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240
August 6, 2026
49 min
Synchronized Head Molts (Pencil Primer, Part 2)
Johnny Andy Tim
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Description & Show Notes

The Pencil Primer returns with part two: the case of yonder pencil. We trace the wood itself — from Conté's badass eyepatch to eastern red cedar, California incense cedar, and the creeping basswood era — plus why pencils are yellow (blame a Siberian graphite strike and some questionable 19th-century marketing) and why triangular pencils are weird. But first, the summer releases: Blackwing's birding-themed Volume 458 and Field Notes' melty, paleta-inspired Paletas edition get the full review.

This transcript was generated from an audio file by AI, and may contain inaccuracies.

Transcript

Johnny 0:00

I have not been paying attention to what the Pit Loft is addition aside from people really not liking them.

Andy 0:04

Really? People don't like them?

Johnny 0:06

I love them.

Andy 0:07

Yeah, I think they're so pretty. I just wanna lick it.

Tim 0:10

Mm-hmm.

Johnny 0:12

Hope you recorded that.

Andy 0:21

Hello and welcome to episode 240 of The Erasable Podcast, which reminds me we're almost to 250, so Uh, are we gonna have a big like country state fair for our 250th? Yeah.

Johnny 0:34

My parents got a new liner.

Andy 0:36

Yeah.

Johnny 0:37

My parents have a new pool liner and they don't like what color it is. So I thought we could hire some people to color the liner.

Tim 0:44

Yeah. My parents have a new pool liner and they don't like what color it is. So I thought we could hire some people to color the liner.

Andy 0:48

Yeah.

Johnny 0:49

I was like, we should collect some shavings.

Andy 0:55

So we'll celebrate episode 250 once we get there with something like that.

Johnny 1:00

So just a little bit of Fort McHenry style. Yes. Like, hey England.

Andy 1:06

Well, for now, summer is upon us. And while I am not birdwatching or unfortunately not eating a delicious paleta to stay cool, I am enjoying this lovely August evening by hanging out virtually with two of my favorite people, Johnny and Tim. Hey guys. Cheers. Uh, if you, if you all could be a popsicle flavor, uh, which would it be?

Johnny 1:27

Um, I would be Outshine Tangerine.

Andy 1:30

Ooh. Okay. That's a very specific one, but also a quality, quality choice. Tim, what about you?

Tim 1:36

I'm gonna have to go with Cherry Pineapple.

Andy 1:39

Ooh.

Johnny 1:40

Ooh.

Tim 1:40

There are these delicious popsicles we get. They're huge. They're called like Monster Pops or something you get at the grocery store. They're amazing.

Andy 1:47

Nice.

Tim 1:47

I was gonna say banana popsicle, but that sounds so like lame, but that's my favorite. They're so good. There's like cheap banana popsicles, man.

Andy 1:54

Yeah. Oh yeah.

Tim 1:55

Two sticks. God, so good.

Andy 1:58

I, uh, I don't know. I think I would be like, we'll talk about this here in a second, but like the new Field Notes, uh, are like paletas popsicle themed and they have a, uh, mango and, and, um, chamoy flavor with like tajín on it. And that is one of my favorite flavor combos. So good. So, uh, either that or just one of those like just lime, lime popsicles that you like, the, the real fruit kind of lime popsicles are just very refreshing.

Tim 2:24

Those are so good.

Andy 2:25

Also, there's some—

Johnny 2:25

Lime's very good.

Andy 2:26

Outshine.

Tim 2:27

Yeah.

Andy 2:27

There's something else to be said for just a cheap-ass freezer pop. I love a, just a cheap freezer pop. I could eat like 10 of those. So anyhow, uh, tonight we're gonna be talking about popsicles all night.

Johnny 2:39

Yeah.

Tim 2:39

Welcome to the—

Andy 2:40

welcome to the Eraser Pop.

Tim 2:42

The Erasable Podcast.

Johnny 2:45

Yes.

Andy 2:45

The Meltable Podcast. So as promised, uh, from last episode tonight, we're going to get back into our pencil primer series and we'll be discussing the next stage of pencillery. Um, we're talking about woodcased, maybe ferrules. Uh, more about that in a minute. But meanwhile, um, we realized that last time we did not cover some of the summer releases. So we're going to just like briefly, uh, briefly chat about that. So. Before we get into the Field Notes, have— did you guys get the new Blackwing Volumes 458? The birdwatching Blackwings?

Johnny 3:18

You know, I did. And then I forgot.

Tim 3:20

Yeah, I did not.

Andy 3:22

Yeah.

Tim 3:23

I— Birdwatching.

Johnny 3:25

Yeah.

Andy 3:26

Johnny, I think—

Tim 3:26

I thought it was the '80s spandex version.

Andy 3:29

It is very, very '80s spandex. I will say I do really like the, The, the eraser colors, like they introduced 4 different eraser colors.

Tim 3:38

That's cool. Those were great. Yeah.

Andy 3:40

And I just, I don't know. I just didn't care a whole lot about the, um, the colors, right? Like they're supposed to look like birds and I guess—

Johnny 3:48

they don't look like birds.

Andy 3:48

They don't look like birds. They, I guess colors of birds maybe, but it's, um, by the way, if you are a Patreon subscriber, uh, at any level, you can watch a video of us talking and holding up these pencils and these notebooks. And you can see Johnny, uh, pulling up Beastie Boys with his hat just now. Um, yeah. And his, his earlier, you could have seen me picking lint off the tip of my hat brim.

Tim 4:17

Hi, my Tombow. Oh, what are they called? Tombow Unions ball cap. Yes.

Andy 4:23

Eddies Field. Um, that's right. Yeah. Quality, quality content. You, you here, you get what you pay for. So if you subscribe and give us, uh, support at any level, you can see the video, and that's at patreon.com/erasable. So anyhow, uh, the birding, the birding volume pencils, uh, volume 458 is our tribute to birding. Each balanced graphite pencil features a gradient finish inspired by one of four North American birds: the Klarps Greb, the mallard, the green jay, and the black rail. The model number 458. The estimated number of migratory bird species that regularly travel through the United States and Canada is stamped on each pencil in black foil.

Johnny 5:01

So how is 458 an estimate?

Andy 5:05

Well, they probably don't know every bird.

Johnny 5:07

460?

Andy 5:08

Yeah.

Johnny 5:09

But like, that's a specific number to be an estimate.

Andy 5:12

I mean, maybe we should get a hold of the, the bird, the bird watching society and maybe, maybe there's species which just didn't even know about. And so they have to make it say it's an estimate rather than an exact number.

