This transcript was generated from an audio file by AI, and may contain inaccuracies.
Transcript
Happy international podcast day.
Hello, and welcome to episode 125 of the erasable Podcast. And Happy International Podcast Day. Yay. I am Johnny Gamber, and I can't think of any better way to spend this happy day than podcasting with my favorite podcasters in the entire world, Andy Welfle and Tim Wasem. How's it going, guys?
Thanks, dude.
How are you? I. I didn't even know this was International Podcast Day until we already set the date.
When I got the text from you saying it was International Podcasting Day. I was in the middle of being interviewed for some teaching magazine about our podcasting project. To bring it up in the interview, like, oh, my God, Free just texted me that it's International Podcast Day. How appropriate.
I knew what you were doing. Yeah, that's why Skype locked me out tonight.
Hacking in through my Chromebook.
And, Johnny, you are stealing all sorts of identities and information today.
I have no idea.
He pulled a picture of me wearing these ridiculous sunglasses from Katie's Instagram Stories feed.
Just a placeholder.
Just a placeholder for the episode cover art, which.
So now that I said it, now
we have to actually.
Permanent placeholder.
Yeah.
You may call me Johnny Whistleblower. Gambler. I'm gonna out myself right now.
Cutthroat.
Yeah.
Before I get charged with treason. So before I get charged with treason, tonight, we're gonna talk about what we do with our notebooks and journals once they're full of writing. I think mostly ours are full of writing. Do you? We carefully archive them, scan them, shred them, or burn them in a ritual involving dancing and Dionysus. But before we talk about archival papers and the cleansing erasures of fire, why don't we start like we always do, with our tools of the trade?
Yeah.
You want to go first, Andy?
Sure. Well, just started watching last night, the fourth season and, I believe, final season of the Durrells and Corfu, which I feel like we've. We've talked about in. In length here. Um, starts off. Starts off super strong. So it's funny because Jerry, like, the youngest and also whose books the show is based on, is basically like. Like a teenager now. Like, he's real tall and his voice has changed, and he just doesn't seem like the same kid. But that's what kids do. They grow, they get older. Yeah.
I just got the books for my birthday from Frankie.
Oh, nice.
And, like, this enormous paperback volume.
Oh, wow. Yeah, I'm going to have to read those and see. See how they, like, match up to the Show. Like, I'm sure the show is heavily, heavily fictionalized, but it's just so charming and just so great. We went to see the Downton Abbey movie.
Oh, I saw it too.
I liked a lot of. Just like, just gives you that same feeling the girls and Corfu do where there's not really like huge stakes. Like, it's not like, you know, an Avengers movie where the entire fate of the universe rests on like these people hands. It's just like, oh my God, the king and the queen are coming for dinner and our, our butler isn't available. What are we going to do? It was a.
What's beyond first world problems? Like what's the. What would be the next step above that?
1%.
1% problems.
Yeah.
Yeah.
My engraved letter knife is missing.
Yes.
It had my regimental insignia on it.
Coiler clutch it such as pearls. Yeah. The. There's an SNL kind of send off of the Downton Abbey movie in the season premiere of Saturday Night Live. And they had like quotes from movie critics and one of them was like, the stakes have never been lower.
Yeah, I like that in New Yorker review. Didn't really review it. They're just like, this is funny. And that's. That's it. Yeah, like, hey, there's a movie of Downton Abbey.
Yeah, it's great. It was like a very classic. Like Dame Maggie Smith was hilarious. And yeah, it's, it's very. It's like a, you know, two hour episode, basically. It was very good.
I was disappointed that there wasn't a lot of John Bates action.
It's true. Yeah. John and Anna were just like, you know, they were definitely there, but it wasn't like they didn't really have any of their own drama, which always seems to happen like in the series. So nobody, nobody was wanted for murder? Nobody. Nobody may or may not have murdered anybody.
Shrimp?
He didn't call anybody a cat, right?
Yeah.
Get down. You can't.
Have you guys seen lady in the Van with Maggie Smith? Have I talked about this?
I've. I think a little bit. Have you?
Okay. I think I probably did it as a fresh point or I mean a tool of the trade before, but that's, that's a really good movie. I'll stop there since I already talked about it, but if you haven't watched it yet. Highly recommended.
And I am writing. I don't think I've started. Started any new books since we last recorded, but I got quite a bit of the way through because Internet, which I was reading last time And I'm writing still with my Palomino hb, which is quite shorter. It's reached. It's about like half of a centimeter from the Steinbeck stage. So it's a really, really good size. And I'm writing in my. And I'm also actually been writing a little bit with my green Squire, my experiment, because it's such a lovely, lovely green and I like to troll the Baron Fig fanatics. And I've been writing in my field notes, mile marker, the red, white and blue one.
Andy, do you have any Baron Fig Squires for sale?
Yes, yes, I do. I'll DM you.
Oh, my.
Yeah, it's getting quite. That's kind of becoming a buy, sell trade group. I think once the collectors found out about the Squires, it just like really heavily turned into a buy, sell trade group. Where before it was just like, you know, people pairing their favorite, you know, like archers with their favorite confidants or something like that. But it's fine. It's. That's the normal life cycle of a fan.
Yeah, I was.
I wish they talked about Circle of Life on the Internet.
Yeah. I know it's a brand like Moleskine, but I think, like Moleskine, their books are the best product.
Yeah, I love the Squires. I think they're really gorgeous and I like the colors and I have more of them than I sort of care to admit, as I mentioned last time. But I definitely think the Confidants are
kind of their
piece de resistance. Yeah. Tim, what about you? What are you writing? Consuming.
I just finished season three of the Good Place, which is on Netflix because season four of the Good Place started last week. So it was just the first episode of season four, which is the final season of this as well. So they're just doing like a four season four season plot. And it's my favorite show on TV still. I think it's just fantastic. And so I'll. It's. I've never. I don't remember the last time. Well, yes, I do, actually. The last time I tried to watch a show, like in real time with like commercials and everything was Madam Secretary. And I think we made it like three episodes. And then I was just like, I forget it. I'll watch it next year on Netflix just because I like, you know, like, with our kids would like wake up for two seconds and you'd go back and then you miss something and it's like, well, I might as well just not watch it anymore until it. Unless it shows up. Well, I guess now there's going to be that peacock NBC streaming thing, which you could probably watch it on there. But it is a. It is such an incredible show. It's so good. And I actually, there's a quote from the end of season three that, like, it's funny when you're watching, like, a comedy. And then there's a quote that just, like, kind of blows your mind and makes you, like, a better person, which I feel like that show does a lot. But I was watching season three, and at the end of the episode, Eleanor, Kristen Bell's character said, I guess I should just get used to the pandemonium, find happiness in the unique insanity of being here now. I thought that was, like, a really cool quote. And anyways. But it's such a funny show. Like, it just makes me belly laugh, which I need these days.
Yeah.
So Good place, Season four. I've been reading. I don't know what. What prompted me to get back into this book, which I've mentioned before, but just something was drawing me back and I started reading once again to Obama with love, joy, anger and hope, which I've mentioned before, but it is a. His director of correspondence. Yes. Published a selection of letters to him and his responses because he had this amazing practice of giving, getting. I think it was eight letters a day that they would give him and it would always be like a spread of positive and negative. He. Like, vastly more than any other president has ever done before. Yeah.
