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147
August 14, 2020
1 hr 16 min
The Pen Dentist (with special guest Jesi Raine)
Tim Johnny Andy Jesse Rain
12024
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This transcript was generated from an audio file by AI, and may contain inaccuracies.

Transcript

Tim 0:00

This is a side note, but we need to go on, try to, like, find somebody on, like, Amazon or somebody that's written, like, a really aggressive review for a pencil just because they're, like, an angry reviewer, and then find them and get them onto the podcast. Hello, and welcome to episode 147 of the erasable podcast. This is Tim Wasem on head hosting duties. Andy and Johnny are here to cast some pod. How's it going? Hello.

Johnny 0:33

Great.

Tim 0:35

Yeah, man, it's good to talk to you.

Andy 0:36

Yeah.

Tim 0:38

This is the first episode in which we will be previewing our new podcast, which is called Indelible, our short Patreon extra that we do about pens, which the first one was very well received, so we plan to make more in the future. And the main topic of our podcast of this episode. Son of a bitch, Johnny. I even made it past the main toilet part and I was like, I got this. I got this.

Andy 1:12

I was impressed.

Tim 1:14

Okay, I'm starting over.

Andy 1:15

Okay.

Johnny 1:16

Sorry, sorry.

Tim 1:21

Hello, and welcome to episode 147 of the erasable podcast. This is Tim Wasem on head hosting duties. Andy and Johnny are here too. Let's cast some pod, guys. How are you doing?

Andy 1:32

Hey, great. How are you?

Johnny 1:33

Fantastic.

Tim 1:35

I'm doing all right. It's the first day back of school for me, and it's been a long day for me and for Henry, and so we've. We've had a. We've had a long day of virtual teaching and learning, so. But we're. We're doing good. It was. Overall, there will be.

Andy 1:48

There will be no learning here. Don't worry.

Tim 1:51

Good, good, good. I'm. I'm sick of it. Tell you, I'm sick of it. So the. The first episode. Yeah, once three o' clock hits, I'm not learning a thing. This is a closed mind right here. The first episode of Indelible, our short Patreon extra about pens, was well received and we plan to make more in the future. And the main topic of this episode can be viewed as a sort of preview to the future Patreon extras that we might do. So if you enjoy this and you want to hear more Indelible, subscribe to our Patreon at any level, even just $2 a. To get in on some inky fun. But of course, this is still erasable, primarily. And so we plan to bring you the usual, like, pencil goodness tonight. But we're also lucky enough to be joined by Jessie Rain, who will be with us later to share her wisdom about vintage Esterbrook fountain pens. Vintage Pen restoration and other fun topics. So this is an all out writing instrument extravaganza. But before we start this party, let's start off with our tools of the trade. So, Johnny, since you're just my favorite, why don't you start us out right now?

Johnny 3:09

You're my favorite too.

Tim 3:11

That was. That was sarcasm, Johnny. You're trying to kamikaze me in the. You're trying to kamikaze me in my. My. My script, man.

Johnny 3:23

That's what I see. So I just read a book by Julie Cameron of the Writer's Way fame called the Writing Diet, which I would not recommend and I won't talk more about it. I am actually, after we record tonight, I'm gonna finish watching the collection, which was a. Came out in 2016. It's a miniseries that was on French TV and Masterpiece aired it, but they bleeped out all the curse words. And I like my F bombs.

Andy 3:57

You sure do.

Tim 3:58

You sure do. Yeah.

Johnny 3:59

So Amazon has it as an Amazon original. So it's on Amazon. You can check it out. It's about Paul Sabine and his fashion house right after World War II in France. And like, you know, they set up attention in the first. The first scene. The whole thing's very taut. Lots of cool stationary stuff. There's a plot point about a fountain pen. And within, like, two minutes of the show.

Andy 4:23

Oh, wow.

Johnny 4:24

That. It's not a spoiler at all. Yeah, it's really, really good. And like, in.

Tim 4:29

The whole episode's not about fountain pens.

Johnny 4:31

And not like this.

Jesse Rain 4:35

If.

Johnny 4:36

If you. If you are squeamish around the F word. It's judicious, as is the full frontal male nudity. So don't watch it with kids.

Andy 4:46

All right?

Johnny 4:46

And a very nice person who is a good friend of mine sent me a book called Me Talk Pretty One Day by David Sedaris. Thank you, Jeff. So I just read the few. First few essays of that, but I had to put it down because it was time to podcast. But so far, it's really, really freaking good. I really like it. So thank you again, dude.

Andy 5:06

Such a good writer.

Johnny 5:07

Yeah, it's got a really cool title. It's like a dude in a Renaissance wig. Like, that's awesome. I want a picture of me like that

Andy 5:17

and. Anybody here use Photoshop?

Johnny 5:20

No, I want, like a real painting.

Andy 5:22

Oh, a real one.

Johnny 5:23

Let's do it. This is analog. Yeah. Covid. So in honor of our guest and our topic, I am writing with a fountain pen tonight, which is. I have a Parker 41, which was sort of in between the 21 super and a 51 Special. And they weren't made for very long, so they're expensive as hell on ebay. But I have a really pretty aqua one that has matching ink, and I'm not actually writing on anything. There's, like, paper all over the place. So for that, scraps of Rhodia pads.

Andy 6:00

Yeah.

Johnny 6:01

How about you, Andy?

Andy 6:02

Nice. The biggest thing of note, I think, that I have started consuming since we last met. There's a really good show on Showtime called On Becoming a God in Central Florida, which is a great title, and it's very much in the style of either of you. Ever watch Weeds?

Johnny 6:22

No.

Tim 6:23

I watched the first few seasons, I think.

Andy 6:26

Yeah, it's like Weeds in that it sort of goes off, like, it goes pretty wacky the first episode, and it just keeps on getting more bananas as you go. But it takes place in the early 90s, and Kirsten Dunst plays Crystal Stubbs, who is a Orlando mother, and she. I guess. I guess the. The boring way. Yeah, it is. Yeah. Apologies to anybody here in Orlando. My sister lives in Orlando.

Tim 6:59

Not apologies. I didn't say it was a bad name. Yes. It just sounds like somebody from Orlando.

Andy 7:04

The thing I'll mention is she gets caught up in a pyramid scheme and kind of like, you know that this is the. The main kind of like, thrust of the show is this pyramid scheme that just keeps getting just like, more bonkers and more bonkers. So it's a. It's a pretty good show. There's only 10 episodes in the season, and it's very entertaining. I definitely recommend that. And also, in honor of our guest later, I am. So I bought this Parker 21, not too long ago on. On ebay. And I thought that Johnny. He sent. So Johnny sent me and Tim a text that said, like. Like, guys, stop me from buying this. This ebay auction. No, I thought that.

Johnny 7:48

I said, you guys buy this before I do.

Andy 7:50

Okay. Yeah. So I took him at his word. I thought that he wanted it, so I bought it. Like, I got it myself, and then I was going to just, like, surprise you with it. Then you're like, oh, I have one just like it.

Tim 8:03

So I was like, oh, okay.

Johnny 8:05

But I have very, very nice co hosts.

Andy 8:07

Yes.

Johnny 8:07

And I must be very grateful.

Andy 8:09

So I. So I bought it and I cleaned it out, and I've been using it. It's a. I think it's an extra fine nib. It's a very thin nib. And I've been writing. Been using an IRU how do you say it? Iroshukuzuku iroshizuku. It's a really lovely ink. It's a Fuyu soyujin which is this bluish kind of this bluish gray ink which I just saw and just, just love. So been writing with that in my Ampad gold fiber notebook, which honestly does not do wonders with this ink because it is kind of toothy and it, it bleeds it feathers a little bit. And Tim, how about you?

