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237
May 11, 2026
59 min
Pencil Primer, Part 1
Tim Andy Johnny
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310
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Show Notes

We kick off the Pencil Primer — a new series for anyone who wants to start at the beginning of pencildom. This installment traces graphite from the legendary Borrowdale lightning strike of 1564 to Nicolas-Jacques Conté's clay-and-graphite breakthrough during the Napoleonic Wars, plus the Thoreau family's role in standardizing the American pencil grade scale and a tour through HB-to-9B.

This transcript was generated from an audio file by AI, and may contain inaccuracies.

Transcript

Tim 0:00

Do yourself a favor, go on Disney+ and watch Mighty Ducks: The Animated Series.

Andy 0:05

I had no idea.

Tim 0:06

It is— we were laughing so hard as a family just because we had so many questions like 5 minutes into it because there are these like alien ducks that play hockey and are humanoid.

Andy 0:19

It's like, guys, guys, we're going to do Space Jam, but hockey.

Johnny 0:24

Exactly.

Andy 0:33

Hello friends and welcome to episode 237 of The Erasable Podcast. You alright?

Johnny 0:40

Crazy. 237. Yeah.

Andy 0:45

I'm Andy Welfle. I'm hosting today and I am joined by my co-host for the last 237 episodes, Johnny. Hey Johnny.

Johnny 0:55

Yay.

Andy 0:56

Yay. And Tim. Hey Tim.

Tim 0:58

Hey Andy.

Johnny 0:59

Hey Johnny, no hand motions, Tim?

Andy 1:02

Yeah, come on.

Johnny 1:03

Yay!

Tim 1:04

Silent hand motions. There you go, for the listeners.

Andy 1:07

Yes, if you're, uh, if you're a Patreon member at any level, uh, you could be watching a video of this, uh, not just listening to audio, and you could see the amazing hand motions that Johnny and Tim both just threw up. Uh, we're in a gang, so we're just throwing up our, our gang signs.

Tim 1:25

Trying them on for size.

Andy 1:29

Um, we have decided, um, actually, so a couple months ago there was— I was in the Pencils subreddit and I think I linked to just a previous episode of ours and, uh, somebody in there was just like, oh hey, this is great. They were like, you have so many episodes, do you have any episodes so I don't have to go back to the beginning? It's just basically a primer on pencils. And I realized like, you know, if we did do that, it's been so long. So we decided to do a series of episodes that's a primer to pencils. So today we're going to cover some of the very basics where graphite was discovered, kind of like some of the ratios of graphite, and we'll get into some of the other pieces and like accoutrements of pencils and eventually get to the point where we're talking about some of our favorite pencils and also what to look for when you're buying your own. So The next few episodes will be a primer. So before we do that though, let's jump into some tools of the trade. So if you're new here, if you're getting into the primer, we'd like to talk about some of the things that we are using and consuming at just the beginning of the episode. So Tim, how about you? What are you, what are your tools of the trade?

Tim 2:37

Well, I have been reading, finally finishing up. I think I mentioned on here before, but I had picked the book Bill Frizzell, Beautiful Dreamer back up. It's biography of the jazz guitar player Bill Frizzell. It's like one of my favorites of all time, and it's a really great book. Really enjoying that. And it's just, it's, uh, it's interesting to kind of see him. It kind of tells like the story of all that was going on in jazz, like from like the '70s to now. And because he was kind of in the middle of it, but even though people don't know who he was, I mean, or at least people on the outside. And it's full of interviews, which I like how they did that. There are these like little I don't know what you call them. I, I'll call it a side quest, but I forget what he called it. But it's like all of a sudden it'll be like an interview with Justin Vernon from Bon Iver, and he's just talking like they're just having an interview about like his favorite track from Bill Frizzell, and then it goes, uh, back into the biography. And then so they'll just have notable people. So really enjoying that. And listening to Charlie Crockett, who is a country kind of like old school vibe country singer I might have brought up before, but he puts out an album every like 45 minutes, and so he's always got something.

Andy 3:49

And he's the Stephen King of country music.

Tim 3:51

Yeah, he's kind of a— but he always says that he's like trying to do it like they did back in the day, not wait 3 years between albums, just kind of keep churning stuff out, not be too precious about the recording, which is definitely a trend now, which is cool. People who are like, I'm not gonna wait and just only do it when the market looks right. Like, I'm just going to make an album and put it out, then make an album, put it out. But he's kind of a polarizing figure because some people think he's like not what he says he is or something. Like, he's not as cowboy as he said. I'm just like, you what?

Andy 4:24

Are any of them as cowboys they say they are?

Tim 4:26

No, that's— he wears that in interviews. He's like, yeah, yeah. So, but his music's great. It just feels like you're listening to old something like, as like a mashup between old kind of Hank Williams kind of stuff all the way up to like the outlaw country things. And, but he sings about modern stuff. So he has a new album out, uh, Age of the Ram or something.

Andy 4:46

Uh, Ram, Ram, like I hear there's a ram shortage because of all the AI stuff. Is that what we're talking about?

Tim 4:51

A little different. Yeah. More like, uh, the horns. Um, and anybody is, this was weird. He put out a documentary, which I was gonna mention cuz it was really good. He made it himself and like put it on YouTube and I was watching it last night. And I know he's going through some fricas with his record label. And I had 5 minutes left in the documentary and it just said error. And it was like, click to reload. And I clicked to reload and it was gone, just like vanished.

Andy 5:17

Oh wow.

Tim 5:17

From YouTube. So it had been like, whoa, articles written about it and stuff. So I think he also, when he put out a new album, that Age of the Ram, like 2 weeks ago, like the next week he was done with his record deal. And so he put out another album called Clovis. And I think his record label had some kind of I don't know, fine print that he couldn't, that he was violating. And so he took that down. And so I think like in the middle of watching it with like 5 minutes left, they did the same thing for his, his documentary. So I'm sure it'll be back at some point, but it's called, uh, Cowboy in London. Something that's just like about him touring London solo. It was really good.

Andy 5:50

Speaking of cowboys, do you wanna tell us about your, uh, concert experience a few weeks ago? Oh yeah.

Johnny 5:56

Yeah.

Tim 5:56

I went and saw Willie Nelson. 2 weeks ago, 3 weeks ago. I don't know. Time means nothing, but I, yeah, went to see Willie Nelson with my wife in Asheville, North Carolina. Never seen him before. And we're so glad I went. I mean, it's like, it is a really like joyful scene. Like people are just like having like a great time, like, and not just in like the intoxicated sense, but like everybody's just very happy.

Andy 6:21

Like it's just a cloud of haze just surrounding him. Yeah.

Tim 6:24

That, that happens at a few points throughout the show. Something about, you know, hearing a 93-year-old sing Roll Me Up and Smoke Me When I Die. You're like, I mean, like, tomorrow? He's so old. He's so old. It is, it is wild. I mean, I cannot believe he's still doing this. I mean, he's— yeah.

Andy 6:44

I remember before I moved to San Francisco, my, my ex and her father went to see Willie Nelson and commented the same thing. And that was like more than 12 years ago. They were just like, he's, he's good, but he's so old. I was just like, here we are, like, years later.