Have we. Have we talked about. I'm sure we have last time you mentioned it, but there's that episode of 99 Invisible.
Yes.
With her. And it's called 10 Letters to the President.
And it's 10. Yeah.
Yeah. So it kind of like, I think it kind of sets up the book at the premise, which I really do need to pick up that book. It looks really good.
Yeah. Jane got me for me for Christmas. And I. I really love it. And it's kind of a evening read. Kind of read a few letters and read his responses. And it's very.
Yeah.
Just very inspiring. And it's just like. And you get. But it's not like sugarcoating anything where, like, even the negative. There are some letters that were like, sort of on the negative side. And his response was, like, kind of short. You know, know where he's. I mean, he's a. He's sort of busy, but, like, where. Where he would just be like, I'm not. I'm. I'm paraphrasing heavily, but just being like, nope, I disagree with you and thanks for writing, you know, essentially, but like in an Obama sort of way, but in some of them are just really moving. And his responses.
Arrest for treason.
Arrest for treason. Congress should look into his Netflix deal. So it is, it's great. So I've been writing that letters, letters. And then lastly, Sturgill Simpson, who I've talked about before, he's the sort of country adjacent artist, came out with his new album which is getting like crazy good reviews and it's called Sound and Fury. And he got pretty famous with that last album, Sailor's Guide to Earth, which is the one that he was nominated for album of the year in the grandmys. And so he has been struggling with fame basically, like getting attention for his music and like getting pressure to do certain things. And so he came out with this album which is just kind of an enormous middle finger to the recording industry where he's just like, nope, I'm going to do something totally different. And it's like this weird, it's like ELO mixed with country mixed with like metal or something. Like some of it's like real heavy and it's super cool. It's a really good album and it's really like even, even the way every song starts is like the opposite of what a radio station would want. You know, it's just very clear that he's doing it on purpose, but also something that's really cool and I haven't watched this yet. When he was in the navy, he became a big fan of anime because he was stationed in Japan for a while and so he teamed up with some renowned anime artists. And the same day the album came out, they released a 45 minute anime feature on Netflix called Sound and Fury that is totally original in his music. The entire album is the backing is the, is the music for the, for the movie. So I've not watched that yet, but it looks super cool.
Yeah.
And I am writing with a hallowing, which is a blackwing MMX with a striped feral added onto it and an orange eraser.
O Nice.
This is my Halloween and I am writing in. I just recently cracked open the Rocky Mountain national park field notes.
Nice.
So how about you, Johnny?
So this weekend we finished season five of Shetland which we've been binging from episode one. I think it's airing on pbs, but the only way you can stream it, at least in the United States, is on Britbox. Do you guys have Britbox?
No.
Oh my gosh, it's so awesome.
You should have just do the rest of this episode in a Scottish accent.
I can't do a good Scottish accent.
We need Eric.
They have everything by all the Doctor who stuff and all of the Inspector Morse, which is cool. And they don't really do shows that are on Masterpiece for the most part. So it's different. I think it's only like seven bucks a month. But anyway, Shetland is like the Scottish version of Hinterland, which is on Netflix, which is this really dark, like, cop show set in Wales. But it's really, really good. That's it. Like, it makes. It makes Chetland look beautiful. And now that's our 2020 escape plan in case our country gets worse. And there. I think it's like their highest recorded temperature ever 100 years ago was like 82 degrees. I'm like, I am moving there.
And it is September 30th here and it is 90. It was 93 degrees outside today.
Oh, Lord.
Yeah, you can see the northern lights there.
I'm not even going to say what the temperature was today.
Shut up. I'm moving on.
The eternal 68 degrees of San Francisco.
If. If you believe the show, everyone in Shetland drinks French pressed coffee. So I'll be right at home.
Yeah, Sounds right up your alley.
Yeah. And the other end of the climate spectrum, I just read Call Me by your, which is set on the Italian Riviera. Like, I think the town is like 20 miles from France. So have you guys. I think it was a movie. It was nominated for best picture. Yeah, I haven't seen the film. I just saw. Read the book, but it was really, really good. Spoilers. At the beginning of the book, the narrator talks about how his love interest and he are not together. So it's not a spoiler to tell you There's a certain part where they're no longer together and they know it's gonna happen. And that part is, like, really, really sad to read. So that's got me bummed. So now we're watching Poldark in preparation for the new season, which dropped on the PBS passport last night.
Yay. Yay.
And I sent you guys this album from the Black Pumas.
Oh, yeah.
I don't know how to describe their music, but it's a really, really good album. It's on Spotify, where everything is very. It's not like, raw, like, the recording is bad, but the way the production is, it's not glossy. It's like they sound like a live band playing in the next room. And you have a really good monitor speaker for it.
Yeah. I would describe it as well intentioned retro soul record playing as much for the head as for the heart.
Perfect.
That's entirely me and not Pitchfork. Describe.
I appreciate them because they have a real bass player, not like a guitar player extra. So they gave him a bass and we're like, hey, play bass.
Yeah.
So if you've been in a band,
reminds me of Alabama Shakes.
Yeah.
And so seasonally I'm using a Blackwing 344, one of the greatest autumnal pencils ever made in a field notes. National parks, the Grand Canyon, because it's sort of autumnal looking. And when we jump on to fresh points. Oh, I see two of my favorite names on Tim Stam. You want to go first?
Yes, I do. I'm getting ready for fall break. Praise the Lord. We're going this Friday. Fall break starts and we are going to Florida to visit my parents and my grandmother and my parents for a birthday present for both. Jane and I got us tickets for the Key West Express, which is a boat that sort of like gets us to Key west in like two hours. And we are going to go to the Hemingway house. Yes, you can. Absolutely. So it's just like a. We'll be there for like, we'll be at Key west for like six hours and then it brings us back. So it's just like a day trip. But yeah, I'm super excited. So I'll be sending lots of pictures and blowing up.
Take pictures of the cats for me, please.
Yes, the six toed cats or whatever.
Yep.
Yes, I will. I'll smuggle one back if I can.
Oh yeah. Oh boy.
And yeah. And then sort of sidestep to. I've been teaching Gatsby, so sidestep to F. Scott Fitzgerald. I'm teaching Gatsby and I've wondered for a long time, like what kind of pencil he uses. And so I just went on this like long Internet wormhole where I was just like trying to figure it out and like, what would people at that time period likely be using? And especially like people in his circle or, you know, writer types at the time. And I think I've got it narrowed down to something that is probably as close as I'm going to get to the same thing that he would have used. And it is nothing fancy actually, but it is a Staedtler 2 millimeter lead holder. As far as I can tell from all my research and looking at different, you know, images of writing utensils from that time, I think that's probably as close as I can get to what he was using, I don't think he was using a wood case pencil. I think that's what it was. And also like going by, I mean when you watch the Gatsby movie, they. When they hand Nick Carraway like a notebook to like write the story down. You've got to write it down or whatever. It's this like very ornate gold mechanical pencil looking thing.
But is it like one of those like telephone dialer pencils like with the kind of a doorknob looking end?
Yes. Yeah. Yes.
Oh, pretty.
Yeah, those are cool.
It's one of those. So I. So I'm gonna at some point order The Staedtler Black 2 millimeter lead holder because just to try it out and screw around with it. It's only like 12 bucks or something. But I think that is probably in the ballpark. But I'm going to keep researching and if anything changes, then I will let you guys know. But I'm not going to buy a solid gold mechanical pencil.