Johnny 5:24

Oh yeah.

Tim 5:24

I just learned about a species.

Johnny 5:26

Extinct. Yeah.

Tim 5:28

I just learned about a species that lives in my neighborhood. Uh, have you guys ever seen a bald cardinal? No.

Johnny 5:34

A bald cardinal?

Tim 5:35

I'm not making this shit up, but there was this bird for like a week that was flying in front of our, our window, like our, like living room window. It would fly up to the window.

Andy 5:46

Oh my God. Kind of flail around.

Tim 5:47

Yeah, man. I'm looking at it. I'm putting it, um, I'm putting one in the chat. That's what it looks like. It looks like something out of Harry Potter.

Andy 5:55

Or like, it was like a disease or something.

Johnny 5:58

And yeah.

Tim 5:59

Ew. It looks like some, it looks like something outta Harry Potter, but it's, it's a thing. Um, it's, it's usually like, it's a northern cardinal that gets like feather, minor feather mites or something. But there's also like a name, like some people call it a certain thing. It's like a northern blue-headed cardinal or something like that.

Andy 6:17

But it's a particular northern cardinal that experienced synchronized head molts.

Tim 6:22

Yes. Synchronized head molt or minor feather mites. It's not a sick bird. This is one of the first things I saw when I Googled it, but it was in our, it lives in like our tree. It's, it's here somewhere, but it was crazy. I thought, yeah, it seriously looks like a Harry Potter creature or something, but I just learned about that one.

Andy 6:40

So by the way, Synchronized Head Moults is one of my favorite bands. Yeah.

Johnny 6:45

Solid.

Andy 6:46

Yeah. So I saw a bald eagle.

Tim 6:47

The minor feathermite.

Johnny 6:49

Minor feathermite.

Andy 6:53

So what were you gonna say, Johnny?

Johnny 6:55

Oh, I saw a bald eagle last weekend, kayaking.

Andy 6:58

Oh, nice.

Johnny 6:58

So what bothers me about these pencils is that when I look at a bird, a bird is not a color from the 24-pack of crayons. There's some other color and not just one color. And like, for folks who aren't watching this on Patreon, pick up a pack, an 8-pack of Crayolas. That's what color these things are. Okay. Maybe a 24-pack.

Tim 7:17

Really?

Andy 7:18

I like, I mean, they're a, they're a gradient, right? So like, yeah. Yeah. So they have gradients that I assume are represented by the, by the birds that they have. I don't know.

Johnny 7:28

Yeah. I think that doesn't evoke a bird to me. That evokes the dollar aisle at Target.

Andy 7:32

Yeah.

Tim 7:33

I think something that's a little more like rough around the edges or a little more like something that's even—

Johnny 7:38

Yeah.

Andy 7:39

Yeah.

Tim 7:39

Something even speaking to the feather, like the feathers and like the kind of chaos that comes with like every feather looks different. Whereas this makes it look like they're gonna be—

Johnny 7:48

Yeah.

Andy 7:48

And they're, they're another wrapped one and also like they, the kind of wrapped as, uh, there's definitely like a hard cutoff on the seam from like the gradient. So, um, not, not a super seamless., design there.

Johnny 8:02

What was the last non-wrapped one they made?

Andy 8:06

Um, I don't know. Was it, yeah, was it Golden Gate Bridge?

Johnny 8:10

Was it still wrapped?

Andy 8:12

I don't know.

Johnny 8:13

Yeah.

Andy 8:13

Well, if it was wrapped, if the Golden Gate Bridge was wrapped, it was a solid color. So, um, let us look on their website. Um, I, I don't know. I, um, but did you guys watch the video, the making of Blackwing pencil video? Okay. Actually, it was really good. I thought they, it looked very How It's Made. Um, which I, which I love. Um, yeah. So, so the video's nice. Uh, oh, there was the—

Tim 8:41

sorry. No, go ahead.

Andy 8:43

There was the Blackwing 140, which was the cooking pencil where everything was silver. That one probably, probably wasn't bad. I assume.

Johnny 8:50

I don't remember what I said at the time, but looking back, I like that one. Yeah.

Tim 8:53

Yeah.

Andy 8:54

That was a good one.

Tim 8:54

I made, I made fun of it. I think, and then I saw it on vacation at a bookstore and it's pretty, looks pretty sweet.

Andy 9:01

Yeah.

Tim 9:02

There's a bookstore that carries tons of Blackwing stuff and I was like, oh look, there it is. And I opened it up and I was like, ah, okay, I better, better pick up a bit and reel that back in.

Johnny 9:13

Yeah. I still have my, um, I have the stainless steel pans I got for my wedding in 2003 and still use them every day. So like that would hit, hit, hit type for me. I liked it.

Andy 9:23

Yeah.

Johnny 9:24

Yeah.

Andy 9:24

So, um, I don't know, maybe, maybe it's just the simpler colors are like the way to go, Blackwing. Like they're, they're very like clear into a theme. Need to have a simple theme, but yeah.

Johnny 9:35

Someone was complaining about, not to jump the gun, but the new Field Notes in that they thought they were boring and too solid colored and we want the artwork. Like they used to be solid colors and also they're not solid colors.

Andy 9:47

Yeah.

Johnny 9:48

Did you see them?

Tim 9:49

They're not.

Andy 9:49

Well, well, speaking, speaking of the, the Field Notes edition. So, uh, this one is the Paletas edition and they are named after a, um, well, a tribute to a neighborhood in Chicago, uh, the Pilsen neighborhood where there's a fairly large, uh, Latino population. And, uh, there is a paleta shop, a popsicle shop there that, um, has been around for a long time and. They, uh, made a series of Field Notes there. They made 3 packs, 3 packs of 3, so 9 different varieties. And each one has like, um, just like a print of a Field Notes of like a popsicle, um, on the COVID And each one has like some interesting, like, it's kind of hard to see here, but like if you can see that shine, there's like some selective UV coating on there. So it kind of looks like it's melting a little bit. Um, I don't know. I can see why people don't like them because they are like, I don't know, they're kind of melty looking. They're kind of globby.

Johnny 10:47

Oh man, they're perfect.

Andy 10:48

But yeah, but I think they're great. Like I love this green one right here. This, um, this is the, is this Kiwi? No, this is, uh, uh, where is that one? Um, well, whichever one that is. Uh, yeah, that's my favorite pack.

Johnny 11:02

And there is a Kiwi popsicle.

Andy 11:05

It's not kiwi. It is, I know, I've wanted kiwi before. It's lime, I think.

Johnny 11:08

That is so good.

Tim 11:09

It's gotta be lime or something, right?