Tim 8:52

Yeah, I have on, on the subject of Davis Sedaris. Johnny was talking about that book. I go through a phase probably twice a year where I just can't do anything but listen to David Sedaris audiobooks and read his books because he does all the audiobooks himself and he's a really good performer. And if you haven't heard him, you need to check him out. He kind of came to being well known for being on this American Life on NPR with some really amazing essays and those are still out there too. But I have been actually reading, which I had it on my Kindle and had gotten away from it. But after talking with Johnny and kind of going through one of these Davis Sedaris faces, I got back to theft by finding which is his, his diaries, like excerpts from his diaries over the course of like 30 years. So he had been keeping these diaries for a long time and there's going to be another, I guess another volume of it eventually. But he is a. And I really love his method of keeping a diary. So what he does is he keeps a notebook in his pocket. And right now he, he uses Rollbahn like. Oh yeah, kind of like reporter reporter style notebooks.

Johnny 10:03

Those are nice books. I like those.

Andy 10:04

Yeah.

Tim 10:04

Yeah. So he, he said that I saw somewhere that when he was in last time he was in Japan, he's like, I bought these notebooks which have a German name but are actually made in Japan. He bought like 50 of them. Like he just, just like bought a ton. And so he, he keeps one of those in his front pocket and he keeps notes all day long just, you know, jotting things down in this little hardback flip notebook. And then at the end of the day or whenever he' whatever his writing time is, he keeps a diary on his computer. And then at the end of the day or at the end of the season or whatever it is, he, he prints off his entire diary. And then he has them bound or he might even bind them himself actually, because he mentioned that he takes a, he's taking classes and in binding. So. And I'VE heard from him somewhere. I forget where I heard this, but Yale bought all of these, like the complete diaries of David Sedaris, which are going to be available in some fashion, but he released a curated selection of them and they're very good. They're very. In these short little entries that he does. I mean, most of them are pretty short, but very entertaining. But I, I just. I've always been a big fan of reading the journals of writers and the collected letters of writers because it gives you these very, like, hyper specific, unfiltered thoughts from them. So I'd really recommend it. It's a big book, but it's a book that you can read just in little bits over time. But yeah, so I've really been enjoying that. I've also really been enjoying the new Taylor Swift album, which is a big jump from the, from, from David Sedaris. But have you guys listened to this yet?

Andy 11:41

I have, yeah.

Tim 11:43

Yeah, it's. She kind of surprised everybody and came out with this album that nobody knew she was making. It had been less than a year since her last album, Lover, came out, and it's called Folklore, and she did most of it with the. The Brothers of the National. Is it Destner or Dressner? What's their last name?

Andy 12:03

I can't remember.

Tim 12:05

But yeah, she made this album remotely with them.

Andy 12:09

Yeah, that one. That one. Do it. That she does with the Bonaver guy.

Tim 12:15

Exile, I think it's called.

Andy 12:16

I was, I was listening to it and I was like that, like I could. I didn't look at the, the screen or the. The thing was happening. It's like that kind of sounds like the Bonaver guy, but it's like you can hear him. It's not just like kind of like mushy soft vocals. Yeah. So it's like. Yeah, he sounds. He sounds clear.

Tim 12:36

You can actually hear his voice and he's so. His voice is so low. It's almost like shocking.

Andy 12:41

Yeah, I was, I was surprised about that.

Tim 12:44

It's like a. It's an impressive thing to sing that low and that, like, on pitch, you know, like, it's pretty cool. So I've really been loving that album. And I was. I got some. Jane got me for my birthday some night. It's not my birthday yet, but she gave them to me early because I can use them at school. She gave me some noise canceling headphones, like, and so today I was working and like between classes I was listening to that album on noise cancel. Noise canceling headphones. And it was, it was Amazing. So.

Andy 13:11

And all the kids were like, Mr.

Tim 13:13

Was Mr. Wasson, please answer my zoom call, please. Another album I've been listening to is an album by Mavis Staples, who I've talked about before is like one of my favorite voices ever. But she made an album with Jeff Tweedy from Wilco a couple years ago called if All I Was Was Black. And Jeff Tweedy wrote pretty much all the songs or co wrote all the songs with her. And it is, I'm not going to say it is just an incredible album. It is so good. It is kind of a perfect album for right now. So if you haven't heard it, check it out. I, I was stumbling through. I. I went to Barnes and Noble for the first time in like six months to check on something and they had a 50% off final sale.

Andy 13:55

Oh hell yeah.

Tim 13:57

Yeah. And it was. So I got that and then I got the Yo Yo Ma plays Ennio Morricone, like his, his scores from Good, Bad the Ugly and stuff. Yeah. So I got, I got those two albums and came home and was like a little like excited schoolboy. So.

Andy 14:12

Yeah.

Tim 14:14

Yeah. But it's a great album. So if All I Was Was Black by Mavis Staples, great album. And then the last thing I'll mention is I just started listening to John Dickerson's new book, the Hardest Job in the World, which is his. An amazing, so far amazing book about the history of the presidency and the scope of the presidency and what we should be looking for in somebody who's a president of the United States, how the jobs changed over time. It's fantastic. I'm really loving it. And we also need to talk about it because there were black wings.

Andy 14:48

Yeah, that's true.

Tim 14:49

Associated with it. Yeah. So he, he had there. They released is questionable how it was handled by, by blackwing. But they're like, hey, check out these pencils that weren't available to you. And so apparently they were made so that he could give to his like the people that he had interviewed or the people that had been involved in the book. I guess there were some mention that they were supposed to go to people who preordered the book. But I know Adam on Take Note says I pre ordered it from his website and I definitely didn't get pencils and I would be, you know, like, like that would be the person who would notice if he got the pencils. So. But they did take like they put out a, a questionnaire where you can request to be notified when they're made available. But they have really Good. Like kind of semi obscure quotes from. From Presidents on the side. And they have a. They're like a two tone color. I forget I don't have them in front of me, but I think it's like red and is it red and white with blue writing? Is that what it is?

Andy 15:43

It's written like a. Yeah, gray. Yeah, like a gray and a, like bluish. Yeah, I think they're really good looking.

Tim 15:51

They are, yeah. I mean I. So I put my name on a list. If they come out and sell dozens of those. I mean, I would definitely, definitely want those. But. Yeah, yeah, sorry, I've been very long winded. But. But that's what I've been consuming, aside from what I'm teaching. And I am writing with a blackwing eras in my Moleskine pocket hardback notebook. Yeah. All right, well, let's. Let's jump into freshpoints and Johnny, go for it.

Johnny 16:20

So I don't have a lot of fresh points. I've just been using Musgraves and vintage like last 20 or 30 year American pencils lately. I think all of them have been yellow or natural. But one thing is that I figured out this morning, and this is not under consuming because I haven't actually listened to it yet, but our local NPR station does a lot of really, really cool podcasts and one of them is called like the Edgar Allan Poe Theater or something. It's an Edgar Allan Poe based podcast. So I put the link in the show notes because it sounds amazing and they're still making it like they put one out last week. So yeah, that's really all I have.

Andy 17:02

Is it just like dramatic readings of

Johnny 17:04

his work or is it some. And then it looks like there's some other like just talking about Poe stuff. Like, I'm all over this. That's so cool. Yeah, they also have a really neat one about basically creepy stuff, but they haven't put it out in a while, so I didn't put that on there. How about you, Andy?