Yeah.
Yeah.
How dare you.
That is not my, not my thing.
I guess I'm into it, man.
Yeah. Get me more dedicated. Yeah,
yeah.
So, yeah, so stay tuned for that. But I'm gonna order that and I think that will be something to add to my various pencil shrines that I've created over the years to different writers that I admire. And next would be. I talked in the last episode about how I finally had ordered one of the Mitsubishi Hyuni sharpeners and I got it and it's pretty fantastic. So remind me, neither of you have one, right?
Correct.
Correct. Okay, so to describe it, it is way cooler looking in person than even it is in pictures. It's bigger than you think it's going to be. It's larger than a classroom. Friendly. And it's all just. It's very kind of like tightly constructed and built together where things like the drawer to capture the. The shavings as opposed to the classroom friendly. It is like airtight. I mean it like clicks into place and there's no places in the back where it can like the dust can sort of like float out. It is really.
Well, it'll preserve that cedar scent so you can pop it open and just like inhale it. Like a fresh fall day.
Yes, exactly. Um, to wake you up in the morning, inspire you to write good to shaving. And it definitely the last shaving. It, it definitely does have the like rounded rubber stock like holders inside to, to hold the pencil instead of putting the teeth marks in it. So it's all around great. I. I Sent you guys I think some pictures of the differences between like that and the classroom friendly sharpener and the main differences, I think. So it puts just. It put just. Just. Just about as long of a graphite point on it. But the. I think we call it the collar. Is that the name we gave it for like the. The exposed wood section?
Oh, yeah.
That's a. Reeseism is like, is success or is like, definitely longer than the. Than the classroom friendly, which is kind of nice because you can actually like, grab onto it for some people who like, grip it right down at the bottom. It gives you more of like a exposed wood textured spot to grab onto it. So I like that a lot.
Extra snow.
And now I need. Yeah, that's probably. I never noticed that. But. But I probably need to get another one now so I can have one at home and one at school because it is weird to like, go from that to the classroom friendly and back and forth.
How many floors in your house are there?
2.
So you need another one for each floor.
Probably get one for the car, too.
Yeah. How many bathrooms do you have? Three.
Yeah. Okay.
Sharpen while you. While you poop.
Yeah, you better get a case of those things.
I just get, like, sign on to a subscription service and be like, just send me one a month for the
next, like, Amazon subscription for 10 to 12.
You forget to cancel every three months
for the rest of my life. So I got really excited and started taking. I like, took out the. The cylinder. Like, it's got the grinder on it. And was trying to see if any of these, like, are interchangeable as far as the classroom friendly or the doll or any of these. And they're definitely not, but it was worth a shot. I love it, so I highly recommend it. I got the blue, which is kind of like a gray blue color, which is nice. And last thing for me is that we are recording episode one of season two of the membership on Yay. This Thursday. So we launched a Patreon for membership this week. Kind of like quietly launched it. And then we are starting season two and we're kind of changing the format up a little bit to make it a little more manageable to get the reading done, but also for our listeners to get the reading done. So instead of last. Last year, how we read, like, we did like we backloaded five episodes or something and then released them weekly. That was just like, way too rapid fire, which we see that now for people to read along. So we are starting that on Thursday and we're starting out with A book called the Hidden Wound, which was a book Barry wrote when he was 35 to. To make sense out of his family's history with slavery. So it's a pretty intense read, but it's kind of like an extended essay a about 90 pages, but where he's just trying to come to terms with his own family's history with slavery and then trying to understand what he calls the hidden wound that it leaves on the entire country for like, you know, generations to come. Yeah, so that's the first uplifting read. Only gets, only gets more uplifting from the membership. But it is, it's an excellent book. So looking forward to talking about it. But yeah, that's it for me.
Tim, where does one go to find your membership? Patreon.
Oh, thank you for asking. It is patreon.com membershippod and I think we've got like five levels and most of them involve, as far as rewards, some sort of personalized correspondence from us, the hosts. For now, that's the plan. So, yeah, if you're willing to donate even just a dollar a month, really would appreciate that. It's patreon.com membershippod the one you'll definitely
want to do is the 500 month portion, which is where Tim will come to your house once a week and cook you dinner no matter where you live.
And then I'll bring a tattoo kit and you will give me a tattoo kit. A tattoo every time I come and cook dinner.
Perfect.
Yeah.
So what's the level to get you to record the greeting for my voicemail?
That's the Carl Castle.
Yes.
I'll do it for you for free, Johnny.
I'm holding you to that.
All right.
How about you, Andy?
What? I, I don't have a lot of like, regular fresh points. It's been, it's been a eventful two weeks and I haven't really sat down and had time to like, do good stationary stuff. But one thing we have been talking about is since we last recorded, we have been given a really interesting opportunity by one of the planners of the Baltimore DC area PEN show to come and record a live episode in person at the PEN Show. So it's late February and we really think we want to do it. Um, you know, as, as listeners of the show will know, we have never, ever gotten together, the three of us, in person, and we think in order to like, you know, get me there and get Tim there and get us a couple of hotels for the night and like, you know, get together, that would be approximately $2,000 um, we don't know. We don't really know how to make that happen yet. We don't know if it's, like, doing a big Patreon push ourselves or if it's trying to sell, like, some product for a markup and get people to kind of help us fundraise or. Or what. I kind of want to stay away from Kickstarter for reasons A, because, like, I don't think we have kind of the scale that, like, the Pentict does with Kickstarter. And then also B, Kickstarter has proven itself to be under kind of some kind of crappy management lately, so I don't know what's coming yet. I would love to know your ideas. Dear listeners, if somebody just wants to send us $2,000, that'd be great. We'll all get your name tattooed.
You'll get hugs.
Get hugs. But do keep in mind that remember, long ago, we have committed to getting matching or complementary tattoos. I have no tattoos myself.
I do not either.
Look, if this happens, I'm going to book my favorite guy.
Yeah.
And, like, he does great work and he's really, really cool.
Yeah.
Cool spot of town. We'll go buy some pencils.
We have until late February. Well, this happens in late February, so I guess we should probably actually get tickets and stuff, like, beforehand. So. Yeah. I don't know what format this will take, but please save some room in your budget to throw a little money our way so we can get together and record you a live episode and get some tattoos.
Yes. We'll definitely be planning some cool stuff for that live episode.
Yeah.
If you want to fly to Baltimore, you could come watch.
Oh, yeah, yeah, absolutely.
And Also, we'll sell $20 hugs.
$20.
I've gotten hugs from Andy and Tim. $20 is a steal.
Yeah.
So, yes. Keep that in mind. Um, yeah, that's it for me. How about you, Johnny?
Um, I only have a couple, too. Also, last weekend was a festival in Baltimore called Hammond Fest, where one of the events is, like, they have toilet bowl races where you race toilet bowls down a street. So that's what it sounds like. Like, people make them into go karts or, like, skateboards or bikes. And, you know, the cool ones are never that fast.
Yeah, that sounds like fun, but, you
know, it's that kind of thing. So my parents had a little cookout, and the folks from right Notepads came and hung out and complimented my children, which was fun. And I think Chris was afraid of my mother's turtles. My mother has red Ear sliders in a little pond and they've gotten enormous. So, like, they should do a slider edition. That would be cool.