Andy 11:11

Um, it is, uh, uh, limón. Yep. Lime. Cool. So I think that's fun. I think it's fun that it says Notas de Campo on it. Field Notes in Spanish. Um, yeah, I, I like this one a lot. I'm so, mm-hmm.

Johnny 11:29

I like that. This is gonna sound really like overly contentious, but, um, in the political and social climate in which we live these days and Field Notes being like America, America, I'm like, what are they gonna do? Like they can do something cool. And they did, they put out the founding documents thing, which was so awesome. And then this one's in Spanish, right around America 250. And I'm like, can't be an accident. It's gotta be like a No, no, no, no, no. We're not part of that crap.

Andy 11:59

Like, yeah, yeah.

Johnny 11:59

America is way more awesome than that stuff.

Tim 12:01

Mm-hmm.

Johnny 12:02

So I really appreciate that.

Andy 12:04

You know, America is not really a melting pot, but it is a melting popsicle.

Tim 12:08

So melting pot of our popsicles.

Johnny 12:10

Melt them all in the pot, freeze it, and then we all share it.

Tim 12:13

Yeah, exactly.

Andy 12:15

Yeah.

Tim 12:15

I, my, my test for Field Notes now, ever since I, like, 'cause it's been several years since I was a subscriber. Is that like, if I, if I really like something to like snap one up and like order some, cause I don't, we don't have them like locally close. This is one that I ordered. Yeah. I ordered, I ordered the one that had the limón and the, uh, I like, I ordered that set. I also went back and ordered the, um, the river ones cause I had been meaning to get those.

Andy 12:42

So I'm just like, ah, that's a good one too.

Tim 12:44

But yeah, I love those, but I think this one's great. Yeah. Um, I think it's such a cool set.

Andy 12:49

Yeah.

Tim 12:49

And it's, for some reason with notebooks, and this kind of like speaks to both of the things, but like, I love when they put out these editions that have 3 different 3-packs with all these different notebooks. Yeah. And it's like a mix pack. With pencils, this probably says more about me than it does about Blackwing. I want 'em all to look the same. Yeah. Or I'm, my brain is just gonna automatically use the ones that I like and then ignore the other ones. And then I'll have $22 of pencils sitting on my shelf forever.

Andy 13:14

Yeah.

Tim 13:14

I just won't, I just won't end up using 'em. So, but notebooks just feels different. But, um, yeah, I love these.

Andy 13:20

Yeah. And, and some of it is just the nature of the beast. Like I think you have a lot more room for design, being able to make design decisions on a notebook than you do on a pencil. Like you're pretty, pretty constrained on a pencil design, but yeah. Yeah.

Johnny 13:33

And they put out some really cool subscriber extras, but an extra pack of notebooks is always the best one. Yeah. Yeah.

Andy 13:39

I do love. The little, um, kind of the, the back, like where the barcode is, there's like a little plastic back thing, um, with a very cute little like illustration on it, which I love that.

Johnny 13:51

They should have made t-shirts or tote bags with that.

Andy 13:55

That would have been good.

Johnny 13:56

Maybe they will.

Andy 13:58

Um, there you can get a, um, what do they call it? Like the poster. That's the, the press, the offprints, like, yeah, an offprint, like press sheet from from this, this pack, which is pretty cool.

Johnny 14:08

So yeah, I never bought one of those, but I kind of wish I did.

Andy 14:11

Yeah. I never have either, but like, cuz they're not cheap, but it would be fun to, if I had the wall space for it, that'd be fun to kind of like hang up across.

Tim 14:19

Yeah.

Johnny 14:19

There are a few where I would really like one, but it was before they started offering them. Yeah. Yeah. Like Cherrywood. Oh my God.

Andy 14:26

Yeah.

Tim 14:27

Oh yeah.

Andy 14:27

The Cherrywood would be good. Um, before we jump into the pencil primer, did anybody celebrate Stationery Day in any way? Yesterday or this, this past weekend?

Johnny 14:36

Um, I made a lot of books.

Andy 14:38

Okay. I did not. I followed, uh, Brad Dowdy's, uh, Instagram posting that was, uh, pretty intense. It seemed like he was just going and going and going all weekend. So good on you. He went up to, to New York and did some of the like Stationery Fest things up there with like Yoseka Stationery and a few other places. Look like also, I think our friend Caitlin was, was hanging out too. She, yeah.

Johnny 14:59

And, uh, Dr. Hans went.

Andy 15:01

Oh, good. Okay.

Johnny 15:02

But we had a family health thing. We couldn't go. Yeah. Um, but I was looking at the, um, cause I know Narwhal was there and on their table I noticed some pens that I've never seen before from them.

Andy 15:13

Ooh.

Johnny 15:14

They were, they looked like the original that are, um, demonstrators, both like swirls in them, but they were solid colored demonstrators.

Andy 15:22

Hmm.

Johnny 15:23

Like Jubiltone. So I watched the video a couple of times and like, I'm not seeing things.

Andy 15:28

Like, if you have a jewel tone demonstrator, doesn't that defeat the purpose? Because it's gonna change the color of the ink, so you don't know what ink you have.

Johnny 15:37

I don't know.

Andy 15:39

What is that for you?

Johnny 15:40

I made some cool colors.

Tim 15:42

He was like, I don't know, but take my money.

Andy 15:44

I've been using one of the Narwhal, like the little plastic ones that they have now. Hey, those are good.

Tim 15:48

Those are great.

Andy 15:49

Yeah, these are really nice. I have this full of the, one of my favorite colors, which is the Iroshizuku, um, Fuyu Gaki, which is like the persimmon color. It's like that kind of like orangey reddy kind of springy color, which is really nice.

Johnny 16:02

Yeah. Rosie got one of the new, they call it the Original Plus, the vacuum ones. They came out with 3 or 4 new colors that were sparkly. She got the lavender one.

Andy 16:12

Oh, nice.

Johnny 16:13

And you know, I had to get the coral one while I was at it to get free shipping.

Andy 16:17

I mean, you have to, right? At that point you have no choice. The more you spend, the more you save.

Johnny 16:22

It's got an italic nib. It's like a pink Sharpie. It's great. Yeah.

Andy 16:27

All right. You guys wanna prime some pencils?

Johnny 16:30

Yeah, let's spread the education.

Andy 16:32

Okay. So, um, yeah, so tonight, um, we're gonna continue our pencil primer series with, with part 2, um, the case of Yonder Pencils. So if you remember from part 1, which was in episode 237, we talked about the discovery of graphite, like the lump of graphite. At the Borrowdale Mine, um, in the, um— oh, Johnny, you put here 17th century. I think it was the 16th century.