Andy 17:28

Oh man. What's going on? First, I wanted to give a quick update On Plumbago issue 7, which is long, long, long, long overdue. We had a lot of delays and some of those delays were just my mental block and inability to sit down and actually lay this thing out. We have movement and that is Harry Marks is laying it out. So our, our fearless editor of Flambogo. So I'm hoping that before the end of the month of August 2020 to have that done and out to print and out to those of you who have ordered it. So thank you, everybody, for being patient. We will. I'll be communicating with you soon with more updates about that. So it's. It's going to be really good. Second thing I'll mention is a topic we. We deferred from last time. We just started getting them in hand last time we recorded, but these are the. The new. The new Blackwing eras, which. Which I choose to read with a long A. So it's Blackwing erase.

Tim 18:37

I still say Blackwing eras.

Andy 18:39

Yeah, the black Wing eras. So, yeah. So I think all of us have had these in hand since then. Yeah. And I know that a few people in the group have reported just like, really. Just like, crappy quality ones. Like, they've all kind of like, scratched up and banged up more than a few. Yeah. I mean, you were one of them, right, Johnny?

Johnny 19:00

Mine all look like my kid got to them. Like, they're really bad. And yeah, I know that, you know, if I send Nick an email, he'll send me a different dozen, but I don't. I don't feel okay bugging the hell out of Nick for something that's not his fault. And also, you know, it does seem a little ridiculous to spend 30 bucks on pencils and then have to send someone an email about. Seems pretty widespread. So with volume 10, a lot of the ferals were bad. And then after that, they seemed to have fixed whatever that issue is, and now it seems like it's worse and, like, really bad. Like, I didn't even sharpen when I put them away.

Andy 19:41

Yeah.

Johnny 19:42

Look at them later. I was like, this is really disappointing. And I don't.

Andy 19:46

You know, I don't. I don't.

Johnny 19:47

I'm sorry. I don't. I don't want to rant because I know this is a labor of love for folks and I have a lot of love for the people at Blackwing, but I found this one just. Yeah, but the design pretty.

Andy 20:01

Yeah, it's interesting because my. So mine arrived, like, pristine. Like, they look really good. Every. The feral's on straight. The, like, you know, the anodization and the, like, gold stripe are really well preserved. I don't know if it's because they only had to travel, like 80 some miles from Stockton to here to get to me or what, but I. I did, like, take a fingernail to the gold stripe on the feral and they do. It does scratch off pretty easily, so I can totally see how that could happen in shipment.

Johnny 20:28

Oh, yeah. These are like. The wood was splinter.

Andy 20:32

Yeah.

Johnny 20:32

But that's.

Andy 20:32

That's the. Yeah, that's the part that doesn't seem like it would be, you know, damaged in the shipment. They just like got put on sloppy.

Johnny 20:38

And I think a couple of them, there were like bubbles and streaks in the paint. I'm like, somebody a black wing pissed at me or something? Because, I mean, it is disappointing because they're really pretty. Like, they showed up and I opened the box, I'm like, wow, these look great in person. Holy crap. What's wrong with mine? Yeah, I did not buy another dozen. I don't think I will. Yeah, no, I think they're showing up at all the retailers now.

Andy 21:02

Yeah.

Johnny 21:03

Also I feel like they sort of were like, hey, these are limited edition and I think people went and bought a lot, but they're not that limited. All the shops have them. They're much less.

Tim 21:13

They're sold out though, right?

Johnny 21:14

Are they?

Andy 21:15

Yeah, I think so, yeah.

Johnny 21:17

The grease. Gary's palm.

Andy 21:22

Yeah.

Tim 21:25

Yeah. Mine were somewhere in between. Like, mine were not like pristine, but they weren't like perfect. So, like, not enough to bug me. So, like, I've been enjoying it quite a bit.

Andy 21:32

Yeah.

Tim 21:32

Using it recently and I talked on the last episode about some of my thoughts about, like, just the idea. Because I know, like about some of the, you know, questions that people had about the idea of putting out a replica of a vintage pencil from a company that didn't make the vintage pencil. Like, they didn't make the old one. But, yeah, I won't re litigate that. But like, I've been. I've been enjoying mine quite a bit. I mean, I've been using it a lot and it's. It. I. I like the minor touch that they. And this always seems like it might be a placebo effect or whatever, but I like the minor touch of making it a little harder than what we think it would be because that almost makes it feel older, you know?

Andy 22:15

Yeah, yeah, it's got a little bit

Tim 22:17

of a harder point, like. So I think they, they did, they did good on that side of it. But I've really been enjoying mine. I'm about halfway through one and I ordered. I got two dozen. My second one I haven't gotten yet, but it's not like I'm hurting for it to show up, but it's because they've been swamped with that. So, yeah, I've enjoyed them quite a bit. So I'm sorry, Johnny, that yours showed up in such rough shape.

Johnny 22:44

I mean, it's not like I don't have other pencils.

Andy 22:47

Yeah. Tell me I can't write a thing.

Johnny 22:50

As soon as they're.

Tim 22:51

Please send pencils.

Johnny 22:53

Yeah, my kids will steal half out of them. Anyway, I found. Henry was doing some math work today, and I found one of those gold Diana black wings sitting on the table. And I'm like, huh. This is like, what these kids think we're rich. Like, we don't need these flying around. But I'm glad they marked the occasion because, you know, you hear from a lot of people. I got into pencils because my friend gave me a black wing or something like that. And I. I think I ranted about this in the Facebook group when the law. Their single hole sharpener came out. They're like, they do a lot for pencils. So I'm disappointed in what happened this time. But I'm not ready to be like, you know, screw black wing, blah, blah, blah. Yeah, they're, you know, they do a lot of awesome stuff.

Andy 23:39

I'm interested to see kind of like what. What the era is. Volume two or whatever we're going to call it, like the next era release to see if they're going. Because. Because a lot of like, after you get out of this phase, there's not a lot of design variations between like the decades. I really. Yeah. I'm kind of interested to see where they go with it.

Johnny 24:01

Got to do that. The yellow Van Dyke.

Andy 24:04

Yeah. Get the. Get that little arrow stamped out of the feral. That would be really cool.

Johnny 24:09

That would be awesome.

Andy 24:10

Yeah, we. We know that they don't Blackwing. Modern blackwing does not own the van dyke brand. That's still. That's still wrapped up under somebody in the group.

Tim 24:21

Was.

Andy 24:22

Was talking about that. Like, they. They don't own that brand. So I wonder how. How they're going to, you know, cover something like that.

Tim 24:28

Interesting. Yeah.

Andy 24:29

Yeah.

Johnny 24:30

Oh, you know what? If we can back up. I did have one fresh point that's related to remaking stuff. And that is that Parker is bringing the 51 back in.

Andy 24:41

Oh, that's right.

Johnny 24:41

October. Which, like, I'm like losing sleep over this. I'm super stoked. Like, I really like Parker hooded nibbed pens and you know, getting one that I don't have to protect because they don't make it anymore and haven't made it my lifetime. Sounds pretty awesome.

Andy 24:56

Yeah.

Johnny 24:56

And you know, they're.

Andy 24:58

What are they gonna be, like 20, 30 bucks?

Johnny 25:01

I think 109@ Farney's. And the gold ones are like 250ish. But they're. They're good pens. Are made in the Waterman factory in France and they're hand inspected already. So at least they won't be pieces of junk like production wise. But they're. They're not doing a classic filler, which is disappointing. I like a nice aerometric. God, I sound like somebody else. What am I talking about? This is a joke. I don't know what the hell a 51 is.

Andy 25:39

Yeah.

Tim 25:40

Parker.

Andy 25:40

What? Yeah. Cool. And Tim, how about you? Fresh points.

Tim 25:49

Yeah. So I mainly I really have one thing. It's not like a news thing per se. Oh actually I'm going to back up. I got one thing I want to mention first that I found at school. So I got this new teaching job. When I got there, one thing that was left for me from my predecessor was something called metaphor dice. Have you guys ever seen these? No.

Johnny 26:09

Are they like those Rory stories cubes?