You should do a turtle edition. Oh, yeah.
But speaking of editions, we didn't talk about the seventh anniversary edition last week.
Oh, shoot, you're right.
That rainbow fuzz came out with.
Yeah.
For this one, they went back to the pure binding and a box, which was awesome. The box is sort of like. It's like a craft color. And the notebooks are. They're not supposed to be autumnal. I think they're not doing seasons anymore. But they're super autumnal. It's like burgundy. And they're almost like a sideways corduroy with copper stamping. And red lines are so pretty.
Somebody in the erasable group mentioned this, but I think it bears repeating. Like, the photos and the renderings of it do not do it justice. Like, that red with that copper is just gorgeous.
And the red lines, like, that's wound up being my favorite thing.
Yeah, yeah.
They're so pretty. It's just the right red.
Do they still have in stock?
I think they're still in stock somehow. Why not? They didn't make as few as they did for like the 4th of July edition. That was like 243. That was like. That was just fun to do. But yeah, according to the website, they're still available for 12.99.
Did I tell you what I did with mine?
No, I.
So I've like, when I sent out the plumbago issue, I bought a bunch of stamps. I bought the like Moon Landing stamp edition, I bought the like Intercontinental Railroad edition. And I decided to post one of each stamp variety in that notebook with the date of when I got it and some quick thoughts about it. And I'm going to start a little stamp collection.
Awesome.
Cool.
Yeah,
I started doing that in a moleskin Japanese book that I've had laying around, but with like adhesive stamps. You can't get the stamps off envelopes, or at least I can't. So I just kind of cut them and glue them with the muji glue stick. Just not as cool as yours. Just like half headed. Like, this is too cool to throw away. I'm just sticking this damn book. But in other pocket notebook news, Today is Monday, September 30, and tomorrow is the release of Field Notes. Yay.
So super excited.
The picture was a close up of an oak leaf, which has nothing to do with it until you know what it is and then it makes perfect sense.
Yeah, I. I was like Maybe we should rampantly speculate. But they do a really good job of not providing like any details or speculation. Like, like, I feel like Blackwing has occasionally kind of flubbed and you know, given too much away, but field notes never does that.
No.
Yeah.
The. When was the last time they did an autumnally one? Shenandoah.
They did, didn't they say. And maybe I'm remembering this wrong, but in the, the email about the upcoming edition, didn't they say something very vague but sort of informative about how it's sort of a back to basics edition or something like that?
Yeah.
Or am I inventing that in my head?
No, I think you're right. Yeah. You're right.
Yeah. So maybe we're gonna get like some solid color.
Love that.
Yeah, I think that would be very cool.
A friend of mine had a good idea that when they did Shenandoah, how they did the. The green of the trees on the outside and the autumn colors inside, they should reverse it and pick three other trees and make the autumn on the outside. Which in retrospect would have made a hell of a lot more sense than putting green. Although they, I guess that way they matched a little bit.
Yeah.
But that was one of my favorite additions. I love that one.
Yeah. It's so beautiful.
It's way too low hanging fruit and they're not going to do it. But it still would be cool if it existed if they did an addition that just kind of mimicked the color spectrum of like a leaf changing, you know, like six, like six books. Like they're different. All different that have like the six colors all the way from green to brown, like and then changing to like yellow or orange in the middle. That would be really cool.
That would make me super nostalgic for autumn because we don't really have autumn out here, so.
No, we don't need any more either.
Yeah,
we've. We've banished it apparently.
Yeah. So should we jump into our main topic?
Yeah.
What to do with full notebooks.
Can you give us some kind of background about how we came to this topic? Because I thought you had some good thoughts.
Oh, Tim came up with it.
That's right. That's right.
Yeah.
Yeah, I came up with it just in recently thinking about some of my old notebooks and I've been a pretty fairly regular morning pages person for a while now and I have a lot of. I just was just sort of thinking about. I have a lot of notebooks where I've written with like zero filters in some ways. Which of course, is a great thing and makes me happier, makes my brain happier. But at the same time, I literally had moments where I was like, what if I died? And people read this because life is hard. And I say some crazy stuff when life is hard, but also. Not just that sort of paranoia, but also wrestling with the idea of. I don't think all of these field notes that I've got around have things in them worth keeping. You know, I'm not one. And I think there's nothing wrong with. With this because I know there are lots of people who are. I don't ever look at them, like, ever. So I don't need to, like, see them all on a shelf together. Like, all of my used editions piled up. So I was just. Yeah, just was a subject that seemed kind of ripe for talking because I've started to discard some notebooks and trying to maybe even think of some kind of system for how to do it in a way that is, like, kind of mindful and useful.
So one thing that I thought this topic was kind of a good segue from was an essay in our latest issue of Plumbago by Toffer. He wrote about throwing. He wrote about transitions and traveling and getting on the road. And the first part was about how he threw his Moleskine notebooks into the bonfire to. To mark a, like, lightning of his load in his life and kind of moving on from that. So I thought that was just a good image of just like, you know what. What this topic is going to cover was that. That essay. So if you.
Yeah, definitely.
Yeah. And actually, if you don't have a copy of the newest Plumbago, A, you should go buy it. But B, if you go to Toffer's website, which is it'stoffer.com and go to the writing section, he. He has the text from that there, so. Oh, cool. Yeah, you can read that. But also, if you. If you buy the issue, you will also get these really great little illustrations to go along with it by Alfred Lee, who is a friend of friend of the show. So. Yeah. So, anyhow, good, good. Kind of like intro to the topic of how to get rid of your full notebooks. Yeah, yeah.
So how should we do this? Just go down topic by topic.
Yeah, you posed a bunch of questions to us, so we can just.
I feel like. Yeah, yeah. So like, we're interviewing ourselves.
Yeah.
This is extra weird because I came up with the questions or a lot of them. So first off, what kinds of things do you write in your notebooks? Like, are they more like what you think of as a notebook full of notes or journal entries or commonplace books or something I'm missing.
I feel like mine land. And I have like four categories. One is the sort of like catch all brain dump field notes, you know, lists, little things that I'm just trying to keep track of. Right. And then I've got ones that are journals or like morning pages books. And then I've got some that are like focused on like. I've got a what right here sitting next to me. I've got a baron fig, the one that's got like the blank on one side and dots on the other that's full of work stuff, stuff. And then the last one is ones that I do like long form writing in like drafting stories or things like that. So I feel like that's, that's. They always fall into one of those four categories in general. The one that you mentioned, commonplace book. I'm going to come back to that later because that's one that I've always wanted to like take more seriously as a, as a way of gathering cool stuff. And I've got some ideas about that I'm going to share at some point. But, but that's me. They usually fall into those categories.
Mine would probably broadly fit those categories, but I would say the vast majority of the stuff that I've keep in notebooks lately are kind of those first two, just like lists and planning and things like that. I feel like so much of my writing lately has been focused mostly around both work and creative projects like this podcast and plumbago and things like that. I have not really had the brain space to just sort of like get this stuff out of my head. Get like, you know, personal stuff and thoughts and feelings. So I would say mostly, mostly it's lists and some things like meeting notes or if I'm going to a conference or if I'm listening to something. But then also some like concept planning I guess too, and a little bit of journaling. I try to keep like a separate journal in like a, like a special little field notes. I was inspired by Larry when he was on. But that is definitely fallen by the wayside compared to my other. My other stuff. Yeah. What about you, Johnny?