Johnny 16:57

Oh crap, you're right, 1664.

Andy 17:00

Fake news. Uh, yeah, so around— yeah, around the, the 16th century. So I think we'll— let's, uh, yeah, kind of jump into the next stage.

Johnny 17:11

Sure. So, um, continuing our review, um, ethos First, you know, you find these big black shiny hunks of stuff and you had no idea what to do with them. So people would mark their sheep and stuff, but your hand turns black. So they would wrap them in string or some kind of textile, um, just to make them more usable. And eventually someone figured out that thinner strips of them in a piece of wood made something really nice to write with.

Tim 17:39

Yeah. And that always, right, even just where we are right now, takes me, it reminds me of the, uh, It's the set that, who, who made it? It was the German company that made the set where you could build your own pencil.

Johnny 17:48

Oh, Staedtler.

Andy 17:49

Yeah.

Tim 17:49

Staedtler's.

Andy 17:50

It was some anniversary edition. Yeah.

Tim 17:52

That was like, so anyways, that's where they would cut it into the square.

Johnny 17:55

Right.

Tim 17:56

So, but sorry. So before long, Berrodale, like they ended up running out, like the, the mine was, I would, I would say drying up, but would say that doesn't really apply.

Johnny 18:09

So it's already ironic. They flooded it.

Tim 18:13

No.

Andy 18:13

What?

Johnny 18:15

So people love it.

Tim 18:18

They're valuable.

Johnny 18:19

I don't know if we talked about this last time. They used to search people on their way in and out of work to make sure they weren't pilfering any of the graphite.

Tim 18:24

I feel like we— that's amazing. What would that even look like? That's like the worst crime possible. Like, how do you hide? Like, would they just have it? I mean, I guess they already had it all over them.

Johnny 18:35

Like, is there anything in your mouth? Mm-hmm.

Tim 18:38

Thanks.

Andy 18:40

Was there anything up the other end?

Tim 18:47

Ouch.

Andy 18:47

Um, yeah.

Tim 18:48

Um, so this discovery leads to the discovery of other mines elsewhere where they're looking for something that's going to match the quality of what they were using, uh, from the original source. Uh, France ends up blowing through their supply during the Napoleonic Wars, and we get to one of our favorite characters of pencil history. Mr. Conte, a French hot air balloonist, which is what I wanted to be when I grew up.

Andy 19:16

Badass eyepatch.

Tim 19:18

Yeah. One of our favorite images. Uh, think about that all the time. You'll, you'd see a picture and you'd think that we, well, this is pre-AI, but you'd think we like made it up, but, um, pretty, pretty awesome looking guy.

Andy 19:31

That would be a really good, sorry to interrupt. That'd be a really good like costume. Like not too hard, not too hard to do. Just let me, curly hair. Wig and like the eyepatch and nobody would know who you were.

Tim 19:43

And you can be like, I have a helium and make it even weirder and have a helium balloon with a little like, with a little, uh, basket hanging underneath it.

Johnny 19:50

Yes.

Andy 19:51

And a pencil.

Tim 19:51

And you'd be like, you'd be like, are you okay?

Johnny 19:54

The next time we're all in the same city, just tattoo.

Tim 19:57

Yeah.

Johnny 20:00

Ooh.

Andy 20:00

Jacques-Antoine tattoo.

Tim 20:02

Chest tattoo. Yeah. So contrary to Figures out how to take powdered graphite, pulverized clay, and water and bake it in a kiln in order to make what we know as the modern pencil core rather than the solid chunks that were pulled from the earth.

Andy 20:19

Yeah. Yeah. And, uh, thus, you know, the modern pencil was born. So, uh, I think nowadays, especially, um, pencils are just mostly defined by their wooden cases. Um, you know, it's kind of the first thing you see before you, you know, you don't really see the graphite core, you use it, but you know, you see the wood, you see the paint, you see, you smell it, right? Um, a lot of species, um, have given unto themselves for pencils. Um, just like at, at first, um, when people were crafting, like handcrafting them and later to a more industrialized, uh, creation of it. So, um, I think that generally speaking, the world settled on a species that was plentiful in, uh, North America. Uh, the California incense cedar, a fragrant wood that we all recognize, but we may not—

Johnny 21:09

Eastern red cedar.

Andy 21:10

Sorry, Eastern red cedar. Eastern red cedar. Getting ahead of myself. Um, I think we all, we all recognize, especially, uh, you know, um, anybody who lives in like a hot climate with a bunch of mothballs, um, something like that. Uh, I sure do. So yeah, they, uh, they started using the Eastern red cedar, which is very fragrant, uh, but something that we probably don't usually associate with pencils.

Johnny 21:35

Yeah. Um, so if you have, like, we had a rabbit when I was growing up and we had like cedar chips that apparently—

Andy 21:42

Oh yeah. Hamster.

Johnny 21:43

But, um, there was also a thing when I was little where when you traveled somewhere, you'd get this box. It was like, I don't know, maybe 7 by 5 inches and 4 inches tall. And there was nothing inside, like for jewelry or anything. And they were always cedar. Hmm. It's like a thing you'd have one that said like L'Oréal Caverns or whatever. You could find them at thrift stores now because people are like, the house is—

Andy 22:04

yeah.

Tim 22:05

Didn't want to say a John Prine reference, but there's this song called Please Don't Bury Me, which is about like how he's— it's this comical song where he's like, uh, uh, give my arms to Venus, to Milo, and he like gives all this, and then he says, and put my socks in a cedar box, just get them out of here. Like, that's like, it's a like you used to like steal in stinky stuff. I just put my socks in a cedar box.

Johnny 22:32

Yeah. And, um, red cedar has very, very straight grain. It's naturally resistant to rot. And even though, um, if I'm right, it's classified as a softwood, but it's actually as hard as walnut. So it's really sturdy. And to not to jump ahead, but that's why if you had a pencil made of that, you find it harder to sharpen. Than what you're used to.

Andy 22:57

If anybody's picked up a single barrel 106 from Musgrave, you probably know that. Yeah.

Tim 23:10

Sorry, I have to get back, trying to navigate back to my doc. Yeah. So people, and I think all of us have been at this point, At some point in our life, we're like, how do they get it in there? Right? Like, that's for sure. But people always ask how the wood gets in there. At first, uh, pencil leads were square. That's when they just kind of create the hole and they like tie it to a string and they pull it through. Um, but at first they were square, which is what I was referring to with that Staedtler's, that Staedtler set that they put out where you got to glue it together with the, these pieces of wood that would cut. That were cut to fit around them, which makes a lot of sense when you think back to that time that it would be a lot more difficult.