Tim 7:00

Yeah, he's just kind of propped up on a chair holding his famous guitar, and he'll like kind of talk-sing. Like, he always had weird phrasing, but he just kind of goes like, on the road again, can't wait to get on the road again. And then like the chords that would go over those words, like they got to let him finish before he goes on to the next one. Yeah, so it's just kind of like, on the road again. Dun da dun da dun duh— On the Road Again!

Johnny 7:22

Yeah.

Andy 7:23

Was he reading this or does he remember? Like do you think he's recalling this?

Tim 7:28

I imagine most of these guys now, even like the old ones and the young ones even now have like a teleprompter on stage. So I bet he's got something but, but he did. There was one play. I only took one video and it was of "On the Road Again" because that's a song that my family around the house will just turn that tune into songs about anything, like our pets or about like— That's like we end up Making, making rice again.

Andy 7:50

Can't wait to make the rice again.

Tim 7:52

Exactly. So, but I took a video for like 2 minutes. That was the only time I took a video or a picture the whole time. And he definitely like lost track of the song. Like he was like, looked at his son like, what, what's going on? He's like, and his son kind of came in and started singing with him and he got back on the road again. Um, but it was great. It was good to see him. I can't believe When we were walking out, Jane and I were walking out, and like two paramedics like ran past us. Like the last song was like, had just finished, and we like looked at each other like, oh no, like it's— you don't think it was— no, it was probably just some super drunk hippie in Asheville that, yeah, overdid it. So yeah, that was a good time.

Johnny 8:37

Nice.

Tim 8:38

And I think Oh yeah, and then one other book I was going to mention, but it's called Excellent Advice for Living, and I got this on recommendation from, uh, this Josh Heath Scott. He runs JHS Guitar Pedals, but he has this great Substack, and he'll— he was just talking about like books that he read last year and had recommended to him, and I just really recommend it. I don't want to like read too much of it, but it's this guy who was an editor and writer for a long time and he had put together this book of just kind of like pieces of advice for his kids that he would like leave to them, like when they were older. And then he ended up publishing it. So it's everything from like how to behave in a grocery store to like how to not lose your mind when you're having, you know, problems with this or that. So it's, it's funny, but it also has just like some really good— yeah, it's just, it's a great book to just kind of pick up here and there and read. And it's not cheesy. It's like, it's really well done.

Andy 9:34

Love that.

Johnny 9:34

Oh, cool.

Tim 9:35

And as far as what I'm using, still using my— this guy, what is it? MicroSpark, little hardback notebook.

Andy 9:44

Oh yeah.

Tim 9:45

Still enjoying that. And then I found this in the garage yesterday. You know how I find random things?

Andy 9:51

I really want to go to your garage and just see what's in there.

Tim 9:54

You could just take whatever you find if you do. But remember, I forgot I had these. Remember these metal BICs? Oh yeah.

Johnny 10:02

Is it from BOW or Box Company?

Andy 10:04

B-A-O?

Tim 10:04

Yeah, yeah, yeah, yeah, yeah.

Andy 10:05

That's right. Yeah, those are cool.

Tim 10:07

I totally forgot about this. I found my, I have two. I have one, another one somewhere else. I have one that says Timinator on the side. Timinator made me.

Andy 10:15

Timorama. Timinator.

Tim 10:17

But this thing's great. I like, I really like regretted not like knowing like where it was for a couple of years, I think.

Andy 10:22

Remember how we were gonna make, when we were doing that fundraiser for the live show, we were gonna make those instead of the The Baron Fig Squires.

Tim 10:30

Oh yeah.

Andy 10:30

And I think we ended up doing that just because they were cooler, but like, yeah, we should, we should do another line of like a run of those.

Tim 10:36

They're pretty, pretty awesome. I love this. I don't know.

Andy 10:41

Custom.

Tim 10:42

Now that we know the name. Um, but I love this thing. Yeah.

Andy 10:48

Nice.

Tim 10:48

And, uh, yeah, but that's it for me. How about you, John?

Johnny 10:50

I think it was the same people who do Spoke Design, I think, aren't they?

Andy 10:54

I can't remember. What were they called? It was BA—

Johnny 10:57

BAUX for a box, right? Like, we're called like Box Design or something.

Tim 11:02

Box Pen Co. Yeah, there it is.

Andy 11:07

Okay. Oh, here we go. Okay, they're still around.

Tim 11:09

Box Pen Co.

Johnny 11:10

Awesome.

Andy 11:10

Put that in the show notes.

Tim 11:12

Uh, well, at the top of the website it says, hello, Box has been on pause, but we're working to return sometime in 2025.

Andy 11:18

Oh, okay.

Tim 11:19

Well, So maybe not yet, but yeah, maybe if they get enough traffic to their website from people going to check it out, they'll be like, yeah, maybe it's time.

Andy 11:33

We'll relaunch their career. Johnny, how about you?

Johnny 11:39

I'm not sure if I mentioned this podcast before, but there's a podcast called Drug Story that I— well, there's only been one season, but, um They do an episode where they have like a drug like the EpiPen or Xanax, and they spend part of it talking about like why this drug came about, like what's problem it's solving, then the release of the drug, and then side effects, which in some of the episodes are just like social side effects. But it's really, really, really good, and I'm stoked that they're doing a season 2. They're gonna do an Adderall episode. Yeah, but, um They did cool ones on like, okay, now I'm drawing a blank, besides Xanax and Zoloft and the EpiPen, whatever that cholesterol medicine everybody takes, Ozempic. It was really—

Andy 12:25

Lipitor?

Johnny 12:25

The Cramped Wall Podcast. Yes.

Tim 12:27

Yeah.

Johnny 12:28

Yeah, but it was, it's super interesting and not too addy, which is good. And the host like knows what he's doing. And aside from like many podcasts, I have been reading cool bookbinding stuff. Including, um, a sort of senior bookbinder I admire very much, Karen Hanmer. She, um, she started posting like notes from various workshops that she's done on her website for free, and then I don't know whose idea it was to put it into a book, but she formatted it into an enormous book and you could buy the printed pages, and then you fold them and bind them yourself into whatever kind of binding you want. So that's on my list now that I have a little more breathing room after the— this weekend's thing.

Andy 13:14

But I was gonna ask how that went.

Johnny 13:16

So cool. That's my one Fresh Point.

Andy 13:19

Oh, okay. Now we can, we can talk about when we get to Fresh Points.

Johnny 13:22

Yeah, it was a lot. And my only other thing on here is, you guys belong to any sort of like professional organizations where there's an official like journal but it's actually really good and not just like, you know, ads and company speak. But there's one for the Guild of Book Workers, and they did an entire article on Irish binder's tags, which is like— I was squealing when it came out. I'm like, that's so cool, because binder tags are nerd. I mean, even like, a lot of binders don't, don't know what they are and use them, and they're really cool. Binder's tags are, you know, a little square of some kind of fancy paper that you would stick inside the COVID of a book that you bound. Back before, you know, the internet and business cards. So some people do them, some people just do like a, you know, address sticker that's in like Arial. Just why would you make a handmade book and put that in it? But, um, I've— I worked really hard on mine. I put them in all the books. It takes forever to cut them and put them in. But you can read stuff from past journals if you're not a member. So I think in a couple months it'll be available for free and you can check it out. And you can look at older ones on there now, and it's some really cool stuff. They did one about an article about pencils a few months ago. Find the link for that now that I mention it. But yeah, that's cool. So, um, and I'm writing on, writing with a really chewed up Black Warrior from the mid-aughts that I don't know who chewed it up because I don't chew pencils and I don't have any pets, but I do have 3 kids, so that could be it.