So I don't know how to categorize this. My books are full of like stuff my kids said that are. That are funny or like, um, you know, interesting piece of new research about excessive coffee consumption or like writing ideas like reflective entries, processing injuries like therapy homework. Like my. I feel like my notebooks Are like overflow. Like a micro SD card for my brain that's in my pocket. Like I have.
That's a great way to put it.
Yeah, I have.
I have memory problems and processing problems that that paper definitely helps with. But then that, you know, this raises a lot. A lot of these questions are hitting home for me because everything I have is potentially, you know, should I burn this because this is kind of personal or also should I burn this because this is useless information? But so more specifically, like, when we talk about these things that we're writing in, what are you writing in? Like, what kind of notebooks?
My. I think. My. Me and Andy, I think have the exact same answer. I mean, most of it is like a 5 hardcover. Like a confidant or pocket notebooks is what I'm. Yeah, those are the ones that I'm mostly dealing with. Like what do I do with these? Some of the ones that I save are like the bigger ones. The ones that I'm like. I mean the ones that I'm like drafting stories in and stuff like that and doing that sort of long form writing, that kind of thing is never gonna go anywhere. Like I'm never getting rid of the. Rid of that stuff.
Do you still have that big old Leuche term master book?
Oh yeah, I used it today. Yeah.
Nice.
Awesome.
I've got it in the back of my classroom at a desk that when I get time to read, I'll go back there and sometimes write in that. So yeah, like things like that are never going anywhere. So the only ones I'm kind of contemplating what to do with are pocket notebooks.
And then.
Yeah, the sort of confidant Moleskine kind of shape.
I think I always kind of default to like a field notes. Ish notebook
if you have multiple. It's called fields notes.
So that are. That are something similar. And. And then also like I've been. I probably had used a Baron Fig confidant for the last four A5 notebooks that I've used. Which, which for me, I go through them so slowly is like a year, like a couple years, maybe three or four years. But I think the next one I'm going to use that. That red dot grid. What is it called? The red dot edition? The legendary Honey? No, the. I'm gonna use the. Which term? The red. Red dot edition. So what it's called.
The one that has like the blue. Like they're like the color on the side.
Yeah, my. Those are pretty.
My friend Michael, Michael Metz sent me a blue one and it has like that red lined pages with the red dot grid inside. And I think I'm going to use that as my next one.
Awesome.
Yeah, it's very super Maney. Yeah, sure.
So I use everything.
Yeah.
I've always got a pocket notebook because my kids like to color which I may or may not have something to do with. You know, we like to go to coffee shops and sometimes they get impatient or you know, we stop at the store and my brain is useless so I have to write everything down. But usually I try to break it up every once in a while with something bigger or like a pocket moleskine, which is. Well, you know, it's the same size as field notes. It's totally different kind of book because, you know, it feels more permanent. You can't put it in your jeans pocket without looking like you're carrying two phones or something else in your pocket. So. Yeah, I mean I even like. I like composition books. Lately I have a large stack of decomposition books here with. For want of something to do with them. Because they're so pretty. You collect them.
They are so awesome. We were in a Asheville the other day and went into a store that had. It was this like swanky bar slash bookstore. It was like. But they had just like a wall of decomposition notebooks, like tons of pile to the ceiling. It was pretty cool.
Yeah, I feel like, like everybody has a different selection of those. So I have not resorted to buying them online. So if there's one I want, I just like hunt everywhere for it.
Yeah.
So I was looking for the treehouse one. I finally found it. I'm very happy. Yeah, I think I spilled coffee on it before I got it home. So now it's more special.
Extra decomposed.
Yeah. So this is kind of jumping the gun here. But how do you decide to. What to do with a notebook once it's full? Like how do you decide whether you're going to, you know, scan it, sort of store it or you know, burn it, give it to somebody.
Can I go first? Because I have the laziest answer.
Yeah.
I always, always, always, always, always say I am a hoarder. Yes. I was going to say information hoarder, but like I said, straight up hoarder works too.
Information collector.
Yes, I, I'm also, I mean. And I do the same with my digital files. I never throw files away. I have, I have text files from like 8th grade because I don't like to get rid of them. I take pains to archive them so I always save them. But Also, I rarely complete them because as I mentioned before, I go through these notebooks slowly. I have kind of tiny handwriting and I'm really bad about, like, I try to use up a whole page. So I like go through them super slowly. And then there's also a lot of stuff I write and save online too, or on the Internet too, because. No, sorry, on the computer. Just for work and collaboration purposes. But so I. So I basically have a bunch of half filled notebooks because I get bored with them or there's something new and shiny that I move on to.
When you got a closet full of notebooks, that tends to happen.
Oh God, yeah. And I also just have a. Like, just all these notebooks I have saved just in a drawer on a shelf. So I definitely like, don't like digitize them or try to archive them. I just like keep them around. So I'm just making extra junk for somebody when I die.
The whole digitizing notebooks thing has never really appealed to me. I've thought about it. I know some people do it and they have special scanners and stuff that people use to do that and. And I've thought about it a couple different times over the last five years or whatever, but it's just something that's never seemed like it's kind of. For me, it's kind of like seeing my own or like hearing my own voice in a recording. Like, I don't like, look forward to that necessarily. So like the chaos of those notebooks doesn't like, when I look back at an old field notes, it doesn't feel kind of like, oh man, look how, look how sloppily I wrote, you know, like coffee filters.
The usefulness for me, if you don't, if you don't care about like the archival and kind of the longevity aspect of it is if you import into something like Evernote or something that has really, really good handwriting recognition, you can certainly make your notebook searchable, which I think I can really see the benefit of. Like, you know, if I was think, trying to think about like some band name or if I wanted to like search by date or something like that, you could take them and put them into Evernote, which has really, really good handwriting recognition.
And how does it do with cursive?
It's not bad. I tend to write in cursive. Mine is kind of a 80% cursive, 20% print, kind of like mishmash.
And that's mine too. So I was just curious.
It does a pretty good job with that. I've Written, definitely written some things, like big, sloppy things that it just can't deal with at all. But most it's okay.
Can I tell you guys my new plan? Yeah, I've hatched a new plan that I feel pretty good about. And I am doing it proudly in a erasable 100 episode notebook from Baron Fig, or yellow ones that we made. And so there's a book, I've talked about it, it was probably a long time ago, but I've got this book called the Wheeling Year by Ted Kuzer. And he's one of my favorite poets. And he has this book. And I think he splits it up. I think it's here, I've got it right here. I think it's by. Yeah, it's by month. And so he splits it up by month. And it's just. He was inspired by a friend of his who's a painter who just in order to prepare, like for a big project, he carries this sketchbook and he goes around and like, sketches, stuff that he sees or whatever. And he always loves looking through his friend's notebooks. And so he tried to make like the poet's version. And so they're all these like little sketches. So nothing is longer than like half a page, you know, but he's describing someone that he's seeing somewhere or a bird that he saw or whatever, you know, all this stuff that's just kind of raw materials for poetry. And it just gave me the idea that I think one thing I'm going to try to do is to establish like a for real, legit, commonplace notebook where I can go through in kind of a similar fashion, whenever I finish a notebook, like a field, especially like a field notes notebook, I can go through, put the date range, because I usually do a really good job of putting the dates, you know, in on the first page or whatever, put the date range in and then just flip through and just kind of like if I see something that's worth writing that like, is worth remembering, then it's worth writing down again. I'll copy it down, put a line across the page, you know, find the next entry that's worth saving, line across the page and then just repeat, you know, and just do that for a while. And then that'll be a place where I can sort of gather the thoughts and even make them. It feels, I don't know, for some reason it feels like even a little more special to me if it's being written down again, which is a little tedious, but not that much because in a 48 page field notes. I'm probably only going to write down like five or six things that are actually worth. Worth holding onto.