Tim 26:12

They're kind of like that along the same lines. And so they come. It's a. It's a set of nine die. So it's. There's three red, three white, three blue. One of them is a. Like a noun. One of them is a descriptive kind of phrase. And then the last thing is an object. And so you. Every time you roll, you get one of each color and you roll them and then it gives you like Blank is a blank. Blank is the. The way that you use it to kind of spark an idea for like a poem or whatever. And you don't have to use it in that how it lands. Of course you can spread it out and you can spread out throughout a poem or whatever. But the guy who makes them is a poet and like a teacher. His name is Taylor Malley or Molly. I don't know if what it is but like there. There are a couple different versions of it but I was. I would inherited a set of these and they are so entertaining. And there's also an app you can download. It's two bucks and it's. It's the dice as well. But for some reason the. The dice are more satisfying. There's fewer options that you get from the dice. But there's something like really satisfying about that. So I made a list. So I'm going to read you a list of some of the metaphors I got from my hand rolled dice. And I'm actually missing one of my cubes. But these are some that I got as an inspiration for a poem or whatever. The future is a last second promise. Hope is a rugged thunderstorm. This might be my favorite one. Love is a handed down trophy. My Birth is a broken promise.

Andy 27:58

Oh, man.

Tim 27:59

The future is an impossible brand new toy. Which. That one's pretty great, too. Oh, my gosh. So, yeah, I don't know. Metaphor dice. It was really fun. So I was. And there's a couple different versions of them. And there's an app that you can get that you, like, swipe and it rolls the dice and then you can write a poem and everything. So I recommend that. And the only other thing I was going to bring up is I had a little bit of an epiphany. And in order to tell you guys about my epiphany, I have to tell you about a fantasy of mine. And this fantasy.

Andy 28:25

Here we go.

Tim 28:26

Buckle up. This fantasy of mine involves something that is going to be shocking to both of you. It's going to seem like something impossible. Like, how would that ever happen to somebody like Tim? And that is. The fantasy is that I would one day run out of stationary. So I found myself thinking, I was like, man, I wish. Because. And David Sedaris prompted this because he was talking about. I read a interview where he's talking about his notebooks and how he has this one caran d' ache pen or whatever that he uses that. It's like, it's his one pen. I was like, he has one pen. I have 700 pens. Has one pen. And I have all the pens. And this is driving pencils and this is driving me nuts. And so I just, like, was fantasizing about it and I realized. And so just follow this logic. So basically, like, what I started thinking about was the fact that, like, running out of and needing to pick out something new seems so attractive to me. But me and you. Me and you too. Like, and a lot of people who listen to this, we share, like, a collective sickness, which is an assumption that these things that we love will be gone one day. Like, that they're going to disappear. And so I've got the antidote to this. The alternative to this antidote is me, like, liquidating my supplies and starting over, which is just insane. That's not going to happen. Like, spent too much, too much time on this. But the, the, the. The antidote is trying to, like, for me at least, is trying to focus what I'm using on a couple things until I finish them and then treating my crazy stockpile like a really awesome stationary store that's in my basement.

Johnny 30:14

Yeah.

Andy 30:16

So I'm going shopping.

Tim 30:18

Yep. I'm gonna be like, I finished that pencil I was using and it was so great. I need another Pencil. And I'm gonna go down and maybe I'll borrow some of my, like, kids fake money and I'll, like, pretend to pay for the stuff that I get from my. From my store. But, like, that's how I'm gonna think about now. It's like, I'm gonna pretend, like, because, I mean, I've got so much stuff, and it's not like I'm gonna start giving it away so I can start buying crap again. So that's what I'm gonna do. I'm gonna treat it like it's my own private stationary store that I can buy from or, like, buy gifts for other people from. And then that's going to be how I sleep at night. So can't.

Andy 30:51

Can't wait to see how you, like, merchandise it. Yeah.

Johnny 30:55

Are you ever gonna, like, get drunk and hold it up yourself?

Tim 31:00

Rob myself? Yep. I. I wake up in. In the morning. I. In my bed and I wake up, I got, like, pencils all over me. I'm like, what have I done?

Andy 31:08

Oh, my gosh.

Johnny 31:09

You smell your hands. You smell the cedar. You're like, oh, God.

Andy 31:13

Yeah.

Tim 31:14

Yeah. So that was it. That's kind of like a weird. That's a weird one. But that was a thought that I had to go through over the course of a couple days. And I feel like I ended up at a. At a decent place that didn't involve me doing something stupid, but also involved me feeling like a minimalist even though I have, like, an entire room full of stationary. Yeah. Nice.

Andy 31:34

Cool.

Tim 31:35

All right, well, you guys want to get into our main topic tonight? Sure.

Andy 31:38

Yeah. Let's fire up the. Fire up the Indelible podcast.

Tim 31:42

Let's do this. Hello and welcome to episode number two of the Indelible Podcast.

Johnny 32:08

Wait, number two?

Tim 32:12

And we were excited on the second episode to introduce our first ever guest, Jesse Rain. Jesse is known far and wide in our inky circles and on the pen show circuit for her careful and detailed restorations of Esterbrook fountain pens, a grand old American brand that made versatile, accessible steel nib fountain pens throughout most of the 20th century. Jesse, thank you for joining us.

Jesse Rain 32:35

You're very welcome, Timothy. I have to go by Timothy on this one, don't I?

Tim 32:41

Yes, it's true.

Andy 32:42

Yeah.

Tim 32:42

Yes, it's very important. I'm trying to turn things around in my life, and it just seemed like the right choice to kind of adding extra letters. I think some more. More letters equals more respect. So that's what I thought.

Jesse Rain 32:53

Got it.

Tim 32:54

That's what we're trying to do here. So for the benefit of those who are listening at home who may be pencil purists and don't, you know, don't mark that against them and might not go into pen shows except to see their favorite podcasters perform live. Can you tell us a little bit about yourself?

Jesse Rain 33:15

Well, I appreciate if they're going to see their favorite podcasters because I've been lucky enough to get to be on live podcasts at a couple different shows. Appreciate that everybody, if you do that. So I run a pen shop called Vintage Pen Shop. I do attend shows under that as well. I restore vintage Esterbrook pens and sell those along with providing the history and a bit of training with that on how to care for those pens, how to right with the various nibs. Because there were. There were hundreds of different types of nibs made by esterbrook and about 35, there's give or take of those nibs were then made into fountain pen nibs later on. So I provide quite a bit of the background history and training on those as well.

Andy 34:24

And you have a really cool display, like an. Like an original Esterbrook nib display, don't you?

Jesse Rain 34:31

I do. It's a little pen nib display that shows all of the various nibs or at least like the 30 most popular nibs in the early 50s in a way that you can take a tester handle and use any of those nibs, dip the nib and test it right there. And you can do that with several right in a row.

Andy 34:57

That's really cool. I remember when we. When we met at the San Francisco pen show a couple years ago, I was working on as booth kind of right beside where you were working. And I was definitely preoccupied with how cool that that display was.

Jesse Rain 35:14

Yeah, it's. It was a gem to find that. And I made that kind of the central part of my display at Pencho's.

Andy 35:23

That's awesome. So I. Esterbrook is a brand that's pretty dear to my heart, even though admittedly I don't know much about it, which is why you're here. But that was the first fountain pen I ever had was an Estabrook pen that was given to me by my grandmother. And honestly, that along with playing with her typewriter and things like Yex pencils, which came about when I was a kid. Um, we're just kind of like all big reasons why I just really got into office supplies and stationary and like the tools of writing. So I still have actually right here in front of me. I Have that old blue Esterbrook, which I thought was a dollar pen. And I, I remember you told me it was, it was not a dollar pen. It was one of the other Esterbrook lines, which is all right.

