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54
June 15, 2016
1 hr 23 min
Rubber Lubbers (with guest Ana Reinert)
Andy Johnny Ana Reinert
13753
542
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This transcript was generated from an audio file by AI, and may contain inaccuracies.

Transcript

Andy 0:04

I can hear you typing, Johnny.

Johnny 0:06

That wasn't me. That was Tim. Damn it, Tim. Everything tonight is Tim.

Andy 0:25

Hello, and welcome to episode 54 of the erasable Podcast. This episode is brought to you once again by CW Pencil Enterprise, purveyor of superior graphite. This week they put together an amazing sampler plaque exclusively for you, our faithful Erasable listeners. More on that later. But first, it's taken us over two years and 53 episodes to get around to really talking about erasers, which, of course, is our namesake. And we can't do it without tonight's guest. I am Andy Welfle. I am joined tonight by one guy I just can't seem to erase for my life. That would be Johnny Gamber. The other guy, Tim Wasem, is out sick. However, although we can't replace Tim, we've replaced him. We are joined by none other than the famous and fabulous Ana Reinert. Hey, Anna.

Ana Reinert 1:14

Hi. How are you?

Andy 1:15

We're good. I'm good. I shouldn't speak for Johnny.

Johnny 1:18

I am always good when I'm with you guys.

Andy 1:22

Aww. I guess in the last episode that you were on ANA, episode 38, Tim was also out that day.

Ana Reinert 1:28

Yes.

Andy 1:29

So I really just have no proof that you are not the same person.

Ana Reinert 1:34

Yes, I'm actually Tim. I'm just using a voice modulator.

Johnny 1:40

I've met Tim in person and he doesn't look like he has that voice.

Andy 1:43

Well, neither of us have met Anna in person.

Johnny 1:45

Oh, man. Let's ask Brad.

Ana Reinert 1:48

Yeah, it's entirely possible that Tim also has pink hair.

Andy 1:55

That is true.

Johnny 1:56

That's why he's not on tonight. He's embarrassed.

Andy 1:58

Yeah, he doesn't want anybody to see him. Cool. So Anna is here. She's going to talk about a little later, her brand new podcast, which is much needed in sort of the stationery and pen and marker world. The art supply posse. We'll get to that a little bit. But first, Anna, what are you drinking and writing with?

Ana Reinert 2:21

Well, actually, tonight I'm drinking the guest host. It's a lovely base of Perrier topped off with sweet sherry and a tablespoon of free hotel shampoo shaken intensely. It's very bubbly.

Andy 2:32

I bet it is. Fizzy.

Ana Reinert 2:35

Fizzy. Actually, my birthday was on Saturday and my husband was kind enough. Thank you. Was kind enough to buy me a soda machine. So I took it for a test drive today.

Andy 2:47

Oh, like a SodaStream? Yeah, yeah. I just imagined a big, like, Coke vending machine in your house.

Ana Reinert 2:54

Yes, I got one of those ones that's like digital and you can pick out like 100 flavors? No, it's just one of those soda streams because we make so many cocktails that we decided it was getting pointless to continue to go and buy just like fizzy water. So now we can make our own fizzy water.

Andy 3:10

Can you, can you fizzify, like hard alcohol? Like, can you make fizzy like vodka or gin?

Ana Reinert 3:17

You know, I don't know. They. I started reading up on stuff like, I started reading up on stuff like that because somebody said something like, you can actually make your own champagne by like fizzing white wine. And somebody was like, yeah, you want to try that with one of the cheaper machines? Because sometimes you can make them explode. And I'm like, so maybe not. We'll just keep just putting the fizzy water in the vodka and the gin and what have you. But no. So we're really excited. We keep finding all these recipes for making different kinds of sodas and stuff like that.

Andy 3:47

Yeah. Huh. Coffee soda. Johnny, I feel like you have a one track mind.

Ana Reinert 3:54

Absolutely.

Johnny 3:55

Pencils and coffee. I've had bubbly, bubbly coffee soda before. It was not bad.

Ana Reinert 4:04

Yeah. Some of that stuff was actually kind of fun. Yeah.

Andy 4:07

The coffee, like the nitro infused cold brew is kind of a coffee soda. It's, it's a lot like. I feel like the bubbles are a lot like carbon dioxide bubbles, but it's kind of what it is.

Ana Reinert 4:18

The machine will let you do like different levels of carbonation. So you can do like lightly carbonated, medium carbonated, or like super carbonated for like making like. If you want to actually make like cola, use the super carbonated. But you could do it like lightly carbonated, which might actually be kind of cool with like a cold coffee or something.

Andy 4:36

Yeah.

Ana Reinert 4:36

I will let you know how that turns out.

Andy 4:38

Heck yeah. Coming over your house. I'm looking forward to your SodaStream podcast.