I love that idea.
That's.
It's sort of like the kind of like oral tradition of communications, but applied to writing.
Yeah. Yeah. And I'm so I'm doing that. I. And I'm going to go through some old field notes that I actually had recently just marked for destruction. Like I was just going to burn them, which I will do at some point. I do have a slight part of me that is considering I'm not a. I'm no good with visual art, but I. Part of me. I do love the way that a field notes cover looks when it's all beat up. And so I thought about cutting the covers off of all my additions and just keeping the covers and trying to create some kind of collage out of all those like sort of mangled field notes covers eventually. So I might do that and then just like say goodbye to the rest of the notebook and copy over the things that are, you know, worth it.
Yeah, that's really interesting.
So that's. That's my idea. So that's like that wheeling year idea which is just a place to. To. To gather ideas. And then I don't just. I just don't feel too precious about them. At least I don't right now. So I should probably burn them while I don't feel precious so that I don't keep amassing huge crazy amounts of notebooks.
Yeah.
So I'm copying Andy's answer. I don't decide what to do with them because I save everything. But I do have some that are earmarked for destruction, which is my new band name. But like, you know, that's a good band.
Solid band name right there, everyone.
I'm afraid if I throw this one away that's full of just me bitching on paper, there's going to be something in there really awesome that my kid did that one day is going to make sense of something else they did as a grown up. And I won't be able to look it up. Yeah. So that makes sense. Anxious.
That's one thing that I like, I definitely wrestle with is that like my morning pages kind of stuff. I spend so much time just like getting all like the negative junk like out of my system like where I'm just like spewing it onto the page just to like clear my head. It's like clearing the cobwebs out or whatever. And then I. I do sort of like Cringe about looking back on that. And, you know, things like, you know, marriage is difficult, and so sometimes you're, like, trying to figure out how to, like, do a good job at that. And so you're saying things and, like, evaluating situations and hashing things out and maybe sometimes not being super fair. And it's like, I. If my parents left those behind, I think I would definitely see the sort of, like, fascination with it of, like, being able to have that sort of, like, insight into the brain of a person. But I don't know, I just feel like I have to think more on that. I think the pocket notebook stuff is different, but that stuff is. That gives me. That makes me a little scared just because that's, like, my brain living in a notebook. Because my brain can't function without a notebook. Yeah.
So when you do discard a notebook. So this mostly is a question for Tim. What do you do? Do you, like, shred it and recycle it? Do you burn it?
That's what I was just like, I've got them all. I've got some of them that have been, like, sort of, like, set aside to just, like, destroy. And I didn't throw them away, but I think I am going to burn them was kind of what I was thinking in recent days or whatever. But I still. I'm thinking about that idea of. Of detaching the COVID and saving the covers of some of these.
Bring them to Baltimore with you.
They could be rewards. We'll do, like. I'll just give them away, actually. We'll autograph.
You can bring your notebooks and nobody will want them. Yeah, we could throw our notebooks in the Jones Falls river for the Trash Wheel.
Yes.
You guys seen the Trash Wheel?
Oh, I have seen the Trash Wheel.
Yeah. Feed them to the Trash Wheel. They'll get recycled.
Feed them to the trash.
Only in Baltimore does that make any sense.
Feed them to the Trash Wheel. It was the title, 100%.
So I think the fire is really the only appropriate method to get rid of something like this that's got a piece of you in it. As much as I guess recycling it would make more sense. Like, can I buy a carbon credit because I burned, like, 300 used field notes.
But these days, man, I'm not sure.
Do something with the fire.
Recycling is even real. And hearing so much, so much stuff about recycling that I'm just like, what? Yeah, Scientists telling you, like, you're better off throwing plastic bottles in a landfill. I'm like, oh, don't say that.
I have Good hopes for paper. It's easy to recycle. Yeah, well, easier than plastic.
Yeah, and with, hey, with the, the loosening of regulations around pollution, feel free to burn your notebooks with no consequences.
Just sit them in front of a certain address in Washington before you do it. Terrible. So this is like a weird question that I guess I only asked because I have an answer for it. Do you have any future forward measures that are in place for your notebooks? If, ah, it's a better way of saying this. Like if you couldn't take care of them yourself like because you were dead or you know, incapacitated in some way.
So guys, I've been meaning to talk to you about something. In the. In the case of my death, I'm gonna need you to fly to Tennessee and, and take care of a few things for me.
Look, I will hike down there.
There's some things backyard that I need you to dig up. There's instructions already underground. And then there's the notebooks to deal with.
There's that. There's that big container in the basement.
Yeah, yeah, it's just gigantic. Ignore the smell blooming in the corner. But yeah, I don't have a plan. But I probably should have a plan. Unless, you know, a shout out to Milligan College. If you're looking to establish my papers at your school in the archives, you can just let me know and I'll save everything. I won't burn it. The collected papers of Tim Wasserman, which are like the most mundane, boring things of all time. Be sort of like a modern art exhibit. Like just like what, what is he doing? What is this? He's been complaining about not writing for six years in his notebook.
All of his writing is about not writing.
All of his writing is about not writing enough.
I, you know, jokingly I said that same thing in our planning doc. I was like, I assume, you know, all of my writing will be donated to a museum I just saw. But like, seriously though, I do like I have gone through like some of my. When my grandfather died, actually when my. Sorry. When my grandmother died, I found a bunch of kind of like little like engineer notebooks and things that my grandfather wrote. And I just had a really great time just like looking through them and they were, they were not like there was no. He was not really a writer. He basically just like made little diagrams and kept. Kept some notes and some lists and my father has written some old. Like. Like I have some of his old school notebooks where he had like doodles or notes to himself or something in addition to the, like, you know, the. The stuff he wrote for class. And I'm super interested in that. And I don't know if I'm unusual in that way, but I. I guess I assume that when I die, Katie's just going to get disgusted by them if she outlives me and will throw them away. But. But if not, my, you know, I don't have kids, but, like, my. My nieces and nephew, it'd be amazing if they look through it and just spend a little time thinking about, like, huh, that's interesting. Like, you know, Uncle Andy sure did have a lot of, like, something called Fresh Points. I don't know what those are.
What the hell's a podcast?
There's a. There's a giant single page that just says Patreon levels for erasable. That means nothing to somebody in. In 50 years. But this. The idea of, like, kind of pondering that is something that kind of, like, tickles me and I hope can be, like, a legacy, as inscrutable as it may be to somebody in the future.
Yeah, that's admirable.
Yeah.
And well put.
Yeah. What do you think, Johnny?
I have an elaborate pact with a friend of mine who. We joke that we're life mates, like, Dan and I. We've been friends so long, we have every reason to expect that when we're dead or dying, we'll still be friends. So we have a pact that whoever dies first burns the other's journals. But see, why.