Jesse Rain 36:14

Sorry to dash hopes.

Andy 36:15

No, it's quite all right. But I, I've. It's, it's definitely. This is one of my, like, favorite things and just favorite memories of my grandmother.

Jesse Rain 36:24

You know, that's a very common memory too, is people remembering their parents or their grandparents or great grandparents or any older relatives having that as their main writing pen.

Andy 36:37

Yeah, yeah. It seems like something that was really accessible and popular to people like. Yeah. Early on. And so actually, for those of us who may not be familiar with Esterbrook, um, it's, it's a pretty familiar name to folks who are not fully like fully fledged fountain pen fans. But can you tell us a little bit about that brand and why they're. They. Why they were so successful?

Jesse Rain 37:00

So back in the 1800s, all the best pen manufacturers, and by pen, I mean the steel nibs, the tips that you would find in dip pens. Now all of those pen manufacturers were in Europe, and some of the best ones were in England. In the mid-1800s, a guy named Esterbrook pulled as many of those as he could out of England, brought them to the US and established a factory here. Now, I'm glossing over a whole bunch of details there. It wasn't a super easy thing for him to do, but he did bring artisans over to the US and established a factory. Eventually it was established in New Jersey, Camden, New Jersey. And fountain pens themselves really didn't get very big until 1910s, 1920s, when they became much easier to produce. They caught on. But Esterbrook had had a line of several hundred different types of nibs. They were for all kinds of different things. They had lines for different, different businesses, accountants and shorthand and anything you could think of. They had a, a different pen for that and a handful of those they made into fountain pen nibs. And one of the great things about those was they made them interchangeable so that if you broke down the nib, you didn't have to change the entire pen. You didn't have to purchase an entirely new fountain pen. You could change out just the nib unit. They weren't absolutely the first to come up with that idea, but they were the most successful with that.

Andy 39:13

And when real, real quick, just to define some terms, when you say fountain pen nibs, how, how is that differentiated from other nibs that Esterbrook was producing at that time. Like, what other kind of pens were there?

Jesse Rain 39:27

So the first nibs that they started with were dip nibs. Those are the steel pieces of steel that are pointed that are dipped in ink and then written for several different. Several lines or sentences until the ink runs out and then it's dipped again into a. An ink well then with a fountain pen. And, you know, I. I have no idea if it's true or not, but people say that, you know, you had your inkwell and they named them fountain pens because they wanted you to see that it was fountain rather than a well, that you had to pull out of. With the fountain pens, they contain ink in some way within the pen that feeds that into the nib.

Andy 40:19

The fountain.

Jesse Rain 40:21

Yes.

Andy 40:22

Yeah. Of ink. Okay, that makes sense. So. So thinking about, like, the. The pens that we. Like this, like the dollar pens and the pen that my grandmother gave me, like, what. What is it about them that made them so successful of their time?

Jesse Rain 40:35

The main thing is that they were interchangeable, but they also had incredible marketing. They made them accessible to everybody possible. They were on razor thin margins. So they made them as cheap as they possibly could and were always trying to find other ways that they could make them cheaper, although still good, and get those to as many people as they could, get those into the hands of as many people as possible. With the dollar pens and later the J pen groups, they did price those at such an incredible value that they were affordable to most people.

Andy 41:23

That's cool.

Johnny 41:25

So, you know, we talk about pencil brands that disappear or get bought out. And, you know, Waterman is French now, but they used to be American. And Parker is like, who knows? Clearly, just like with pencils, crap happens. So what happened to Estherbrook? Where'd it go?

Jesse Rain 41:44

Well, you know, in the 50s, ballpoint pens started becoming popular. And ballpoint pens, you know, you purchase those and you may or may not be able to refill those with an entire cartridge, but they aren't messy, they're easier. And they were able to make those cheaper than anybody else was. I believe it was BIC that really started making those quite cheap. As people started discovering those ballpoint pens, they went away from fountain pens because they were messier, they were more expensive, they're just tougher to use. As that happened, Esterbrook tried to start bringing in the. Oh, excuse me, I have a bird clock in the background. As they. As ballpoints became popular, they did try to adapt to that, but they were still trying to keep the quality with the outer portion of the Ballpoints. So they just didn't make that. That combined with a lack of leadership right then. Usually the ownership was passed down in the family. At that point, it had gone outside of the family and there wasn't a clear leadership in the. In the 60s. So at that point it was passed down. It was purchased by Venus Pens. You can still find some Esterbrook nibs that are labeled with Venus. And then it just broke down. Ended up closing their doors and closing down the name until about the nineties. It was purchased. Won't talk too much about the details because it gets really emotional for some people. But it was purchased by somebody who was purchasing pens from very cheap manufacturers and putting the Esterbrook name on them and selling them.

Andy 44:05

You can listen to the Pen Addict catalog for all the details there.

Jesse Rain 44:10

I'm not going to talk too much about that. That's out there somewhere. And it was. It got a very, very bad reputation. And in 2015, I believe Kenro Industries purchased the name and started making the. The modern Esterbrooks that you'll see on the market today.

Tim 44:37

Nice. And that's a. I mean, a perfect segue into my. My next question was about those. It seemed like they're back or whatever. Like, I remember being at the. It was at the. Was that the D.C. pen show, Johnny, where we first met.

Andy 44:52

It was Atlanta, wasn't it? Oh, okay.

Tim 44:55

Which one was it?

Johnny 44:56

It was.

Andy 44:56

I think it was dc.

Tim 44:57

It was dc. Yeah. We were in DC and they had like, Esther Brooks. It was like kind of the thing at that point that they were coming back in this, like, latest iteration. So is this like an actual true continuation of the company or is this sort of like a picking up the torch or like, oh, you've let this sit here and no one's using it. So we're going to take it and make something completely different or make something our own version of it. Kind of like Blackwing did or something with pencils. But which of those two is it?

Jesse Rain 45:24

Can't speak much to Blackwing. But what Kenro did was pick up the name. I believe that the last thing you said of we're going to make it our own thing. We're just purchasing a name. Was done previously. Kenro Industries. I know I've had lengthy conversations with several of the members of Kenro. They are trying to keep the original spirit of Esterbrook. Too much time has gone past that. There's really the ability to have a continuation. But they are trying to keep alive the original feeling of that Esterbrook the, the dedication to quality, the dedication to innovation, amazing materials. And they've also made an adapter for some of the newer Estherbrooks that can use the original vintage nibs. So they are keeping on with the, the feeling of having all these interchangeable nibs and you're able to go back and get vintage.

Andy 46:35

Yeah, that's really cool.

Tim 46:37

Well, so you can go and buy old nibs and then buy like a. If you needed to, for whatever reason. The pen bodies you get from. I forget the name of it. What did you say it was? The company that bought it?

Jesse Rain 46:49

Esterbrook.

Andy 46:51

Well, keep up, Tim. Geez.

Tim 46:54

Hi, my name is Tim. Nice to meet you guys. I just got here. Whatever. The V company that bought it.

Jesse Rain 47:01

Kenro.

Tim 47:02

Kenro. Kenro, the K company. I'm sorry, it's been a long, it's been a long day. So they. So you get the bodies from those you're saying will fit with these vintage nibs that you see all over ebay or see on websites and things like that.

Jesse Rain 47:17

It's an adapter. But yeah, it, it does go with the newer body, has a larger ink capacity and it's also a wire pen body.

Andy 47:29

Yeah. So going back to some of the vintage Esther books, Jesse, are there models or colors that are your absolute favorite? If, if somebody wanted to like, you know, start kind of looking for these themselves, how would you, how would you point them?