Ana Reinert 4:43

Please, I do not need another podcast, blog or other hobby. I'm not sleeping as it is.

Andy 4:50

What are you writing with Anna today?

Ana Reinert 4:52

I am writing with Prismacolor col erase pencils. I just got a set of 24 colors and I can't decide which color to use, so I'm using all of them.

Andy 5:01

Excellent.

Ana Reinert 5:02

Thanks.

Andy 5:03

I'm hoping you're like sketchnoting this whole thing.

Ana Reinert 5:08

Let's not. It's been a long week already and I know it's only Tuesday.

Andy 5:13

Yeah, no pressure,

Ana Reinert 5:16

but yeah. And I'm using the Apica Premium, the CD notebook. It's an asic size. It's a little tiny one.

Andy 5:24

I always Wondered. Do you say apica?

Ana Reinert 5:26

I have no idea. That's how I say it.

Andy 5:28

Yeah, I think that's just as. It's like our Nemo sign mnemosity discussion.

Ana Reinert 5:37

Make it up as you go along.

Andy 5:39

Exactly. Exactly. Johnny, how about you?

Johnny 5:42

I am drinking coffee number six and seven. I'm a little behind today because it's, what, quarter to nine? Actually, it should be past seven by now, but, yeah, one hot and one cold, so my teeth hurt. Oh, man. A lot. Today's Flag Day.

Andy 5:59

I think that everybody just. Probably everybody in this room just worries about you when they hear you talk.

Johnny 6:04

Yeah. Half the time I've said I've been drinking whiskey. I was lying. And I was really drinking coffee. I have some whiskey.

Ana Reinert 6:10

It's just.

Andy 6:11

It's far away.

Johnny 6:13

Six feet. So today's Flag Day. Neither of you wished me a happy flag Day, so sorry.

Ana Reinert 6:20

Happy Flag Day.

Johnny 6:21

So I'm writing with an America's Pencil, USA Gold naturals in one of two write notepads, reporter's pads that are out in the wild. The other one belongs to the mayor.

Andy 6:34

Oh, man.

Johnny 6:34

So I'll talk more about that later.

Andy 6:36

Johnny Gamber and the mayor of Baltimore both have one of these.

Johnny 6:39

I mean, I'm not saying I'm writing in 2020, but gamer for mayor. I think I'd be good at it.

Andy 6:46

I think you would too, Andy. I am drinking an amazing drink called the Waffle Iron. It's a pint glass of expired blood, which is better than you would think with those little mini Eggo waffles floating in the middle like little mushy discs. Tasty, tasty.

Johnny 7:06

Why can't you guys just drink coffee in something normal?

Andy 7:08

I know. I don't know. No, I am drinking a South American beer called a cusquenha. I think we've talked before about my weird obsession with Latino beers that I can find around this area that I could not find back in Fort Wayne, Indiana. This is one that I had when I was in Lima, and it was really amazing. And I was so excited that I found it. It's kind of like the Coors Light of Peru is probably how I would say this is most likely because it's not that good. But it's fun because it's, like, from a different country. So I'm drinking that and I am writing with my general's pencil, Goddess pencil, which I think we determined was basically the semi hex, but only with, like, in a round edition. And I'm writing on a index card that came in a pack. I Bought from Daiso.

Johnny 8:02

Just one index card for now.

Andy 8:05

Mostly what I do when I do the show is because I edited. I take editing notes, but I write down timestamps of when maybe we spoke over each other or my microphone cut out or whatever. Whenever Johnny says the F word, which is a lot.

Johnny 8:21

Another index card out.

Andy 8:23

Exactly. So I always write down timestamps. So I usually try to get something with, like, good lines in a grid because sometimes I have to make a lot of notes, depending on how bad our technology is that day. So this has a really nice, like, tight line structure on it, and it has that thing that, like, a lot of Japanese. Oh, like a lot of Japanese grids have, where it's like a line and there's like little dots. So it's kind of a combination between line and dot grid. It's like a. I don't know how to describe it. It's just a nice notepad note card. It's from Daiso. It cost a dollar, so it's kind of cheap. It's thin, but I like it. Cool. Should we. Should we go on to fresh points? Anna, you are guest, so please go first. And I definitely am looking forward to hearing this first point.

Ana Reinert 9:21

Well, I guess my biggest fresh point of the day is that I recently started my very own podcast.

Andy 9:28

Yay.

Ana Reinert 9:29

I decided that you guys can't have

Andy 9:32

all the glory, and it's a glorious thing. Let me tell you.