Andy 23:56

Yeah.

Tim 23:56

To cut an even— because all of this is manual at this point, right? Or for the most part, this is manual. They're making these, making these grooves. So a lot harder to make a round one or a, or rather a half circle. Right. So they would create this cross-section, put a piece of graphite in the middle, which should be inserted, then broken off. Uh, and the piece of wood would then be replaced. Hmm.

Andy 24:23

So that, that, um, graphite is one of those elements, the minerals that sort of like flake off, right? Like they have the layers and I feel like, yeah, you could easily like break off a piece of that and like do the sandwich, right? So get it in between there. But I know on the way to go turning into a diamond, that's like the first level of like compression that carbon goes through, right? It's like a graphite. So that's why it's, it's very like, I don't know what the right word is, like leveled like that.

Tim 24:52

Tiered. Free diamond.

Andy 24:54

Yes. Um, so yeah, there was a rumor of course that Henry David Thoreau, um, one of our other favorite pencil characters, um, actually designed a drill that could hollow out a piece of wood. Um, just like, right, like that, which a graphite rod would be inserted. That's not, you know, that's not actually the case at all. That's just, wait, okay, pause. I think I'm reading this wrong. That's not the magic. In fact, there's no magic to it at all. Just careful engineering. Okay. Sorry, I should have read this ahead of time. So let me rewind where I was. So Um, cool. So, uh, there is a rumor, um, often that Henry David Thoreau, whose family of course owned a pencil factory, one of our favorite people, uh, a rumor that he designed a drill that could hollow out a piece of wood and just kind of like bore through it, uh, into which a graphite rod could be inserted. Um, that's, uh, it's pretty, pretty good engineering, especially for the time. But the, you know, that something like that still carries through today when you, when you take the cedar slats, like the kind of thin flat pieces of wood, there's little grooves that they put inside them. Actually, if you watch that, the making of the Blackwing video, which we'll put in the show notes, you can kind of see this in action. They're still doing it today. So they, they groove, they put a groove in the middle of those slats. And then they, lay down, uh, they put some glue in there, they lay down the pencil core and they put another sled on top in the groove and then they press together. So the, well, the, the glue cures. So that is, uh, the sandwich that is a pencil. Um, after that happens, uh, oh, nice background, Tim. Uh, if you are, uh, watching this, you see, uh, Jacques Conté is in his background. I really, I really wanna see his amazing eyepatch.

Tim 26:54

That's more like his headband just slipped right, right as the guy was drawing him, but like he was just really slow to put it back up.

Andy 27:01

I can't lift this up.

Tim 27:02

He's like, I can't move. I got it.

Johnny 27:03

That is a big head.

Andy 27:04

This man has a big head.

Johnny 27:09

Good God.

Andy 27:10

So I know.

Johnny 27:12

I vote for big heads.

Tim 27:13

Yeah, me too.

Andy 27:16

Uh, so anyhow, uh, once, once those panels, those, those pencils are sandwiched together, um, they're cut apart., before they're shaped and sanded down to a circle or a hexagon or whatever into the shape that we would recognize. So, uh, fun fact, the, uh, the leads, uh, the, like the lead cores only became round, uh, after the pencil sharpener was invented. They used to be square cuz it was a lot easier to just kind of slot them in. So I don't know how far back you would see a pencil with a, like a rectangular core.

Johnny 27:45

That's a good question.

Tim 27:46

Just, yeah.

Johnny 27:47

Late 19th century sharpeners were all over, even if everyone didn't use them.

Tim 27:51

Yeah.

Andy 27:52

So if you see one of those, it's probably an old pencil.

Johnny 27:55

Yeah. And, um, so if you're listening to this podcast and you like pencils this much, you've probably seen photos of a Thoreau pencil from John Thoreau and Son, um, which is just clear lacquered. So, um, that was the custom. People thought that if you painted a pencil, you were hiding something. Like it was inferior wood or, you know, bad workmanship. So pencils were either left naked or they were waxed, oiled, or clear lacquered until—

Tim 28:25

as God intended them. Which is nice.

Andy 28:30

God bless pencils.

Johnny 28:31

I don't think I'm crazy that there's— I think there's a return to this aesthetic today. Like whenever somebody makes like a natural pencil, everybody goes bonkers. Um, it was a natural pencil that got me interested in pencils in the first place. So was it the— it was, um, American Naturals from PaperMate.

Andy 28:50

That's right.

Johnny 28:51

That's right. They were made of some like junk, you know, rainforest wood. They were a dollar a dozen.

Tim 28:57

Yeah.

Johnny 28:57

Unwaxed cores. They just smeared it. Oh yeah. Great.

Andy 28:59

Yeah, man. I need to break out the Cedar Pointe. I have a bunch of them, but they, they, they smell and feel so good.

Johnny 29:08

Yeah. Um, like now the Tennessee Red, I'm sorry, is jumping ahead, is clear lacquer, but usually with the cedar pencil, if it's not colored, they usually leave the lacquer off and just leave it naked, which is nice. Cause they smell so good.

Andy 29:24

Yeah.

Johnny 29:24

Um, but leading into the next part, when we talk about cedar pencils now. It's not that cedar. Um, in Shelbyville, Tennessee, that was named Pencil City, USA, I believe, because was there Musgrave was there Empire. There were a whole bunch of pencil factories there because, um, in the central United States, there was a big supply of red cedar that they needed for pencil production. And nowadays the only one left is Musgrave.

Andy 29:56

Yeah.

Johnny 29:56

Because by the '40s they needed a new wood.

Tim 30:01

That's right. Which we hinted at that earlier. So they needed replacement because the red cedar had been, it's, it's a, it's a, correct me if I'm wrong, but it's a really, really slow growing tree, right? So it's not a sustainable type of wood that it was hard to have enough of it to keep up with the demand. So they had to find something that was comparable, but also could be regrown faster. And so they eventually settled on California incense cedar, which now is talked about and you'll see it like, oh, like FSC. Is that what it is? FSC certified pencils. So you have the ForestChoice and you have that, that became like kind of the gold standard because it was plentiful and it grew faster. And they're really big. They're huge. And they're huge. So like, you know, that giant tree. They had more of them too, so they could make one pencil out of each tree and just grind it down.

Andy 30:56

Either a pencil or toothpick.

Tim 30:58

You just put, put it on a giant, what do you call those things? Like a woodturner lathe or a lathe. Just put it on lathe.

Andy 31:05

Lathe.

Johnny 31:06

Yeah.