Why wouldn't you want to say some of them, Johnny, for your kids?
Mine? Well, I'm planning on my kids. You're marking certain ones, like, in this box. Yeah, but. So that's something else to talk about later, like how I'm trying to pull some stuff out in case there's a burn, but my friend's a fireman, so that's ironic. And in all honesty, we'll probably go camping when we're in our 70s and burn all of our books and, like, use the flames to boil coffee or cook food.
That coffee's gonna taste gross.
Yeah. Especially with the old moleskins full of vinyl.
Yeah.
So on the other end, why would you preserve a journal or a notebook? Like, why? For whom? And I think it's a relevant question. How long?
I guess. I guess. I mean, I don't have kids myself, and I really don't have, you know, plans to have kids, but I really do love the way that Larry Grimaldi uses and saves his notebooks when he came down to Just kind of talk about that. I really. I think that, you know, his kids are going to be just like, super happy and, like, are going to treasure those things someday. So I love the idea of keeping a record, maybe not specifically for people in the future, but with people in the future in mind. It is like. I think I've read a New Yorker article once about how all of the writing that people write nowadays are kind of locked behind passwords and are in pixel form. That, yes, can live on forever on the Internet, but are kind of like, largely ungathered and. And hard to get to and hard to piece together because they're tweets, you know, short form. So the idea that, like, you know, there can still be sort of these, like, narrative records, even if they're in paper form and not like, you know, preserved forever on the Internet, are just. Just something that really appeals to me. So I, I love the idea that maybe someday there's somebody who would. Who would see this stuff I wrote and go through it. So my, My. My plan is to, like, you know, have. Have, like, keep in mind that maybe it'll stick around forever. I doubt that would ever actually be the case, but that's a good, interesting goal for me to aspire to because. Because of aforementioned digital hoarding.
Yes. Yeah. You're like, how about you? It's something I'd like to think about, and I insist on it actually happening. So whoever's out there, please keep my notebooks forever. Don't throw them away.
Right.
I. Yeah, I think I don't know what to do with this exactly because a lot of this conversation has kind of made me think differently about some things. And it is a pretty appealing idea to be a sort of analog bridge for people in your family in the future. Right. As things get so digitalized all the time that, like, there will be a time. It's really depressing to me to think about, like, which I don't think it would happen really. But, like, just the idea of my family sitting down at a computer and, like, trying to figure out all my passwords or something to, like, do, you know, to like, gather some information, like, that's just really depressing. So much less depressing than them, like, opening up a cardboard box that's just like stocked full of, you know, Simpsons themed moleskins and like, in these commonplace books or something where they can look through and kind of get this little. Yeah, it's like a little museum exhibit or something that you have to slow down and look at and judge in whatever direction you judge it. It makes me think of the book, the Marilynne Robinson novel, Gilead, which is. It's not like journal form or sort of his, but it's like the whole book is this like 70 year old, has a young child, like late in his life, ends up having this young child with his second wife whose name is Lila. But he is writing kind of an account of just a lot of stories and just kind of gathering some things that are going on in his head for his son to read one day. Because he knows that by the time this kid gets out of high school, he's probably going to be gone. And that's really kind of a touching, related concept that now I'm sort of kicking around in my head because not that it's going to be something profound, but just that it's going to be something that is, you know, a way to. And not in a sort of prideful way, but a way to kind of live on a little bit or like. Because I'd like to think that hopefully my family will miss me, you know, my kids will miss me when I'm gone. And it. And it is pretty appealing to have something. Something that you were. What's the word I'm looking for? Intentional about, like something that you were intentional about leaving behind as opposed to just like, let's scroll through Grandpa's Twitter feed.
He sure was mad about that president or his. His browser history. Grandpa was a pervert.
I mean, that's a really good thought. And like, it's something. There's the idea of like, you know, my, my notes to myself and something that's more curated. Like some of my favorite things are my. My grandparents at some point took all of their home movies between like the 50s and the 70s and put them on VHS and did like this kind of like narration over it because they're mostly silent movies. And that's just a super fantastic memory. And something that like, even though I no longer have a VHS player, a way to watch it. Note to self. I should probably try to figure out how to digitize those. Yeah, yeah. But, yeah, like the idea that like. Like going back to what Larry does with his notebooks, just something kind of like curated. Curated for. For your kids is really great.
Yeah, yeah, yeah. I keep mine because. For various reasons I don't have a very good memory all the time. So there's so much of like my brain and my consciousness in those books that it doesn't exist in my head anymore that I would lose if I got rid of them someday when we
try to upload you to the Singularity, Johnny. We'll have to use those for reference.
I've seen the movie Transcendence. You could. You could create a very, very angry version of me out of my notebooks. Would not be as good looking as Johnny Depp, but yeah, like. And even besides my kids, like, there's stuff in there I need to remember and be able to look back up for various reasons. Sounds like government code on my. My whistle blowing.
And is your name really Johnny Gamber or are you in the witness protection program or something? Did I just blow your cover sh.
I did have a thing in my notes.
Your footsteps running away. Like,
I did have a thing in my notes that I needed to spend some time reviewing. This thing in Adobe called Project Skyline, which is just like a boring thing we're doing, but I accidentally wrote it as Project Skyfall, which sounds a lot more mysterious than I think.
Sounds like James Bond instead of chili or something.
Yeah, right, exactly.
Chili spaghetti.
I would like to think more about, like, what you guys are talking about with family and saving my notebooks for other people, but right now I'm really the saving them for me.
You're not writing to remember it later. You're writing down to remember it now.
Or I'm writing remember it much later.
Many times my brain doesn't work, and now I'm adding middle age to it. That's not helping.
My family has a sort of a history with Alzheimer's, which I know a lot do, but like, that now has me thinking about that. I wonder if there's any research that's been done or any information about how the effects of having old journals would be for people who are suffering from something like that. Or maybe it would make it worse, I don't know. But having sort of written accounts of things, I can't imagine it would make it worse. But that would be. That would be something sort of grim, but just something to think about, you know?
Yeah, absolutely.
So moving back to the practical, what do you do with the books that you are preserving or archiving you plan to preserve or archive?
Big plastic tub.
I don't know. What do you.
What do you do with the plastic
tube in the garage?
Okay.
There are candles and it's, you know. No, there's an American flag draped over the top of it and there are candles surrounding it.
Somebody wrote, keep out, no girls allowed in big permanent mercury.
The girls are spelled with a. With a U.
You know what? I have no. I have. I have no effort made toward trying to Keep them, like, preserved. So they're just sitting in a drawer or like one of those, like, IKEA cubes. Right. Like, I have. And then I have some at my. Just some at work just sitting on my desk that are in no way preserved. So it's the laziest possible thing you could do. Yeah.
I also have mine in plastic boxes that just live in my half of the walk in closet in her bedroom, which is cedar lined.
Ha.
Other cedar. But yeah, like, I had ordered them at some point, but, like, I can't do it. Field notes don't fit in a box in any way that you can stack them without them falling over. And then like, I. It took me a couple nights to get some of them in order. And like, this is really a waste of my. The second half of my life. So there they sit in piles in boxes, and boxes are piled.
Yeah.
So, yeah, they're safe, but they're not, you know, accessible. Very. So that leads to the next question. Do you go back and read these books that you're keeping? We talked about this a little bit.