Jesse Rain 47:45

Well, the most common one out there is the J series. There's the J is a standard size and then you've got sj which is a little bit smaller and you have lj which is long but thinner. And then if you want to get into my favorite, my favorite are the pastel pens. These were made in the early 50s. There were a couple different series. There was the first one and actually they're not. They're commonly called pastel pens. But there were two series. The first series was pastel. You had the light pink and blue and gray and, and peach and yellow. But the second series was very bright colors, a bright red, a bright green, all of these. And. But the. What sets them apart is that they are shorter than the others. So in the JJ series, the SJ is the smallest. The purse pen is a little bit smaller than that one. And they, they're very cute, very small, about just pocket size pens. And usually they were, they were made for women and they also came in these little pouches called petite packs where it had a pen and a pencil matched together, but it was made to fit in women's purses. Or their pockets. Back when they did, they had pockets. Women aren't allowed to have pockets anymore. I know you guys are all guys here, and you don't, you don't understand that whole thing, but no pockets.

Andy 49:29

I often, you know, stow little stuff for my wife in my pockets. She doesn't have a purse with her.

Johnny 49:37

I.

Andy 49:38

So the pen that I have that was my grandmother's is a, is a J, one of the J pens. And I, I am just, like, absolutely in love with that. Oh, the. I don't even know what to call it. That. That sort of, like, rippled color in the barrel. And.

Tim 49:54

Yeah,

Andy 49:57

yeah, I have the, I have the blue one, and I know that, you know, there's, there's orange ones out there. I think I had a big, long conversation with Anna, Anna Reiner about, about that one before. And there's just that really gorgeous, like, green color. So, yeah, those are, those are the ones that I'm really interested in. What, what are the differences functionally between the SJS and the LJ's and the JS? Like, they're longer and shorter and in between. But why, I guess, what use cases would you use between those?

Jesse Rain 50:30

You know, the only difference really between them is the feeling in your hand. The J has a certain width of the barrel. The LJ and the SJ both have a thinner diameter. So it's just how it feels in your hand. All of them compost, the cap on top, and all of them come in various colors. But even within the color groups, like red, for instance, you can get very, very dark reds, very light reds. You can get some that don't have much variation in them, some that look more pearlescent than others. It's a very wide variety. But the, the size, the only real difference is how it feels in your hand. The same internal stuff is all used sometimes. There's a very slight difference in ink capacity between the J&SJ.

Andy 51:33

That's cool.

Johnny 51:36

So I have a J pen and I have a little green purse pen that someone gave me, but the sacks are gone. So if you could do this without giving away too many of your secrets, can you give us, like, a really quick overview of, you know, if you have one of these, how hard is it going to be to fix that yourself if, like, you know, you've taken pens apart a couple times, but you've never done a sack repair before?

Jesse Rain 52:00

Well, the thing that makes it the hardest to repair, Esterbrook pens. And they are some of the easiest vintage pens to repair. And I don't Feel like I'm giving away secrets there, but there are a few. There's taking the barrel apart from the section there. It isn't a twist. It's friction fit. And that is a point where you can break the pen. And it depends on so many different factors. It depends on even what color, because the different colors, it's seams have different strengths of material and the different sizes can be different levels of difficulty to get them apart. But it is pretty easy to crack either the barrel or the section when you're taking that apart. So that has. That's one thing that is scary because the price for going to pen school, which basically is just another way of saying experience, is that you break a lot of pens. So I've broken more than my fair share of pens, but by now I don't usually. But honestly, once you get those open, it's fairly easy. It just takes some practice with getting dimensions right or getting the sack to go onto the section. That's about it. It's. They're pretty simple, but it is a risk every time you open a pen.

Andy 53:53

Yeah, yeah.

Johnny 53:55

Now I'm scared.

Andy 53:57

Don't screw this up, Johnny.

Johnny 54:00

I think they can sit a little longer.

Jesse Rain 54:03

Well, I can also help you repair those.

Andy 54:05

I was going to say you should. You can hire a professional to do this.

Jesse Rain 54:11

I can often do those in, you know, just a few minutes per pen. It depends on what the condition is once I open those up.

Tim 54:20

The pens that you're. You have listed for sale are not only like, restored on the inside, but you also do, like a beautiful restoration on the outside. They look really clean. So what other kind of things do you do to restore an old Esterbrook on the outside? Like, what's that process like again, without giving away too many secrets?

Jesse Rain 54:36

No, there's no secrets there. But thank you.

Tim 54:38

By the way, you're like, like Clorox wipes.

Jesse Rain 54:43

Please, please don't ever use bleach on.

Tim 54:47

Oh, yeah, please.

Jesse Rain 54:48

I will come take them away.

Andy 54:51

She will come to your house.

Jesse Rain 54:53

Oh, my gosh, that pains me. So with Esther Brooks, you know, I. I make sure that everything's clean. There's typically a lot of leftover ink sacks may have deteriorated inside. Usually they're just crumbly, but sometimes they can be kind of gooey. Depends on what inks people used or if they kept them in a hot location or. Or anything. Sometimes there's rust inside from the lever, and there's also a J bar inside. Any of those can rust. So I make sure all of that is Cleaned up and it looks great and it's going to work well and that there are no leaks. I. I personally remove pen sacks unless I know that they've been done, that the restoration has been done by somebody that I trust. I don't trust those to chance. And then the outside of it is cleaning and polishing. I try and make them as looking as new as possible, but actually I put a bit more shine on them than they typically had originally.

Andy 56:11

I'm envisioning that scene from. From Toy Story where that guy comes in and he has like, this little box that has, like, every single thing you could need to restore a toy. And he, like, polishes up Woody. In my head, you just have one of these little boxes and you're just doing that to these pens, which is really.

Jesse Rain 56:29

I do have a little box. Yes. It's actually. It's actually an antique dentist's box. And it's amazing.

Tim 56:36

Of course it is. That's awesome.

Jesse Rain 56:37

Yeah. With all the latches and tiny little drawers and little.

Andy 56:43

Yeah.

Jesse Rain 56:44

And actually a lot of the tools that I use, I am. I've had a friend who's a dentist for quite some years, and he gave me a lot of the tools that they'd sent to be sharpened too many times and the professional dental quality.

Andy 57:03

Oh, wow. Jesse Rain, the pen dentist. The pen dentist.

Jesse Rain 57:15

I really. I don't. I don't like dentists.

Andy 57:21

Johnny, were you gonna say something? Sorry, John.

Jesse Rain 57:24

Oh, it's John.

Johnny 57:26

What do you use to polish your.

Jesse Rain 57:30

I just use. I use a polish that's usually for models. Stuff that comes off very easily. There are some polishes that aren't wonderful to keep on plastics long term. So if every bit doesn't get off, it's hard to know because we don't have a whole lot of history with that. So that we can look back and say, no, if it's on longer than this period of time, it's bad. But I use a very neutral type of polish.

Andy 58:09

Cool. So let's say, for example, somebody is on ebay trying to get a vintage Esther book. This actually happened to me. There was a green one that was. That was up there. And I was outbid at the very last minute. Just today.

Jesse Rain 58:25

Might have been me. You don't know. Well, I look forward to buying right now.

Andy 58:31

I look forward to buying that from you later. For now. So if somebody's on ebay looking for that, what should they look out for and what should they steer clear of? Maybe. Ish. How much would they be looking to

Jesse Rain 58:45

Pay, typically on eBay, I've seen between 20 and 45, but it's unknown whether that's been restored. If they say it's been restored, it's very difficult to know if it's been done properly. So it can be a little bit of a gamble for the prices out there. Usually, you know, it's okay to, to try that. And if you're comfortable with repairing them, that's really not too big of a deal. You want to make sure that there aren't any major scratches or none of the furniture is bent like the lever or the clip. You want to make sure that the jewels on each end are whole. Those are often chipped. And if you're getting one with a nib, you want to make sure that that nib is not bent, that it looks like it's in great condition. But your best bet usually is to go with somebody who is selling quite a few in that category. So specifically Esterbrooks, somebody who isn't just selling on ebay is usually a good, good way to go as well, because they have more invested than just this. Fly by night shop on ebay.