Tim 31:06

Um, so, so, uh, this wood technically wasn't in the same league as red cedar in the, as far as like just that amazing smell that we associate with pencils. It still smells good, but it's not quite the same. Uh, but again, it was resistance— it was resistant, sorry, to rot. It had a nice straight grain, had a soft feel. You can, you can feel, uh, that's one of the telltale signs that you've got a good incense cedar pencil when you put it in a sharpener and it just feels like you're shaving off butter smooth. It's just like coming, coming right off where it doesn't— it's not chipping and it's not flying all over the place. So they made a great wood for pencils moving into the next phase and like into the 21st century. And now, yeah.

Andy 31:51

Well, unfortunately, as with many things, um, there are a lot of shortages, um, for pencil makers, uh, with incense cedar, not only shortages, but also like, you know, they're grown in Northern California. So sometimes it's really hard to ship that internationally. Um, and. Uh, people have started to replace their cedar with, uh, some other species. So I think basswood is a very common one. Um, basswood is, it's a little bit greenier. It's a little bit lighter weight. I think it's a little paler and it has a little speckle to it, doesn't it? Yeah.

Johnny 32:23

It's really soft.

Andy 32:25

Yeah. It's very soft. It's a little, little softer than incense cedar. And I feel like it just doesn't have the smell. Um, the smell of the cedar.

Johnny 32:31

Yeah. What smell it does have isn't that great.

Andy 32:33

Yeah.

Tim 32:34

Yeah.

Johnny 32:34

It kind of smells like cardboard.

Andy 32:35

No, no Swisswood, but you know, which they discontinued. A friend of the show, Toffer, who loves the Swisswoods, told me that apparently they have discontinued them. So yeah, I don't know where they're going to get their Swisswood fix, but to save the rest of us from smelling that stuff all over the place.

Tim 32:59

And wasn't there, wasn't there a, Like also with the creation of, with the making of pencils and with California cedar, one of the issues is that basically manufacturing had changed so much that we had to send the wood like overseas, right? Sending the wood overseas to have it cut and have it, and then having it sent back. And so changing the wood was also like, it was a factor of just trying to— Yeah.

Andy 33:23

Like, like the old Blackwing office, uh, cuz it's owned by California Cedar Products, their old office was on the like plant where they would like actually do the, the lumber milling and turn those into slats. And that just kind of shut down. They use part of it to do the Duraflame stuff, but they send the rest of it to China, um, to get turned into slats and then, then bring it back. Well, then I think they send it, I think it's, they send it from Japan, from China to Japan to actually do the, the smushing, right? Because they're formulating the graphite there. But yeah. Hey, once again, I keep bringing up the How It's Made Blackwing video. Uh, but I, you learn about all of this there. So, um, yeah, so still premium pencils like Blackwing and a lot of German brands and a lot of Japanese brands, um, they are continuing to be made out of incense cedar. Um, but despite that, I think the good smelling pencils are becoming less common all the time. So, um, yeah. Yeah.

Johnny 34:16

When Ticonderoga stopped using cedar, I'm like, they're never gonna go back. Like, what, what would be the point? Yeah. I have a lot of things that I stocked up on.

Andy 34:24

When they stopped. Somewhere I have a, yeah, I have a few packs, like 12 packs of cedar Ticonderogas in it. It is really, um, remarkable how much heavier they are than like Blackwing pencils. Like I just like, this is heft, this is a hefty boy. So.

Johnny 34:39

Some of the other woods they've used recently are heavy and really hard to sharpen.

Andy 34:45

Really?

Johnny 34:46

I feel like when, when cedar was the norm, even for cheap pencils, you could get away with like That pencil sharpener in your classroom that has the same burr in it from like 20 years ago. Yeah. But like, maybe not with basswood, cuz basswood sharpens easily, but some of these other ones, they really show you if you've got a crappy sharpener.

Andy 35:02

I wonder what they're using.

Johnny 35:03

Yeah. Like with a finger trying to get it in there.

Andy 35:06

Yeah. Well, fortunately our friends, uh, the Musgrave Pencil Company, um, the last, as Johnny said, the last folks from Pencils.com, um, they make a pencil, um, that we love, that we've talked about here on the show quite a bit called the Tennessee Red. And it is made of the Eastern red cedar, um, and covered with a clear lacquer as, as, uh, Johnny mentioned. So it is glorious pencil, smells really good, looks really good. Um, yeah, I think somewhere, I don't know where, I still have that t-shirt that says Tennessee Red on it.

Johnny 35:35

Oh, I have worn mine threadbare.

Andy 35:37

Yeah.

Johnny 35:38

Like really, like my favorite shirt.

Tim 35:41

The text is like fading away, like almost gone on mine cuz I've washed it so many times. I love that shirt.

Andy 35:47

You know, if I wasn't—

Tim 35:47

Tennessee round.

Johnny 35:48

Yeah.

Andy 35:49

Oh, that's a good one.

Tim 35:50

God, I love that one.

Andy 35:51

If I wasn't really allergic to wearing like a red hat, I would suggest that like they make a Tennessee red hat. That'd be a really good one.

Johnny 35:58

I would wear that.

Andy 35:58

But I'm not wearing, not wearing red hats.

Tim 36:00

Make Pencil Cedar again. Yeah.

Andy 36:02

Oh God. Uh-huh.

Johnny 36:07

Yep. So speaking of disappointing pencils, um, You know, it's back to school season, so we're constantly reminded that the standard pencil sold in the United States is always, or nearly always, painted yellow. So I mean, you guys are probably your resident pencil enthusiasts in your offline life, so I'm sure you're gonna ask me a lot, why are pencils yellow? So, um, is this like borderline racist? I'm not sure. Um, In the mid to late 19th century, there was this big deposit of graphite discovered in Siberia, which is Asia, but it's not China. So, um, uh, crap. What was that company's name? Um, Hardmuth. They came out with a pencil called the Koh-I-Noor. It was painted yellow to reference Chinese royalty named after a diamond from India with Um, graphite from Siberia. So like, okay. So, um, after that there were pencils that just like randomly referenced Asia to sort of like invoke this, like, hey, awesome graphite. Like, um, the Eagle Makano, which they renamed after the bombing of Pearl Harbor, which is fun fact. Um, and the Eberhard Faber Mongol, which is recently brought back. I thought there were other ones, but I couldn't think of them.