Andy 14:50

Good chance.

Johnny 14:51

But, um, they're round, so it gives it a little extra grip. And most of the chewing didn't go through the paint.

Andy 14:58

In the mid-aughts, in the mid-aughts, it wasn't, it wasn't Steel Eagle, was it?

Tim 15:02

It was—

Johnny 15:03

they were, um, PaperMate, but they were still like cedar and like pretty good.

Andy 15:06

Okay, okay.

Johnny 15:07

And they were still putting out different grades. Like, I have a box of number ones that apparently are rare and valuable, but I'm keeping them because I use them. And, um, where is my other writing on? Is this interesting pen that came out from Gold Spot or Atlas, one of, one of the stationery stores. It was a collaboration with, uh, Narwhal. It's called Strawberry Cheesecake, so it's sparkly white and the ends are the color of— I'm sorry, Raspberry Cheesecake. Raspberry. So see if I can get this to show and you guys can draw your own conclusions about what it looks like.

Andy 15:41

Oh yeah, hey, that's pretty.

Johnny 15:42

One of my children called it a tampon pen. Now I can't unsee it. But I think that child didn't see all the sparkles and rose gold trim.

Andy 15:53

I mean, a very fancy tampon.

Tim 15:54

Oh my gosh, that's so funny.

Johnny 15:58

How do you know what a tampon is?

Tim 16:00

I'm never gonna unsee that either. Oh my gosh, that's so much—

Andy 16:04

that's incredible.

Johnny 16:05

Yeah, and I'm writing in a book that I made myself, which looks like this, which is almost very pretty. Yeah, that's all I have. How about you, Andy?

Andy 16:14

Gosh, I have been going down a camera rabbit hole. I think I've talked about that here before. I've been really getting into photography and I'm trying to figure out about myself. Do I like photography or do I like playing with cameras? Because, and maybe both, but those are two different things. I definitely like playing with cameras. I also like taking pictures, but really cameras are fun. So, um, I've been definitely going down just some, some rabbit holes of just like some cool old cameras out there and just weird little things. I think I've talked before about how I, um, Bought this little, it's called a Charmora. Kodak made this tiny, tiny little digital camera that's a keychain.

Johnny 16:51

That's so cute.

Andy 16:52

And it takes pretty terrible pictures. But hey, guess what? That sort of like early 2000s digicam aesthetic is back again. People are really loving those like really pixelated kind of choppy pictures and videos. I'm just like, oh man, like I had so many little digital cameras that did that back in the day. And people are really into that. So doing that, I'm also— there's a— I've been watching a lot of camera YouTube. There's this, uh, channel called Micro Four Nerds.

Tim 17:20

Isn't it all camera YouTube? I don't understand.

Andy 17:23

That's true. That's, that's a good point. That's a good point. Sorry, there's a, there's a small kind of digital camera called a Micro Four Thirds sensor, which is a type of camera sensor. So there's this Irish—

Johnny 17:38

Irish?

Andy 17:38

British? There's a woman named— who has a channel called Micro Four Nerds, which she just talks about a lot of this stuff, and it's pretty amazing what she can find. There's this Canadian YouTube channel called Petapixel where he just reviews cameras, and he does everything from like really fancy Hasselblad cameras that you might use for, I don't know, shooting like National Geographic, all the way down to like things like this. He just Checks them all. So it's kind of fun. Uh, there's a local guy in San Francisco whose YouTube name is King Japes, J-A-P-E-S, or no, J-V-P-E-S. And he was really interesting because he went into the East Bay and he thrifted a vintage Leica camera from the 1950s. He paid like $200 from it. And like, if you were to buy that sort of like in an antique store, like in an old camera shop, that would be like a $12,000 camera. So I'm just like, damn. So now I just really want to go out to the, like the you know, the thrift stores, you know, outside of San Francisco and see if I can find that, which I probably wouldn't, but that's really cool. So yeah, I've been playing around photography, been just carrying a camera with me when I, when I go places just to take pictures. It's fun to kind of like get off your phone to take pictures. And because your phone, like at least my iPhone is amazing and it will like take multiple, multiple pictures and sort of like piece them together to make this really high dynamic range image and That's great, but it's also really fun just to like compose the shot and try to like figure out your, your settings. Like, you know, how— what aperture do I want to put this? What, you know, how wide open do I want to put the f-stop? And just kind of figure out some of that manual stuff. That's been really fun. I think— I feel like photography with a camera could fit into our, our remit at some point. We should do a photography episode. Yeah, easily. So yeah, I've been doing that.

Tim 19:25

Don't some people use pencils to like wind the Oh yeah. Backup or something like after you—

Andy 19:30

oh man, film photography is a whole other thing. I've been— yeah, I have. I think I talked about this when I was in New York in October. I bought a film, film camera and I've been playing with that. And when I was in Japan, uh, a few months ago, I, I bought some film and it was so freaking expensive. I bought 4 rolls of film and it was like $70.

Tim 19:47

So it's, it's a lot, but cheaper than gas.

Andy 19:52

Yeah, I mean, yeah, it's still, still cheaper than gas. So I've also, this is, this is all thanks to you, Tim. So I'm in this little science fiction book club that I started with some former coworkers of mine. We would talk about like various sci-fi books. And we've been, we've been doing, we went to one of, one of my coworkers' houses and we read Automatic Noodle by Annalee Newitz, which is a fun novella. And we decided for For the next time, which is in a week, uh, we're going to do a book club on Psalm for the Wild Built, which is a book, book that you recommended to me, Tim. So I was like, I read it like months ago, I think when you told me about it. And I was just like, yeah, sure. I'll do a book club on a book I already read. This is like less work for me.

Tim 20:37

You can get an off week.

Johnny 20:38

Yeah.

Andy 20:39

But one thing we've been doing is, uh, whoever's hosting does a, does dinner that we, we try to like. Have it like thematically tied into the book. And so last time we did Automatic Noodle, which is about a future dystopian San Francisco where these robots decide to open a, like a Biang Biang noodle shop. And so my former coworker made Biang noodles, which are this Cantonese style of noodle that's really delicious, like hand pulled. Like we stretched the noodle and we like banged it on the table to stretch it. And it was kind of like one long continuous noodle in the bowl that was really good. It's very chewy. So I'm thinking because Songfall: The Wildbelt takes place in like a post-industrial future where everybody's back in like these semi-agrarian societies, like I've been thinking about making like a lentil stew or something like that and maybe some like homemade bread I'm thinking about. So, and then like serving tea. Yeah, serving tea. 'Cause like the main character is like a tea monk, serves tea around the world. So yeah, I'm still have to figure that out. I've been like playing with some recipes, but that's such a good book. It's like we talked about it back then, but like, it's like, it's like a cozy mystery. That's not really a mystery. Like there's really no real like antagonist, right? Like there's no villain, kind of like nature and society is like, oh, will, will this robot be accepted by this village? Like that's kind of the main conflict is just very cozy. And it's also feeling like, man, you know, maybe I should just like give up society and go live in, in some agrarian society.

