kind of like things like, like, uh, considering like what kind of papers are really good with pencil and what kind aren't really good with pencils and what.

Johnny 52:34

Grips?

Tim 52:34

Grips?

Johnny 52:35

Pencil clips?

Tim 52:35

Grips! I thought you said lips. I was like—

Johnny 52:37

nope, clips.

Tim 52:40

Clips on the guitar.

Johnny 52:44

Such a terrible idea to close at the door.

Tim 52:51

All right, yeah, I think we covered it cool.

Andy 52:55

See y'all next time. Do you like our podcast? Most people like our podcast. But if you don't like our podcast, then we'll turn it off.