Andy 37:32

So, so I guess, I guess there's a couple schools of thought on that, right? Like there is one that is, has kind of a racist undertone, which like, oh, it's from Asia, it's yellow. Uh, but also, and like Chinese royalty really did wear a lot of like yellow, like robes and like saffron robes and stuff. And so it, is it referencing the sort of like royal yellow robes that shows that it's like, you know, very fine quality and like, like important? Uh, or is it referencing something that's a little bit more—

Johnny 37:59

oh, I didn't even think of that part. Yeah, so impressing all of the different cultures in the biggest continent on Earth into one thing.

Andy 38:06

Yeah, yeah, I mean, that too. Yeah, these are still a bunch of like, you know, capitalists from the 1800s, so probably there is racism as part of it.

Johnny 38:14

You know, I guess, you know, back then especially, no one could point out any of these countries on a map. Yeah, probably less so now.

Andy 38:21

Yeah.

Johnny 38:22

Um, but you know, Shortly after that, the Venus Velvet system came out, or series came out, and Dixon came out with it, or Ticonderoga came up with Dixon, or the other way around, and they were yellow. And now it's like, that was it. If it's not yellow, you look at it like, is this a birthday pencil? Like, what is this crap? So, I mean, it's okay. I like yellow. It's easy to find on a desk. That's cool.

Andy 38:46

It is a very iconic kind of American color now, right? Like Just like, oh, it's a yellow pencil. I mean, other countries have yellow pencils, but I feel like America is like specifically like a yellow pencil.

Tim 38:57

Stubborn.

Andy 38:58

And then there's like, yeah, then there's like the, you know, like the Office Depot pencil that's just sort of like the really just like dehydrated urine yellow.

Johnny 39:08

Like ochre.

Andy 39:10

Yeah. I don't like that one. So quick note on pencil shapes, uh, before we wrap it up.

Tim 39:14

So in general, dehydrated urine yellow.

Johnny 39:16

Oh my God.

Tim 39:19

Is that the Pantone? Is that what that's called?

Johnny 39:22

Yeah.

Andy 39:23

You know, you've been outside all day. You haven't had much water.

Tim 39:26

It's called like, I've been doing yard work. You're in yellow.

Johnny 39:30

Yep.

Andy 39:33

So pencil shapes. Um, so generally speaking, pencils, um, have cross-sections that are either round, hexagonal, or triangular. I feel like hex and round ones are kind of the most, most popular there. Hex pencils have the benefit of promoting— they have a really good grip. They have like flat faces that you can hold a little bit easier. You can stamp imprints a little bit easier on it. It's, it also helps like it doesn't roll off the desk quite as easily. And yeah, but also one of the reasons that they're more common than round pencils is that the manufacturer can get more hex pencils out of a slat. So from a pair of slats than they can with a round pencil, cuz you have to shave off more with a round pencil. Um, it reminds me of when, um, we were talking to the Baron Fig guys about the rollout of the Archer pencil and they were talking about how they, uh, could fit hex pencils into the like round container, uh, a much smaller round container just because they fit together much easier. They had to do some like trigonometry in order to like get that to fit.

Johnny 40:35

It did fit perfectly.

Andy 40:37

Yeah, they fit, fit great. Um, it's so Yeah. So triangular pencils, they do all those things that hex pencils do, but they have a big drawback, which, uh, is they're weird. Um, I, I love a triangular pencil. The Ticonderoga was my first sort of like favorite start, starting out, um, pencil. Like when I started—

Tim 40:55

triangular, the triangular Laddie was so good.

Andy 40:58

Oh, that's a good one. Yeah.

Johnny 41:00

I love that one.

Andy 41:00

Nice soft triangle.

Tim 41:02

Yeah.

Andy 41:02

Uh, another, another thing is like there's different levels of sort of like the corners on the hex and the triangular pencils. Like there's really hard hexes, uh, that kind of hurt your fingers if you hold it wrong. And then there's like the Semi-Hex, the General's one is really good. And just, just, just different hexes of all, all shapes and sizes. So, um, yeah, so triangular pencils, kind of weird. You don't see those very often. It's a little bit harder to kind of like make those slats and fit them together because they're not sort of like symmetrical. Uh, you have to like, they're, I can't even describe 'em. They're just sort of like reversed in a certain way. Mm-hmm. Um, so they're, um, yeah, they're different than what we're used to. Uh, when you're, you know, the same feels like a gimmick. Um, but it does have a really good grip on it. Just helps, helps, especially children who are like learning how to hold a pencil or to write with them.

Tim 41:50

So. I had a student one time ask me if he could, if he showed me a triangular pencil that he had found, he's like, cause we're taking a test. He's like, am I allowed to use this on a test? I was like, oh sweetie. Yeah. You know, that doesn't. Have any effect on anything.

Johnny 42:05

Yeah.

Andy 42:05

That, although apparently the number 2 doesn't mean that, right?

Tim 42:08

Yeah.

Andy 42:09

Yeah.

Tim 42:09

Yeah. No, that doesn't matter.

Andy 42:11

Yeah. Which I don't know what smudging, but yeah. If all of you like know this, but like if you've taken standardized testing in the US and it says like you must use a number 2 pencil, like that's not the number. The graphite grade really has nothing to do with like the, uh, ability for the Scantron to read it. It's mostly just a standard from which they don't have students going off and buying some like weird pencils, right? Like they're not—

Johnny 42:33

yeah.

Tim 42:33

I mean, if you're using a 10B or so, like, and you're stacking up pieces of paper, it's gonna like, it could smudge things around and like, but hypothetically cause a problem. But I, I think anybody with a brain could figure it out. So it's not really an issue. It's probably just more to make sure they find something that's somewhere in the middle. Yeah.

Andy 42:50

Yeah.

Johnny 42:50

Yeah. I wonder how many people listening to this have any idea what we're talking about.

Andy 42:55

Well, if you're listening to this podcast, I hope that you're, you know, Yeah. Yeah.

Tim 43:01

Yeah.

Johnny 43:01

So the Faber-Castell Grip 2001, like, won all these design awards when it came out. Oh, that's right. It was triangular and it had the stupid little bubbles that melted.

Andy 43:10

That, that melted in the car.

Johnny 43:11

That's the— and then they redesigned them and said, but like, by then I was like, ew, they're gross. But yeah, that's a pretty nice knife. Some of them were, they were pretty sharp triangle if I remember right.

Andy 43:23

Yeah. It's very like, which pencil primer part do we get to when we start talking about the Wopex is what I wanna know. Like we're gonna just start making them out of like the Wopex.

Johnny 43:33

It's its own appendix.

Andy 43:36

Uh-huh.

Tim 43:36

Oh, well done.

Andy 43:38

Womp womp.

Tim 43:39

Well done.

Andy 43:41

Oh yeah.

Johnny 43:42

We're gonna do that one in person. We're gonna fight.