Tim 22:17

In some like mobile home basically. Or what does he, it's like a, it's like a, he has like a, it's like a bicycle cart that has like his whole life on the back of it.

Andy 22:25

Yeah. He like goes around to different towns and like serves tea and like listens to like, he looks like a therapist. He's like a therapist, but with tea and. He, yeah, he lives in his, like, his cart that he wheels around. It's, yeah, I'm just like, oh man, maybe I should just do that. But I'm like, no, I like having thousands of pencils, so probably couldn't do that.

Johnny 22:44

I want to do it with coffee.

Tim 22:46

Yeah.

Johnny 22:47

Oh yeah, that would be one gross of very good pencils, a stack of paper.

Tim 22:51

I'm off.

Andy 22:53

You're off. Um, yeah, so really been enjoying that, and I am writing with, uh, some throwbacks I found I was, uh, I have a person I know through tech stuff who has a newsletter about like people and interesting things. So I, I, she interviewed me on her podcast about stationery, which when it comes out I'll talk about.

Tim 23:13

Oh, cool.

Andy 23:14

And so I, I, I got out some of my Golden Bears because she was asking me about my favorite pencils. So I'm writing with one, just a trusty, trusty blue Golden Bear. And I found this old notepad I used to love called an Ampad. And it looks like this. I put the Draplin sticker on the front, but it has this really nice, like, kind of like thick fiber, like golden kind of cream colored paper. Just really nice for pencil. So I've been, I've been using that lately to take notes as I've been job hunting.

Johnny 23:43

Cool.

Andy 23:43

So yeah, cool. Let's jump into just a few Fresh Points before we get into our pencil primer. And for the, again, for those of you who are just here for the first time for Fresh Points. This is— we just talk about some stuff around the industry or just semi-related to what we do, which is different than Tools of the Trade but also very related. So Tim, do you have any, any Fresh Points for us?

Tim 24:03

I'm thinking, I don't know, you guys, we kind of added that in at the end. I'm thinking if there's something to go over, you guys go ahead.

Andy 24:08

So Johnny, just go back. Sure, Johnny.

Tim 24:10

Yeah, yeah, sure.

Johnny 24:11

Um, so I will see your Willie Nelson and raise you one in vogue because in Baltimore Pride and Vogue is playing in Druid Hill Park. I'm like, oh, we're all very excited.

Andy 24:25

Didn't know they're still doing it.

Johnny 24:27

Yeah, so they broke up because the lead lady left for her own career, so I don't know if she's back or what, but like, I was like super infatuated with them as a band and as attractive people when I was a younger person. I remember when they were on the, the back of a box of Pop-Tarts where you could vote and they would decide whose single they were going to put out. And like, of course I bought it for them and I got to see what it came.

Andy 24:51

Quick sidebar, have— has anybody had a Pop-Tart lately in the last like year?

Tim 24:54

Yeah.

Andy 24:55

Have you noticed the sort of like, uh, shrinkflation that they've been going through? They look like crap. Like there's hardly any frosting on them. They're, they're smaller.

Tim 25:05

And I did notice we got them recently and there was only like— they used to always come in like a pack of 6 and now they come in a pack of 4. Yeah. Like 4 sleeves, and now there are 6 sleeves of 2, and now there's only 4 sleeves.

Andy 25:17

And I bet they haven't gone down in price.

Tim 25:18

No, they've probably gone up.

Andy 25:20

Yeah, yeah. Anyhow, sorry, man.

Johnny 25:22

Make breakfast great again.

Andy 25:25

Mabba.

Johnny 25:28

So, um, I, I keep talking about this in-person selling thing because I, you know, that's against my nature to do stuff like that. So I had one this weekend, and I had many people selling books for me. I just sort of like answered questions, but that meant I got to talk about books and paper and like fountain pens with one guy. It's like, see what people actually like and have questions about, which was cool. I figured out most people don't care that much what's inside of a book. Oh, I spent all that money on this nice Japanese paper.

Andy 25:59

Are you saying they judge a book by its cover?

Johnny 26:02

Well, they measure by the binding.

Andy 26:03

Yeah.

Johnny 26:05

And I do a lot of stuff with this Japanese paper where it's not as thin as Tomoe River, and it's also in every way better, I think. And you put— I have sheets of lines that you put underneath so you can write straight, but then the page is blank, so it looks like you have magically good handwriting. And like, people really like that. I thought it was just hokey because I didn't feel like running that thin paper through my printer.

Andy 26:26

I use that all the time. Yeah, uh, I saw Vito Grippy was there. He was—

Johnny 26:31

he was—

Andy 26:32

I think so. He was at least at some fair that was going on at the same time that was in Maryland. Like, I saw— I don't know if you walked around the, the thing, but he was somewhere.

Johnny 26:41

This was just like a small thing at my kids' school. Well, small, it's a big school, but it was a school-based—

Andy 26:45

okay, maybe it wasn't there. Uh, he was at, he was at some outdoor thing with a bunch of Story Supply Company stuff.

Johnny 26:51

Oh, awesome. So there was one other binder there. I didn't get to talk to her because we were busy, and I think her stuff was— I think it was machine made. I'm not sure.

Andy 27:00

Has your— have the outdoor, like, craft fairs like that where you are been doing the same thing that people have been doing out here where they just like 3D print a bunch of crap?

Johnny 27:10

Like, um, like dragons and stuff?

Andy 27:13

Yeah, like the articulated dragons. And there's also people who do the thing where they get like bags and things very cheaply digitally printed, like probably overseas, and then like have that come in because it's like something they customized but didn't make. I've been seeing a lot of that and it's just— I hate that.

Johnny 27:29

There were some very expensive Old Bay tote bags. My mom was one of my helpers. She's like, I'm not paying $30 for that. But, um, yeah, this one there were a lot of, um, like folks that made jewelry and jewelry supplies, which was cool. I really wanted to go look at it, but I didn't get a chance because we were kind of busy. But busy is good, you know. It was a lot easier to pack stuff up to come home than it was to go. So yeah, if I did, I put a little thingy in the bags that mentioned our podcast. So if anyone's listening to our podcast and we met, yay!

Andy 27:59

Hello, welcome!

Johnny 28:01

And, um, I have one other Fresh Point that also happened at school. Henry's classmate's dad stopped me last week and was like, I have a Ticonderoga question for you. I'm like, oh, so he was asking why they go on. Fuck. Now I'm like, because they're made of junk wood. Yeah. It's like, does the wood make that much of a difference? Yes.

Andy 28:20

Yes. The answer is yes.

Johnny 28:21

But I have a small stash left of the cedar ones.

Andy 28:25

So they've really been, uh, merchandising lately. Like, I think, I think we, I think The Erasable Podcast follows them on Instagram and there's like a lot of t-shirts now. And, uh, I think, uh, have you seen the baseball bat? The Ticonderoga baseball bat? Okay.

Johnny 28:41

I saw a kid have one. I assumed he made it.

Andy 28:44

Oh no, you can, you can buy them like that.

Johnny 28:46

That's awesome.

Tim 28:47

Yeah, I saw one on Facebook Marketplace like recently. It caught me off guard.