Andy 1:00:10

For example, the vintage.

Jesse Rain 1:00:13

No, no, that's not the fly by night on ebay.

Andy 1:00:16

Oh, right. No, no, that's what I meant. Like, sorry, that's the organization that you would want to buy from on ebay.

Jesse Rain 1:00:24

Yeah.

Andy 1:00:26

Fly by day.

Jesse Rain 1:00:27

Okay. You're digging yourself in deeper here.

Johnny 1:00:29

Yeah.

Tim 1:00:31

Just stop talking.

Andy 1:00:33

Johnny, ask a question.

Johnny 1:00:38

What are some of your other vintage. Our favorite vintage fountain pens. Since nobody has, you know, one pen or ten.

Jesse Rain 1:00:45

Yeah, you don't want to know how many I have. I. I really love watermen, especially finding amazing nibs. I also always have my radar out there for Shaffer stub nibs. Adore those. So it's, you know, it's kind of like my thing that I always search out for and I'm never actually expecting to find anything, but it's always fun to be hunting for something. But I also have a soft spot in my heart for vintage silver pens. So anything that's the sterling silver, I love the patina that's on those.

Andy 1:01:36

Yeah.

Tim 1:01:37

So ever since I got into fountain pens, I have been kind of obsessed with the idea of the Esterbrook dollar pen, though I don't have one myself. But just like that idea of a, of an affordable pen that performs well and is sturdy and holds up and all this. And so the reason I was obsessed with it is I always was curious, and I still am curious. What are modern equivalents to that, like pens that are fountain pens that are made today that are some of your like favorite contemporary fountain pens that might also fit in that niche of being affordable but also really good performers that'll last a long time. Kind of like if you put them in a time machine and took them back to when the dollar pen was at its height, like would be a sort of a comparable. A comparable sale.

Jesse Rain 1:02:24

So modern pens that would go back in time very well, is that what you're asking?

Tim 1:02:30

Yes, basically. And yeah, and especially in like the affordable realm. I'm not talking about like sailor pens today that are like 200. That back then would have been 20 or whatever. But like some of the less expensive pens today that would have like held up in some way or maybe there's nothing that would fit this category, but just that would. That would hold up next to like a Esterbrook back in the day.

Jesse Rain 1:02:54

So I'm not. I've never done any price equivalents or anything, but anymore. One of the. One of the big things about fountain pens in my mind is the quality of the nib. Most nibs in modern pens, many nibs, I should say not most, they can be traded between pens fairly easily. So they can. They can go from pen to pen and they're usually not usually often made as nib units. So they're fairly easy to transfer to a different pen. In that case, it would just be looking at the nibs and then looking at the fountain pen itself, which is almost just a holder for the nibs. Now Esterbrook also had that kind of thought was that the pen is the holder for the nib that you select. So in that way, you know, there's lots of pens out there that would be almost an equivalent. If you get into pens that right now are very good value for a good pen. I think that there's actually quite a few pens that are on the market what that people would usually categorize as cheap Chinese pen, but that have really amazing nibs out there. Some of the, you know, Wing Sung and pen BBS nibs and pens are surprisingly good quality for the price.

Tim 1:04:52

Yeah.

Johnny 1:04:53

Awesome. So we can't let you go without asking you what are your favorite pencils?

Andy 1:05:01

Put you on the spot.

Tim 1:05:03

It's all been a setup for this question right here.

Jesse Rain 1:05:06

My favorite what and tell you a lie. I'm not sure what that word was. Pencil.

Tim 1:05:14

Pencil. Never.

Andy 1:05:16

Your favorite stick of carbon.

Jesse Rain 1:05:19

You know, my background is in engineering, so anything that kept its point when I was in school was good for me. Other than that, I don't really have much experience with pencils other than Esterbrook pencils or mechanical pencils.

Andy 1:05:42

So you probably had one of those. One of those mechanical pencils that had like a 0.4 millimeter lead that was like, really hard just because, you know,

Jesse Rain 1:05:50

it could put your eye out.

Andy 1:05:52

Yeah,

Jesse Rain 1:05:55

yeah. It had to go with drafting rulers at the same time.

Andy 1:05:59

Yeah.

Jesse Rain 1:06:02

But, yeah, honestly, you guys, I. I just don't have the experience with pencils that you do. And I've. I've talked to Andy for a while about this. Just trying to understand. Help me to understand.

Andy 1:06:17

I'm just telling it really badly.

Jesse Rain 1:06:19

I think maybe. Maybe.

Tim 1:06:22

Come on.

Jesse Rain 1:06:23

Maybe. I've never come across the great pencils. Well, if you've had a few, but usually they had like a unicorn on the tip or something.

Andy 1:06:34

Lisa Frank pencil. Yeah.

Jesse Rain 1:06:35

Yeah.

Andy 1:06:37

Do you remember Yikes. Pencils from the 90s?

Jesse Rain 1:06:39

Yikes.

Andy 1:06:40

Yikes. Y I K E S no, yeah, those were.

Jesse Rain 1:06:45

I was more into gel pens in the 90s.

Andy 1:06:47

Oh, yeah, it was. I would say this was jelly rolls a little earlier than jelly rolls, maybe. Maybe right around the same time. They were just pencils, wooden pencils that were just like, real bright colors, like Nickelodeon colors and kind of some weird shapes. So, yeah, they were. Appeal. Appealed a lot to, like, 90s kids was kind of the deal.

Jesse Rain 1:07:09

Yeah, Yeah, I. I don't remember those. But yeah, jelly rolls were it.

Andy 1:07:15

Oh, yeah. I love me a jelly roll.

Tim 1:07:19

Yeah. Well, I think. I think a future episode of this podcast has to be that we send you a sampler of pencils and then you give us your, like, totally honest opinion, and then you can be like, black wing. What is this? I think we need to. I think we need to make this happen. We'll. We'll send you. Send you some pencils to try out, and then you can give us, like, a pure, you know, like, outsider pencil.

Jesse Rain 1:07:43

A newbie. A newbie opinion. Yeah.

Tim 1:07:46

Yes, that sounds like. That sounds great.

Jesse Rain 1:07:48

That might be good for future guests as well, you know, Surprise. You're not a pencil person. But look. Yeah, I.

Tim 1:07:58

And then we just like, spend the episode being defensive.

Andy 1:08:01

No,

Tim 1:08:04

you don't get it. You just don't get it. What kind of sharpener are you using? Come on, let's go back.

Jesse Rain 1:08:10

Sharpeners. You mean they don't just click out of when you push the eraser?

Tim 1:08:17

You can try, but I don't think it's going to work.

Andy 1:08:19

It's like grinding your nib, but, you know, you have to do it over

Tim 1:08:22

and over and over.

Andy 1:08:23

Oh, no.

Tim 1:08:24

Oh, no, but you have to do it every 10 minutes.

Johnny 1:08:28

But anybody can do it. There's only one nib meister in the world, David Rees.

Jesse Rain 1:08:33

You guys need pencil meisters or somebody who could pencil meisters your pencil for the best.

Tim 1:08:40

Yeah, that's what I have my teacher's assistant do it. Oh, yeah, it's like, just hand them pencil sharpen sharp. No, I better do it again. I've got an idea.

Jesse Rain 1:08:50

Oh, I do remember, you know, in, like, elementary school, getting punished by having to sharpen, like, a hundred pencils or something.