Andy 43:44

Yeah.

Johnny 43:46

Oh, I don't care. Like we're gonna get beat up a little bit.

Andy 43:48

We're gonna play a game of piggybacking. Yeah.

Tim 43:51

The, uh, pencil of the week, that one melts in the car. A Wopex wouldn't melt on the sun. Like, dude, just, dude, just, just be exactly what it is. It's like being like roaches, Twinkies, and Wopex.

Andy 44:02

Wopex.

Johnny 44:03

When they said Pencil of the Week, they really meant it.

Andy 44:06

It's like those Nokia phones that they say are just like, you know, just completely indestructible. Just, you know.

Tim 44:12

Oh yeah.

Andy 44:13

Wopex is the IKEA of, or Nokia of of pencils. So, well, that's about it for pencil barrels. Um, you know, next time we do a part 3, um, you wanna talk about ferrules and erasers and kind of the top parts of the pencils? That'd be really fun.

Johnny 44:27

Yeah.

Andy 44:28

So, um, I might have to do a little like kind of, um, research down, just go down a rabbit hole of like different ferrule designs. 'Cause there are some really cool ones in the past and I feel like nowadays there's just wild, the wheel erasers and stuff like that. Yeah.

Tim 44:41

Yeah. Yeah. There's a lot of weird stuff.

Andy 44:43

Yeah.

Johnny 44:44

The first ones where you sharpen the other end of the pencil, sharpen out the eraser where they originally came from. Like, oh yeah. So cool. So satisfying.

Andy 44:52

Somewhere I have a couple of pencils, um, that were made during World War II, um, with a plastic ferrule. Cuz—

Johnny 44:59

Oh yeah, those are cool.

Tim 45:00

Yeah.

Andy 45:00

And it, like, I wouldn't dare touch it cuz that plastic is like ready to crumble, but they, they look really cool.

Tim 45:05

So, oh, anyhow, they used to—

Johnny 45:07

That's like one of my favorite pencils that I own. Yeah.

Andy 45:11

What are you gonna say?

Tim 45:12

Those plastic ones. I was just like, and then there was the phase we could talk about where they would give you a pencil and then a little tin of breadcrumbs of all the good crushed up pasta dust.

Johnny 45:21

Wasn't that a thing?

Andy 45:21

Back when Johnny was a kid.

Tim 45:22

We'll get to it.

Johnny 45:23

Yeah. Yeah.

Tim 45:24

But hey, they used to rub breadcrumbs on your pencil, uh, on your, your lines to erase.

Johnny 45:29

I keep meaning to try that, but also I don't want to.

Andy 45:32

Yeah.

Tim 45:32

I might try it sometime.

Johnny 45:33

I don't mind bread. I like bread.

Andy 45:34

Get a crouton on it.

Tim 45:35

You just gotta pull that little slider out under your toaster and just shake some out and then—

Johnny 45:41

I haven't done that in a while. I might do that tomorrow. Yeah.

Andy 45:46

So yeah, that is it for this Pencil Primer episode. Do you have anything else to add before we button up, guys?

Johnny 45:52

No. Okay. If you haven't tried it, Mitsubishi Red, go get one.

Andy 45:57

Because they're so awesome. They're really great. And if you—

Tim 45:59

I guess that'd be good to end with kind of like a recommendation of a few kind of like pillars. And that's a good one to mention as far as like examples. I mean, yeah, yeah, that's a great one.

Andy 46:08

So, um, speaking of the, I guess we were talking about the Single Barrel 106, um, slightly off topic. I got, uh, on Instagram generally, so if you message us through Instagram, generally I'm, I see it. Um, and somebody who has a really great YouTube channel called, uh, Pencils of the Past and Present, um, where he reviews old antique pencils and new pencils. Um, he, I think he is going to be reviewing, uh, Single Barrel 106 and, was just kind of asking about like what influence, uh, we had over the name, the naming and like design of that. Uh, spoiler, it's just, we had influence over the naming of it. They named it after that episode that Henry Hehlan was on. But, um, yeah, go check out that YouTube video. I'll put it in the YouTube channel, I'll put in the comments. But, um, I guess we'll get a little shout out here in the, in the near future.

Tim 46:54

That's cool. Yeah. Super cool.

Andy 46:56

So yes, that has been, uh, you've been listening to The Erasable Podcast, uh, coming at you every 2 weeks-ish, 3 weeks-ish sometimes. Uh, if you're on the internet, um, you can find, uh, show notes for this episode, recordings and past episodes at erasable.us. Um, this particular one is erasable.us/240. Uh, you can, uh, come join our community on Facebook. Uh, I assume it's still going. Is anybody still in that group? Still going strong, guys?

Johnny 47:27

I haven't been there in a while. Okay.

Tim 47:29

I got locked out of my original Facebook account and never could get back in.

Andy 47:34

Oh wow.

Tim 47:34

So I haven't been there in a while.

Andy 47:35

I deleted my, my Facebook.

Tim 47:37

Oh, I haven't been on, I, I had to create one for like work stuff, but I, I haven't been like months and months.

Andy 47:42

If someone out here is in the Erasable group, uh, please tell me if it's still active. We still have active.

Tim 47:46

How's it going?

Andy 47:47

Yeah. Is it still running? Sorry, you won't see us there. Uh, it's at facebook.com/groups/erasable. Uh, I also started an Erasable Discord server, something that I am, um, a little bit more present on. Uh, there's an invite for that in the show notes. Uh, and we have an Erasable Patreon. So if you go to patreon.com/erasable, um, you can see the video for this. We post some extra content. Sometimes we do some like swag giveaways, uh, and we have various levels of support, um, that you can, you can give us. It keeps us in, in Blackwing and Field Notes and web hosting. Um, and I would like to read, um, some of our $10 a month supporters, um, who, uh, Um, have been supporting the show for a while. So a huge, huge thank you to Chris Berry, John Schroeder, Ellen, Dana Morris, Liz Rotundo, Melissa Miller, Angie, Aaron Bollinger, David Johnson, Phil Munson, TK_UK, Andre Torres, Paul Moorhead, John Cappelluti, Steven Fanzali. Remember, remember that Tim Fanzali. Aaron Willard, Michael Dialosa, Mary Collis, Dr. Hansa Noodleman, PBX Jay Morris, Rayko Henning, Ida Umphress, Millie Blackwell, Kathleen Rogers, and John Wood. Thank you all so much for supporting the show. And for the rest of you, we will see you in a few weeks. Do you like our podcast? Most people like our podcast. But if you like our podcast, maybe we'll turn it off.