Johnny 28:53

Yeah, they've, they've been doing a lot of more colors. Like, they had, um, metallic ones back when they were still Cedar, but they had pink erasers. Now they redid it and the erasers match, and, um, they changed like what colors they are. Rosie likes sparkly stuff. I mean, at least Ticonderoga is safe bet for getting your kids for school. Or like, yeah, they're going to be decent.

Tim 29:14

Yeah.

Johnny 29:15

If you have like a good sharpener. So yeah, those are all my Fresh Points. How about you, Andy?

Andy 29:20

Nice. Um, I, I don't mean to turn this podcast into the, uh, Andy Welfle vibe coding channel, but, uh, I've been vibe coding. I made a new thing. So something that I've been paying attention to myself about is like whenever there is like an app or piece of software or something that I want but like what's out there doesn't serve me. I was like, well, maybe I should make my own. So I really just want a very simple app that just basically lets me quickly enter a book to sort of like to a to-read pile and then like be able to move that book to a currently reading or have read pile. So like Goodreads, it's too big and slow and just a, just there's a social element I don't want. There's a lot of other like sort of book tracking apps that just don't serve me. So I was like, I'm just going to make a really simple, lightweight thing. So introducing booklet.lol, which is just a very, very simple book tracking app. And it's really, it's a website, like it's a, you can add it to your like iPhone home screen as an app or whatever, but it has a little scanner. You can scan a cover or a barcode, or you can like search and type it in. And it just adds a book to your to-read pile. You can move it around. You can put it into a like a different pile, like to read or like have read or currently reading. And it all, it stores, there's no data being shared with me. There's no like database. It's all being stored locally on your browser, which also means that it could just like, you know, if you accidentally clear your browser cache, you could, you know, get rid of it, but have to figure that part out. But yeah, it's just a little fun thing I made for myself. So feel free to use it if you want. I'll have a link in the show notes if you're interested. That took me like a couple evenings of just sort of like playing with Cloud Code and vibe coding. So, you know, there's vibe coding. There's a lot of like generate some crap code. So I don't think I would want my, you know, Social Security Administration website being vibe coded, but for something like this, you know, some little dumb thing, I think it's fun. I've been doing that. I also, this is again, not very analog, but Tim, I think you might appreciate this. Have you heard of this? Tiny, tiny little ebook reader called an XT-E Ink. It is this Chinese, like, ebook reader, e-ink reader that comes with really crap software. And you— somebody made like a community-driven, like, OS that you can put on it. But it is so cute. It is a tiny little— look how thin this is— uh, tiny little ebook reader. And you can just like throw it in your bag or like your pocket or something like that if you don't want to carry around your Kindle.

Tim 31:58

That looks just like the phone that I imagined in my head that the tea monk uses in that book.

Andy 32:04

Like he's talking about, like, like, that's right.

Tim 32:07

Like they just calls it her like pocket computer or something like that. And it's like, it, that's like what I was picturing. It was like, so like a tiny little Kindle.

Andy 32:13

It's a tiny little thing. Yeah. This is, uh, silly and, and it's like $60 on Amazon. So I bought one and you can like mess around with it and load. It's a little bit more difficult than a Kindle to put books on, but like it's nice. Because I don't usually carry my Kindle around in my bag, but like, I can just throw this in my bag. And if I'm waiting, if I'm on the bus or like waiting in line for something, I can pop it out and read it. So I've been reading some, some books of like short stories on this thing. And then I have like a longer kind of a thing on my Kindle that I keep at home.

Tim 32:44

Where'd you get it?

Andy 32:45

Amazon. It's a, it's, it's called an XT Ink is the name of the brand. X4, which is the name of the model. And yeah, it's, it's very, it's very silly and it's in every way inferior to a Kindle, except that A, it doesn't, it's not locked into Amazon and B, uh, it is so tiny. So that's pretty nice. It's so tiny. I love it. Um, and you can do stuff like you can tinker around with it and like put your own images as like your lock screen. Like I put a picture of my cat on there, which is fun. So.

Johnny 33:21

Nice. Yeah.

Andy 33:22

Is that it for Fresh Points, Tim? Do you have any that you wanna share?

Tim 33:24

I think so. I'm just enjoying yours. Yeah.

Andy 33:26

Yeah.

Tim 33:26

I don't think I have any news.

Andy 33:28

Yeah. Yeah.

Tim 33:29

Nothing going on.

Andy 33:30

Yeah. Let's jump into, uh, the topic. So yeah, again, we're gonna be talking about just sort of the basics of pencils, which I don't think we've really done since the beginning. Um, so, uh, this time around, you know, we, we on Erasable, we talk about a lot of pencil things. We talk about wood, pencil anatomy. Industry trends, things like that. And so folks routinely ask us to, to pause, to kind of like talk about what we're talking about. Like we have kind of a lore on the show that we built up when we launch into our Amazon SEO speech. Like you can use it on a plane, you can use it in a bathtub, you can use it, you know, inside, inside jokes as many good podcasts have. So we wanna step back and we thought we'd take the time this episode to, um, just have a little apithyprimal about Pencils. So yeah, let's jump into it. So Johnny, do you want to kind of like kick us off with what you're thinking?

Johnny 34:21

So, excuse me, the way I set it up, I actually went like kind of deep on like the core. So instead of, you know, talking about the pencil in your hand and going inside, we're talking about graphite that was found under a tree and then working our way back outside to pencils itself. So tonight, I mean today, I would be Where'd the core of a pencil come from?

Andy 34:43

Just the core of the situation.

Johnny 34:46

Yeah, I would clarify, the core is the thing that people call it lead, but it's not. Yeah, yeah. So, um, do you want to do the section on Borrowdale, or do you want me to start that one?

Andy 34:59

Nope, I can do that. Yeah, um, so yeah, um, start from the beginning. So, uh, graphite was discovered one, one dark and stormy night, uh, in 1564, uh, in Borrowdale, England, which is still a source of graphite. And I think that Derwent Pencil Company is positioned there, right?

Johnny 35:21

So it's still a museum there, the Cumberland Pencil Museum or something that I'd love to go to one day.

Andy 35:26

I would love to go to it. I, um, it's funny, Rebecca, who, uh, used to be the marketing person at Derwent and like worked kind of like in the museum We have a mutual friend, just kind of randomly, this person I know from working at Adobe back in the day. She went to this pencil museum with her friend Rebecca, and it's just like, oh, do you know, I know this guy is a pencil artist named Andy. And she's like, oh yeah, I know Andy. Anyhow, so lightning hit a tree, kind of tore up the tree, and there was just like this kind of like greasy black stuff that farmers found underneath it. And they dug it up and initially they used it to kind of like mark their sheep. So like, you know, they would intermingle their flocks of sheep and they would just like kind of like swipe the sheep with the stuff. Sometimes they would wrap it in string to kind of keep their hands clean. They called it plumbago, which is a name that we adopted to use with our zine that we did several years ago on the show, Plumbago Magazine. So plumbago was the Old English word for black lead. Because of how soft it was, like lead, which I think is what kind of carried through and why we still call it a pencil lead to this day. But we know, we know now that graphite is not lead or even metal. It's closer to a form of carbon, or it is a form of carbon that's closer to diamonds. So it's something that, like carbon, it's one of the stages carbon goes through before it hits diamonds. Like when you compress lead, at some point you're compressing it down into sort of like flat sheets, which is when it's graphite. And then it sort of like recrystallizes like this horizontally too, and then becomes, becomes diamonds. So I know that like, you know, I've joked around before because, because you can like if you're cremated, you can take your remains and turn them into diamonds. And I have joked that I would actually rather. Yeah, because, you know, all you need is just pressure and time, right? Like you can turn yourself or whatever with enough money and time and pressure into diamonds. And I want them to stop halfway through and just turn me into graphite and then turn me into a pencil.