Depends on the stuff. Like I've already said, I don't do the field notes books as much. Like, those just kind of live out in obscurity. But my sort of journals I definitely look back at. It's super fascinating to me sometimes to look back, like one year ago and just see how different you were just one year ago.
Yeah. Yep, I definitely do. I'm a very, like, nostalgic, sentimental person. And I like, I do that thing, like the Facebook memories. I look at that every day just to see what was going on. And I also, yeah, like, if I encounter one of my old field notes or something, I'll just kind of like, just idly page through it and see, like, oh, yeah, look, I. I remember when we recorded that episode of Erasable. Or I remember when, like, you know, the thing I was supposed to do for that, that I never actually did or, you know, that kind of stuff. I actually did keep a pocket notebook journal kind of when I was going through that big transition five years ago from, you know, living in Indiana and getting the job out here and considering moving. And that was a really. I'm really glad that I kept that consistently at the time because every once in a while I'll just kind of like, look back on that and be like, oh, yeah, my life is, like, significantly different. And it's just nice to see what kind of mindset I was in and to see how I've grown since then, because I think that's really good. So I look at my old writing very often, which is one of the reasons I like to save it. And I also try to put date timestamps to everything I write. So sometimes I'll have just like June 22nd or something and I have no year and I'm like, oh, I really wish I remembered which year this was. So I try to, I try to keep the year. I try to timestamp everything. That usually works out pretty well.
Cool.
Yeah. What about you, Johnny?
So before I had kids, I used to read them a lot because they were mostly moleskins. And moleskins are easy to read. And also, you know, I had a little more time without children running around, so that was a thing. But lately, like, the amount of things that I write down is ballooned so much that, you know, it's hard to pick up a book. Like, if I, if I pick up a field notes of the 48 pages, there might be three pages of notes in there that mean anything anymore that aren't just like venting or, you know, mental health stuff or, you know, random kid stuff. So I embarked on a project in the spring where I decided I was going to go through all my pocket notebooks and take out just like writing ideas. And I realized that I didn't make any notes when I had a writing idea. So I'm having to almost read them and skim them and like, it's taking so effing long. Then I've sort of stalled the project and like, why did I do this? But I picked it up a little bit this weekend when we were talking about this episode. But yeah, I'm. Lately I read them just to find things that are worth reading and put them somewhere where they'll be easier to read. Which currently is a. The really fat large, like a five size moleskin, which is a cool book. They're as fat as, like the Daily planners.
Yeah.
So, yeah, then I've also started keeping a Moleskin daily planner because it's easier to look back at that if you're just, you know, what did I do today?
Yeah.
And you know, I really like the form factor. They're cute. Yeah. So this is a pencil podcast, but.
Oh, wait, what?
Yeah, we don't, you know, we don't always use pencils, despite all of my really bad jokes at the beginning of our podcast. So when you're writing in books that you want to keep, not like grocery lists, what do you use to write?
Lame answer. But everything. I mean, when I flip through my notebooks it's just all over the place. Lots of. Well, I mean, I really. I mean, either. These days, I'm using. I've got some fountain pens I still use, so you'll see that every once in a while. But mostly it is pencil. Mostly. What I end up using most of the time is a. For at least for the last, like, six months, has been a black wing of some kind. And then, yeah, gel pens. Just see those, like, all over the place. I also use that. That ballpoint refill that fits in the. The Squire. The Schmidt ballpoint refill, not the rollerball one that comes with it. But I. I always have like 10 of those around the house. And it's. I put it in all of my. My Keras pens and all of my retro 51s. Like, all those kind of pens. I. I use that refill because I think it's the best refill in the world. So, you see, I see that a lot, for sure.
Yeah. I mostly use pencils, but sometimes I like to break out my. My pretty squires because they're so pretty and so. And sometimes I. Sometimes I use a. Like a. Like a big crystal or something, too. But it really is, like, at this point, mostly. Mostly pencils. Yeah. What about you, Jenny?
So everything but I, you know, pencil is permanent. But I noticed for books that I expect to be handled a lot. I've switched over to Pigma Micron pns, which are like the plastic nib. It's like a white plastic nib Micron that they designed for writing. So if you write with them, you don't mush them, which is cool. And they're really smooth. They're really sweet. But they only come in eight colors, and they don't have all the good ones. But yeah, like, for my distilling project, I'm like, this is a book I'm going to handle a lot. And I, you know, I have greasy hands. I'm going to smear pencil all over the place, especially on a moleskin and even gel pens. Like, if you have sweaty hands, you start spearing those around after a while.
But that is a really weird lineup of Micron pins. I'm looking at jetpens, and it's like rose and burgundy and red and blue and blue, black and purple and sepia and black. But no, like, green.
Yeah.
No, green. Orange.
Yeah. Huh.
I mean, that. That burgundy is really nice. I've been using the. The heck out of one this week.
Yeah.
With, you know, thinking autumn thoughts while I'm wearing shorts and sandals.
I Picked up a burgundy micron this week.
It's a very nice color when I
was in Asheville at the mall props bookstore. So, yeah, it is a great color. Sort of like, it's a little on the brown side, but I love it.
Yeah. You know, if you're doing a project with Moleskins, you have to be extra careful of what you write with because they basically take a bit crystal kind of heavily. Like that shows through.
Yeah.
So Microns, they tend to perform well on that paper. I mean, I don't like them on other papers, but Moleskin's good. So can you guys think of anything else we got?
Oh, I don't think so.
I think we've been pretty exhaustive.
I think we.
Yeah, I'd actually like really personal.
Yeah, I love that I've got a call to action to our listeners. Like, I. If there's anybody here who, you know, has an interesting system of sort of like, you know, either disposing of or keeping around your notebooks, like something that you really stick to, I'm really interested in hearing it because I would love to have.
Yeah, especially how you decide.
Yeah, absolutely. So let us know.
Yeah, for sure. It'd be kind of cool to revisit this topic if we do get some feedback from you all. If we could revisit this in a month or so and just do a segment where we sort of lay out some options. Like, here are some systems that people are doing to keep track of their writing in these notebooks, and maybe we could pick out, like, I don't know, six to 10 of them that seemed like really good ideas. And then surely that'll help somebody out there who's trying to figure out what to do.
Yes, it would. And don't call me Shirley.
Yes. Yes. So that's a guy, a friend of mine on Facebook and his wife. He posted a quote from his wife, and his wife asked him if he likes molasses, and he says, I don't even like moles. So I was proud of him for that, but.
All right.
Well, for ending on dad jokes,
can you tell folks where to find you on the Interwebs, Tim?
Yes, you can follow me on Twitter imwasum and I'm on Instagram for some reason. TimothyWassum and the membership podcast and Membership pod at all of the things. Yes.
How about you, Andy?
I am@andy WTF on Internet and woodclinch.com if you want to see writing I've written in the past but haven't done in a long time.
So you could find me@pencil revolution.com and on social media at PennSolution. And we are the Erasable podcast. You can find us on social media at Erasable. You can find our website at erasable us. Tonight's episode 125 will be at erasable us 125. You can check out our Facebook page at facebook.com erasablepodcast and the Facebook group that justifies the existence of Facebook groups not only for us, but for Facebook in general. I have this on good authority and I'm writing you could check out our group@facebook.com groups just erasable. Thank you for listening listening and we'll talk to you soon.
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