Andy 1:08:58

See, I would volunteer for that.

Tim 1:09:02

I don't think I ever do that. I do remember getting in trouble for taking too long to sharpen my pencils.

Jesse Rain 1:09:06

Oh, everybody did that.

Tim 1:09:07

You're, like, cranking it. Cranking it too slowly.

Jesse Rain 1:09:09

Looking over at the walls and what's in the trash can over there, and.

Tim 1:09:15

Yeah, wait till the teacher says something and then crank it again.

Johnny 1:09:19

Huh. What?

Jesse Rain 1:09:20

You were one of those kids, though.

Tim 1:09:23

Yeah, sometimes.

Andy 1:09:25

So, Jesse, any anything that you want to talk about that we didn't cover today?

Jesse Rain 1:09:31

Wow, that's very broad.

Andy 1:09:34

Anything at all, you know?

Jesse Rain 1:09:35

You know, if I talked about anything, it would all be fountain pens. And so. Yeah, you know, I've already talked to a lot about them.

Andy 1:09:42

So I think I would ask you what pen shows coming up one might be able to find you at, but that's probably not. Oh, on the.

Jesse Rain 1:09:50

Andy, you're making me cry.

Andy 1:09:52

I know. It's so sad.

Tim 1:09:54

Come on.

Jesse Rain 1:09:55

Yeah. Colorado show has just been canceled.

Tim 1:09:58

Earlier.

Andy 1:09:58

The San Francisco show's canceled. Earlier we were talking about how completely lucky we were to just, like, fit in that Baltimore pen show under the radar before everything started closing down.

Jesse Rain 1:10:09

So grateful.

Tim 1:10:10

Yeah, it's kind of incredible. Yeah.

Johnny 1:10:12

Yeah.

Jesse Rain 1:10:13

And I was all excited because you guys had redone those. Those pens that look like pencils, which. Oh, yeah. Is really misleading.

Andy 1:10:25

Trying to trick you.

Jesse Rain 1:10:26

It came out very, very well. And, yeah, one of these days, I'm gonna hunt one down.

Andy 1:10:31

Yeah. Probably help you find one. Yeah.

Jesse Rain 1:10:35

Well, you guys did a great job with those.

Andy 1:10:37

Thank you. Thank you.

Jesse Rain 1:10:38

I don't think we have any pens that are masquerading as pencils, but they're probably out there. I'll have to find those.

Andy 1:10:50

Or don't you mean pencils masquerading as pens?

Jesse Rain 1:10:56

Yeah, that too.

Andy 1:10:58

Yeah.

Jesse Rain 1:10:58

You're getting me all confused here.

Andy 1:11:02

This is a pen podcast. A pen podcast.

Jesse Rain 1:11:05

Pen, not pencils. But you guys are all pencil people on a pen podcast. Quite confusing.

Johnny 1:11:12

Just strange times.

Jesse Rain 1:11:13

They are. They are. And you Know, going back to the, the pen show stuff, I, I'm so glad that I went to that Baltimore pen show. Yeah, I'd been, I'd been wavering back and forth on that and it was great to see you guys had your, all of your stuff there. You guys were really successful with that, weren't you?

Andy 1:11:38

It was fun. It was, I heard about things. Yeah, it was a big experiment, but

Jesse Rain 1:11:44

yeah, doing a pencil show at a pen show.

Andy 1:11:48

Yeah, exactly.

Tim 1:11:51

That's the only option we had. It was either. Yeah, it's like either a pencil show or a pen show or like a pipe fitting show and pen seemed closer. So it's like.

Jesse Rain 1:11:59

Do they not have pencils?

Tim 1:12:00

There's no pencil shows. Well, no, no.

Andy 1:12:04

We've been working actually the American Pencil Collector Society. Every two years they have a, they have a conference and I've never been to one, but it's usually just somewhere like in, somewhere in the Midwest and it's usually like, like, I think it's mostly like advertising and like souvenir pencils.

Jesse Rain 1:12:21

Like trading.

Andy 1:12:22

Yeah, someday I really want to go to one. But also like, I don't think very many people go to it. It's a pretty small society.

Jesse Rain 1:12:28

Yeah, I can't understand why.

Andy 1:12:32

Yeah, I can't imagine.

Jesse Rain 1:12:33

But you know, if you, if you see me at a pen show, I have pencils there. Esther Brooke made plenty of pencils.

Johnny 1:12:39

Oh, cool.

Jesse Rain 1:12:41

I could probably find you a pencil that matches your J pens.

Andy 1:12:46

Ooh, that's good to know.

Jesse Rain 1:12:48

Yes. Yeah.

Andy 1:12:49

Yeah. All right.

Tim 1:12:53

Well, Jesse, thank you so much for joining us today. This has been a lot of fun and we definitely want to have you back on at some point. Can you tell people where they can find you on the Internet to, to check out the, the pens that you're selling or just to, just to follow you in any way that you like?

Jesse Rain 1:13:07

I'm on several different platforms. I have the name at J E S I then underscore R A I N E Jesse Rain. And then I have a, a website that is vintagepenshop.com and I also write posts on the well appointed desk. Thursdays are my days, so if you don't like the Thursday post, just don't tell me.

Andy 1:13:42

We're making our way through all of the well appointed desk guest authors because we just had Tina Koyama on last week or last time.

Jesse Rain 1:13:51

Great. Yeah. Yeah, I've been, she's been writing for Anna for many years and. Or several years, I should say. Not many.

Andy 1:13:59

Yeah.

Jesse Rain 1:14:00

And it's a fun one to work

Andy 1:14:01

with yeah, Anna's great.

Jesse Rain 1:14:05

Yes, Anna, you are great.

Andy 1:14:07

Yay, Anna.

Tim 1:14:11

All right, Andy, where can people find you?

Andy 1:14:13

I am at Awelfley on Twitter and Instagram and then Andy, WTF is my website?

Tim 1:14:22

How about you, Johnny?

Johnny 1:14:23

I am on pencil revolution.com which just turned 15. Yay. And on Social mediancelution

Tim 1:14:32

and I'm Tim Wasem. You can follow me on Twitter timwassom or on Instagram timothywassum because I'm fancy on Instagram. And if you are, if you enjoyed this episode, please consider supporting us on Patreon at Erasable Us Patreon. That'll give you a link to our account. This we we give out extra episodes every month that'll be things like this where we give kind of. We will give out episodes that are a little different than the norm of what we do. Or they might be like extras where we take a have a guest go beyond what we talk about on the episode. So it'll be extra content and also some goodies that'll come along the way. You can follow us on Instagram and Twitter erasablepodcast on Facebook. You can join our Facebook group at facebook.com group erasable and like our Facebook page at facebook.com erasablepodcast Please take a second if you haven't already and rate and review us on itunes or recommend us on Overcast or whatever podcatcher you use. I want to take a second to thank our producer level patrons on Patreon. Alex, Jonathan Brown and Sipe. Bob Otswald, Bobby Letzinger, Chris Jones, Chris Metzkus, Chris Ulrich, Dave McDonald, Dave Tubman, Fourth Letter Gangster Hotline. Hans Noodleman, Hunter McCain, Jacqueline Myers, James Dominguez, James Spears, Jason Dill, Jamelia Joe Crace, John Banon, KP Kathleen Rogers, Kelton Wiens, Leslie Tosette, Mary Collis, Measure Twice, Michael Diallosa, Michael Hagan, Millie Blackwell, OA Pryor Random. Thanks. Stuart Lennon, Tana Feliz and Terry Beth Ledbetter. Thank you so much for your support. We couldn't do it without you and thank you for listening and we will talk to you soon.

Andy 1:16:26

Do you like our podcast? Most people like our podcast, but if you like our podcast, David will turn it off.