Tim 37:29

Make a gross of pencils, a gross gross of pencils.

Andy 37:31

Yeah. It's just real gross. And then pass it on to my, you know, my poor nieces and nephews and be like, oh, hey, like you could have like your, this is Uncle Andy.

Johnny 37:42

You could write your life story with your carbon on your own parchment skin.

Andy 37:47

If Blackwing is still around, just like turn me into graphite, send me off to Blackwing and turn me into a special edition.

Tim 37:53

Disgusting gross of pencils.

Johnny 37:57

What volume would you be?

Andy 37:59

Yeah, I don't know.

Tim 38:01

So that's gonna be the next thing Blackwing offers is they could do that and then they just put your volume and then whatever your birthday is.

Andy 38:06

Ultimate personalized pencil.

Tim 38:08

This is a Volume 082787. That's a long number. Oh, it was his birthday. It's Tim's birthday. Death date.

Andy 38:17

So eventually they took these like pieces of pure graphite from Bardale and they started sticking them into like wooden dowels or sticks or sandwich them in sort of like pieces of, of, uh, pieces of wood. And, uh, that's where you get the kind of modern, modern day pencils. So, so an interesting fact, these pencils had square leads because they would use knives to sharpen them into points. So if they needed to point at all, so I think the oldest known pencil in the world belonged to a German roofer, uh, that had a wide rectangular core in a flat, flat piece of wood. I think they just kind of carved out like a shear of of graphite to do this, to mark down the, like, where to put tiles. So that was pretty fun.

Tim 38:57

So I just came up with a new glossary term for us. Yeah. For like square leaded pencils. We'll call it goat's eye lead. You know how they have those like square pupils, like those weird square pupils. So it's like goat's eye lead.

Johnny 39:13

That's what we'll call that.

Andy 39:14

Carpenter pencil people, take note.

Johnny 39:16

Yeah. Yep.

Andy 39:17

We have lots of glossary terms that the world is not, that the world has not yet adopted. We're looking at you, Blackwing. Blackwing graphite. MMX is still, you know, still on the table.

Johnny 39:29

Yeah. Forgot about that.

Andy 39:31

Johnny, do you want to talk about some of the next, next pieces of this? Sure.

Johnny 39:35

So this graphite didn't last forever and it started getting more scarce. So if I remember right, they used to— I don't know if they strip searched them, but they searched the miners when they left work every day to make sure they weren't like carrying any of the graphite with them, and they left armed guards there when the mine was being used. And then when they were going to stop using it, they flooded it so that no one else could use it, which was crazy. Yeah. So then, you know, people had to make do with junky graphite that they would sort of like crush up and mix with really gross stuff, like literally sulfur, bayberry wax, I think, hm, spermatizeti, which is something from the head of a sperm whale.

Andy 40:14

Oh geez.

Johnny 40:15

And like, apparently they smelled. Sometimes you could like literally light it, it would burn.

Andy 40:20

So candle and a writing instrument.

Johnny 40:22

Yeah, I'm like, that's some hot fiction. So in the— during the Napoleonic Wars, they were— France was completely cut off from English graphite. So Napoleon found this guy named Nicolas-Jacques Conté, and this guy had like an eye patch from a ballooning accident. He was a hot air balloon not inventor, but like he was— the word's escaping me. He made it awesome. He made it better.

Tim 40:45

Was it a collision? Very articulate, very slow motion crash into another balloon.

Andy 40:49

Was that like, oh no, I have to go back and find our, our episode. But we, we did an episode about Nick Jacques Conte and there's an image of him there and he's pretty badass looking. Yeah, he is with that eye, just a giant head.

Tim 41:02

We had a lot of fun with that.

Andy 41:03

An eyepatch.

Johnny 41:04

Yeah. It's like, what, what are your job titles? Hot air balloon innovator, pencil core inventor.

Andy 41:09

Yes.

Johnny 41:10

So he figured out that you could take graphite that was not as pure as what was in Borrowdale and sort of crush it into a powder and crush clay into a powder, mix them together with water into a paste, and fire it in a kiln, and that made a pencil lead. And that's essentially how most pencils are made today, even if, you know, they'll have things added to it to make them smoother.

Andy 41:32

But so you're saying that pencils are really pottery?

Johnny 41:35

Kinda. They're like pottery that's more useful.

Andy 41:38

Yeah, just holding crap.

Johnny 41:41

Because of this, they could vary like the ratio of graphite to clay and make different grades of pencils. And fun fact, in the United States, the pencil industry was not going well, and a relative of Henry David Thoreau found a deposit of graphite, I think in New Hampshire, and So, his father started a pencil business and, you know, there were a lot of competitors. There was nothing special about his pencils and then Thoreau figured out how Conte made pencil cores. So, some people say he figured it out on his own. Some people say he knew about it because what a coincidence but because they made pencils where they were consistent, the grades were consistent, they were like the best pencils you could buy in the United States. For a long time until the Thoreaus figured out they can make more money selling their very fine graphite for electrotype. I'm like, that's awesome. Thoreau invented a machine for pulverizing graphite. There were rocks, and apparently General's has something like that. Like, so cool.

Andy 42:45

Yeah, yeah, he, he wasn't, wasn't just living on a pond. He, uh, did other stuff too.

Johnny 42:52

Yeah, there was some story he went to New York to like sell pencils and it was not going well. Like some people I know, he doesn't like selling stuff even if he made them. It was like, I already like, I mastered this, I want to do something else. Yeah, but yeah, so the designations they came up with for pencil scales led to the ones we use today in the United States and to the next section. Nice.

Andy 43:18

Tim, do you want to kick us off in the next section?

Tim 43:21

So that when you see those numbers and you'll see two different versions of them, you'll see the, the numbered system, which is like the 1, 2, 3, 4, or the, or I guess most common ones you'll see are, I guess, 1, 2, and 3, but usually number 2. So when you think of a number 2 pencil, that came from somewhere. If you see pencils that were made overseas, you'll see the designation of B or H. So this is all, all of these different designations have to do with the ratio of graphite to clay that's in these cores, and they can alter those and alter that ratio to make it either softer or harder for different uses, whether it's for writing or if it's for drawing or if it's for, uh, marking your sheep. Still, you know, practical problems that we all have. Yeah. If you're still trying to mark your sheep, you can still find the right, yeah, the right kind of core. So today, most pencils that you see, uh, have grades that center around like HB, you'll see it, or you see HB number 2, which is actually from both of these scales, right? Hard, HB is for soft. So HB means like right in the middle. Number 2, we use that designation here, especially in the States to mean the same thing, which is kind of like the middle of the road, not hard, not soft. That's the most common American pencil. Hmm. So in one direction, uh, if you go on the H to B scale, if you put HB right there in the middle, as you go further into H, so 1H, 2H, all the way up to 9H would be the extreme point of that, which is like writing with a fork. Yeah, get harder and harder and harder. Yeah, it's like just putting a nail in your hand and just scraping it onto the page, basically. The other direction is going from B. So we have HB in the middle, and we'll go to B, for which is essentially 1B, and then all the way up to 9B, which is the most commonly— like the, the other extreme, which is basically like just dipping your finger in pencil dust and just wiping it around, you know. It's super dark. Uh, when I think of a pencil like that, which I don't even know if this is the same thing, but there's a pencil called the General's Layout pencil, which is that— what is that technically? That's like 6B. B or something like that.

Johnny 45:32

Yeah, that pencil's magic because it's dark but it doesn't smear.

Tim 45:36

Yeah, but it's so soft. I mean, it doesn't smear. I don't know how they do that, but that's not even like the softest, but that's a common one that you'll see. But of course, if you go to like a place like a Michaels or some kind of art supply store and you see all the grades, that's how they're going to have them laid out. You're going to be looking like if you buy a kit for drawing, you'll see a range of them. So it'll, it'll give you like an HB, a 2B, a 4B.

Andy 45:59

What did we decide? What did we decide the Blackwing— what do we call it now? The mat, the Blackwing mat. That's a, that's like a 4, 4 or 5B, right? Ish.

Tim 46:08

Yeah. I think we called it something like that.

Andy 46:10

Blackwing does not use grading scales for their, their things. They, you know, they call it, they have 4 different cores and, uh, they kind of just call it soft, medium, or balanced and firm. But yeah, I think it's, I think it's like between 4 and 6-ish. B. Yeah.

Tim 46:26

Yeah. Somewhere in there. So that, that scale, the H to B scale, you'll see that a lot of European pencils or pencils that are made in Japan as well, which are two of the kind of like epicenters of making them here in the States though. And we have an episode on this somewhere about Henry David Thoreau, who comes up pretty often now. If you started listening in the last even 50 episodes, he probably comes up now and then. It's just somebody we're interested in. The reason for that, of why we talk about him a lot aside from just being a general historical figure that we think is fascinating. His family, the Thoreau family, is actually responsible for the grades number 1, number 2, and so on. So those American grades come from Henry, Henry Thoreau's family.

Andy 47:04

So there, and sometimes you might say they have a very, uh, they were very thorough with their, uh, with their, their scale, developing a scale, or they weren't thorough because it's only 4 or whatever. Yeah, that's true.

Tim 47:18

That's a good point.

Andy 47:19

They weren't very thorough.

Tim 47:20

They decided not to be as thorough. And only have a few, but they do have, you'll see sometimes they'll get into, cuz this is America, right? So we wanna make things as like confusing as possible. So we'll put percentages or, uh, sorry, uh, decimals between. So like there's a 2.5, which you'll see every once in a while. I've got some old Ticonderogas that have a 2.5 on it, which means it's, it's harder or it's softer than a normal number 2 pencil, but not quite as soft as a number 3 pencil. Kinda like our, it's like what we did to the metric system, but for pencils.

Johnny 47:53

Okay, and which one had 2 3/8? Was it—

Tim 47:57

oh yeah, and then they're the fraction.

Johnny 47:59

They just like made stuff up. What are you doing?

Tim 48:01

What are you even doing?

Andy 48:01

But what are we even doing here?

Tim 48:03

What is this? Yeah, there's all kinds of weird ones.

Johnny 48:06

Yeah, apparently there was a big market for this because a lot of people thought number 2 pencils are too soft. Like, so why don't you just use a number 3? Ah, it's stupid.

Andy 48:15

We need to do a Pi pencil that's like number 3.14.

Tim 48:19

Oh gosh, that'd be awesome. And it just, you also have to make the circumference like perfect or something. So, and then it just like never runs outta lead. It's just some magic thing happens. As I also didn't mention, which this comes into these kind of like in-between stages, but, and this is one of my favorite pencils, but is the F, uh, grade of pencil, which was that, is that basically like, I see you have it here for the Mirado being an F, but that's basically between like a HB. And the next stage, right?

Johnny 48:47

Yeah, the, um, I think we did an episode about a while called the F-bomb.

Andy 48:51

I think so. Yeah, yeah, yeah, I'll have to find that.

Tim 48:54

If I forgot.

Johnny 48:55

Yeah, um, yeah, like F for Japanese pencils really is kind of perfect.

Tim 49:00

It is.

Andy 49:01

Yeah, that was, that was all the way back in 2016, uh, episode 57.

Tim 49:07

Geez. Oh my God, that's wild. Yeah, so that's, that's grown into being one of my favorites. And so like my, one of favorite pencils, the Tombow Mono in F is just always good for me. I always love it. Yeah. And then there's also, there's some kind of like alterations of this. There are these kind of outliers. So we've got things like the, uh, what was it? The indelible pencil, which is a totally different animal, right? You'll see that, which, what's that core made out of again?

Andy 49:34

Poison.

Johnny 49:35

Um, it's graphite, but it has aniline dye, mercury, and Arsenic.

Tim 49:40

Yeah. Oh, that's what it was. And they're also— you'll see the testing pencils, which we've talked about a good bit on here. So that is not a real thing. Like there's nothing different about those than a normal number 2 pencil. But there was kind of like a marketing scheme, right? The electrographic graphite. It's going to be better for testing. It's going to react better to score your tests when we put you through public schools and then try to funnel you into a factory job.

Johnny 50:10

I think that the, um, the— was it IBM? They had the pencils made like to go with the machines. They conducted more electricity because that's how they used to sense them instead of just like a mark. Now it's just like a mark. You could use a pen and the machine won't know.

Tim 50:25

Yeah, but your teacher's watching you, which makes total sense with the fact that we have scanners and things like that now.

Andy 50:32

What now?

Tim 50:33

Yeah, so yeah, when they tell you, in Johnny's words, if they tell you you need to use a number 2, then they are full of number 2. I appreciate that.

Johnny 50:43

Oh, I wrote that.

Tim 50:44

Yeah, so, so clever. Pencil, pencil is pencil. The only thing is that if you're using a 6B pencil on a test and you run your arm over it, you might smear it all over and make a big mess.

Andy 50:55

So, or if you're left-handed and you just like are writing just anyway and just get like a giant smear on your on your hand. Just—

Johnny 51:02

yeah, I've almost gotten into arguments with people about that. They're like, here's a number 2 pencil. Like, there's no such thing as a number 2 pencil. Find like 12 boxes of Ticonderoga, they're all different, especially if they're older.

Tim 51:15

Yeah, he's like, that is a challenge I never thought someone would give me.

Johnny 51:20

Look at like The Matrix, there is no number 2.

Tim 51:22

There is no number 2, it doesn't exist. It's like that, uh, when you're ready you won't need to have a pencil. Pete Holmes the comedian, where he's like talked about like how he was the thinking about like the concept of heaven and how like, but we're like in the middle of space, so technically couldn't we point down and be like, he's in heaven? Because eventually it's going to be blue skies again and you're going to be up and it's like, there's no such thing as up or down, there's no such thing as number two.

Andy 51:50

Whoa, man.

Tim 51:51

Whoa.

Andy 51:52

Yeah, yeah.

Tim 51:53

I don't know if everybody was baked enough for that early in the morning.

Johnny 51:57

Hear that, Mr. Anderson?

Andy 51:59

Well, we've covered a lot of ground. Any other pencil trivia that we want to kind of COVID here? Just the basics of the core.

Johnny 52:09

Yeah, there's, uh, we didn't mention the, like, the wax and oil. Like, a lot of companies now, they, yeah, put— they have like a cylinder full of the cores and they dip them in proprietary wax blends to make them smoother. Yeah, so like, I mean, most good pencils have some kind of wax on them.

Andy 52:25

There's, there's also, um, I think it's mostly Japanese pencils, but they have like this lead that is— I can't remember I don't remember the name of it, but it's supposed to have little microscopic pieces of diamond in it to make it just harder. I think there's a few. Yeah. I don't know if that's any good or not. Yeah. There's a lot of like mechanical pencil leads that they sell have that just to make it harder and harder to break off. I don't know if that actually, if that's a gimmick or if that just, you know, is what they say, but that's something that's supposed to make, make lead harder without being less dark. You see sometimes, and then—

Tim 52:57

is that what they do with like that? Forgot what it's called already, but it was, remember I bought that little keychain pencil, the like never goes dull. Oh yeah. No, those are, um, that's something different.

Andy 53:06

Those are different. That is a piece of metal that has an instantaneous oxidization layer.

Tim 53:12

That's right.

Andy 53:12

So it's like instantly rusting. And so you're really just smearing rust onto your page is what that, what that's doing.

Johnny 53:18

That's cool.

Andy 53:19

Yeah. Um, we had, gosh, what was it? We were, I remember in the Erasable group, we got one of those pencils and is it, Is it Keith McCleary? Like, is it him who is like a— he's like a chemistry professor? Yeah. So, so I think like Heath, who's a— God, what's his Instagram? Random Things.

Johnny 53:38

Random Things.

Andy 53:39

He's also a really good 3D printer. You should check him out. He's really great. He was talking about this and he's saying it's like an iridium nib or something like that. And it just instantly develops a molecule thick layer of rust and you rub that off and it forms instantly as fast as you're writing and that is what just keeps on going. So eventually that, uh, that pencil will wear down, but probably not in our lifetimes. And that's why they call it like a lifetime pencil or whatever. But it's also not very good. Like, it is— yeah, it, uh, it looks like, like an 8H, 9H kind of pencil. Like, it—

Tim 54:09

yeah, I hate to even bring it up after talking about all that stuff.

Andy 54:14

Oh yeah, one thing we, we didn't talk about with cores is, uh, Johnny, do you want to tell us about a Wopex? That monstrosity?

Tim 54:20

All right, everybody, thanks for joining us.

Andy 54:22

Yep.

Tim 54:22

See ya. It's been a good— it's been a while since we've had a Wopex burn, but sorry, go ahead, whatever.

Johnny 54:28

Uh, mechanical pencil leads are made with graphite and polymer, so plastic, and the Wopex has a big polymer core. And the most recent ones are like, they write nicely, they just don't feel right, and they sharpen funny. But if someone handed you one that had a good point on it, you wrote with it, you might be like, that's so cool, that's cool. Doesn't smear. Also, it's very hard to erase.

Tim 54:51

So you're really selling it. I want to make like a meme with like that, that scene with, uh, from The Departed with Jack Nicholson when he shoots that guy and he's like, it felt funny. And it's just gonna be a sharpener in front of him with a Wopex inside. It's sharp and funny.

Johnny 55:05

They branched out. They started putting them in, um, Norris and Traditions. They just look like that, but they have The, uh, Wopex stuff in them.

Andy 55:13

Someday, like, I don't know, that's gonna be just the only thing. Like, the nuclear holocaust happens and it'll just be like cockroaches and Wopex pencils will be what's left.

Johnny 55:24

And those of us who drink our weight in coffee every day.

Andy 55:26

Yeah, that's true.

Johnny 55:29

I mean, meme Wopex. Ah, pencil is forever.

Andy 55:35

Yeah. Any, anything before we wrap it up that we wanna make sure we mention.

Tim 55:40

Yeah, I think we got so much more stuff to, you know, more stuff to go through in the future. We're getting into the woods that they make them out of and why they make them.

Andy 55:47

Oh yeah, yeah.

Tim 55:48

I think we should do a conversation about like what makes a crappy pencil a crappy pencil.

Andy 55:51

Yeah, I think so.

Tim 55:52

Yeah, you know, like that would just be telling. It's like, how can you tell if you've got a crappy pencil?

Andy 55:57

Well, just use it.

Tim 55:58

Yeah, yeah, yeah.

Andy 56:00

Well, and that's, I guess, one thing to mention real quick is what makes a really nice pencil is a pencil that manages to be smooth and dark while also having good point retention, because like, generally speaking, those things are on opposite ends of the spectrum. And so like regular pencils, but if, if you're just like applying like really thoughtful chemistry to it and using really good materials, you can get a relatively, you know, dark, smooth, buttery, uh, point while still retaining a point without just like instantly dulling it. So that's kind of the challenge. That's the chemistry challenge of pencils.

Tim 56:33

And it'll be easy to sharpen. Yeah, which there's a bunch of factors there. It's like it's going to sharpen evenly and it's going to do all the things you said. Yeah.

Andy 56:39

Yeah. So we'll get into like those pencils that we think those are, are really good in future episodes. So yeah. Should we, should we button it up for now?

Johnny 56:47

Yep.

Andy 56:48

Cool. Um, so yeah, you've been listening to The Erasable Podcast. This is episode 237. If you want to see the recording, if you want to grab like show notes or anything like that, go to erasable.us/penciloftheweek. /237. And if you want to see a video of our lovely faces as we've been doing this, you can see Johnny's magnificent luxurious hair just like flowing down the side of his, of his head. I have his giant head. If you want to read the, if you want to read the individual titles on his bookshelf, watermelon on a toothpick. Join our Patreon at any level. So we have many levels from $1 a month to $10 a month. That is patreon.us/erasable. We have a really great community. We've, you know, we have it on Facebook and on Discord. In the show notes, we have a link to the Discord invite. But if you want to check out facebook.com/groups/erasable, I gave up Facebook early last year, and but I assume it is still still going strong. I'm hoping we have some moderators over there who's keeping that community going. So, and so speaking of Patreon, we have a bunch of people at the producer level who we'd like to thank at each episode. So a big thank you goes to PDXJ Morris, Reiko Henning, Chris Berry, John Schroeder, Ellen, Dana Morris, Liz Rotundo, Melissa Miller, Angie, Aaron Bollinger, Ida Umfers, David Johnson, Phil Munson, TK_UK, Andre Torres, who makes some amazing bags, Paul Moorhead, John Cappelluti, Steven Fansali, Aaron Willard, Millie Blackwell, Michael Dialosa, JAFX in the Midwest, Mary Collis, Kathleen Rogers, Dr. Hans Nudelman, and John Wood. Thank you all so much, and we will see you next time for Pencil Primer number 2. Get it? Number 2.

Tim 58:55

Good.

Andy 58:56

Thanks for the pity laugh.

Johnny 58:58

It wasn't pity.

Andy 59:01

Do you like our podcast? Most people like our podcast, but if you don't like our podcast, maybe we'll turn it off.