Ana Reinert 9:38

About three or four weeks ago, Heather Ravard and I started a pod. Well, it took us about two months to actually get it all started, but we started our podcast, which is called Art Supply Posse, and it launched about three weeks ago. And it's all about art supplies. And we're starting out the first probably half a dozen episodes or so, really kind of focusing on sort of one on ones about different art supplies. So we've done an episode on sketchbooks and watercolor, and the episode that'll be coming out tomorrow, we're talking about online classes. And then we're going to do an episode. We're going to do some episodes on fineliners and markers, and then we're hoping to start doing some episodes with interviews with artists about their favorite tools and how they got started and that kind of thing. What got them started, how they work. But we'd also like to touch on some digital skills and how to combine hand skills with digital skills, that kind of stuff. So it's been fun. It's been really exciting. People have been super supportive and very enthusiastic.

Andy 10:59

Yeah, it's one thing that I think that, you know, Johnny and Tim and I are all mostly writers with our stationery. Tony fools around with. With drawing a little bit. But sometimes I feel like some of our more like arts oriented people in the group are a little left out because we mostly just talk about things as they relate to writing. So this is a segment of, like, the pen and paper world that I think is really needed.

Ana Reinert 11:27

I think. Well, and it's just given us, you know, it was one of those things. Heather actually sort of put out a tweet at one point that said, there's a pencil podcast. There's a pen podcast. How come there isn't one? About art supplies? And that was sort of how the ball got rolling and basically said, well, we should start one and okay, yeah. Yes, yes, we should.

Andy 11:55

I feel like Heather is your Tim, because Tim was like, why is there no podcast about pencils to both me and Johnny? And then I was like, well, there is now. Just do it.

Ana Reinert 12:04

Yeah, it really was. And I mean, it took a little while to just sort of, I don't know, I guess feel confident enough to say, okay, I think we can. We can really do this. We can do this. You know, it seems. It seems strange to say it. I mean, I've been. I've worked as a designer and, you know, went to art school, and yet somehow I still didn't feel like I was qualified to talk about art supplies. But I'm very good with research and I know lots of people. And so when I feel like I don't know quite enough, I. I can do homework.

Andy 12:37

I'm definitely interested in when you guys get to the analog moves into digital world. Because I work with a lot of graphic designers and artists and product designers who work almost completely digitally, but they all have some art school background. So I'm definitely going to be recommending that podcast to them.

Ana Reinert 12:58

Yeah. And I think it's a lot of things that I think we'll talk to other artists about, about how they. Because most people end up having to at some point take their analog work and either submit it to someone digitally or display it digitally. People are always wanting to show it online somehow, or share it online or submit it to a publication online. And so at some point it has to be photographed or scanned or cleaned up to do that. And everybody has a different way of doing it. And so I think being able to share even some of their tips or which software they use or, you know, just how they go about doing that is just nice to be able to be like, hey, maybe I should try that application. Or maybe that one will work better for me than what I've been doing. Or I hadn't thought to try that technique. It'll be kind of fun.

Andy 13:44

Yeah. And you're recording weekly, which is amazing. Like, I'm super impressed by that.

Ana Reinert 13:52

I guess it's been like in for a penny at this point.

Andy 13:57

I've always thought it was like, oh, the pen addiction. Yeah, they're both kind of like full time podcaster slash pen people. So, yeah, they can do weekly. We're doing biweekly because we all have other jobs and stuff going on. Except Johnny doesn't have a job.

Ana Reinert 14:13

We had said originally, we said originally we were gonna do it bi weekly and then we started doing it and we're like, let's just, we're just gonna go for it. Just gonna go for it. And we said, you know, when we get to things like major holiday weekends and we'll take those, and we'll make a point of saying, hey, you know, we're not going to record this week, so just, you know, and give ourselves that opportunity to take those breaks. But otherwise we're just going to kind of plow through and just keep going and see how it goes. So fingers crossed, we can pull it off. But yeah, both of us work full time, so it's, it's, it might get a little dicey.

Andy 14:50

Yeah. And of course, I was just kidding about Johnny not having a job because

Ana Reinert 14:53

he, he works really hard.

Andy 14:55

He has a job that spans more than just the workday.

Johnny 14:59

But I get all the coffee I want.

Andy 15:01

Exactly. That's a perk.

Johnny 15:04

That's a good pun.

Andy 15:05

Oh, I get it.

Ana Reinert 15:10

Well, the other big news today, right, was the new field notes.

Andy 15:14

Yeah, yeah, it was the byline edition was. It was interesting just because I feel like everybody who knows what a reporter's notepad is, or maybe even has used one, is like all about it. And people who don't know what it is are just like, this is dumb, this is useless. At least I've got that kind of get that feeling from the field notes group.

Ana Reinert 15:40

And we talked about it a little bit right before the show and it's. I've been so busy, I haven't really gotten to hear a lot of the feedback about it. But my feeling about it is, yeah, if you, if you're not familiar with it with a reporter style notebook, it's, you know, makes great, you know, grocery list. Yeah, it's a nice long, long notepad.

Andy 16:05

One of my very favorite Rhodia pads is oh, what's the number of it? It's the number eight, I think.

Johnny 16:13

Yeah.

Andy 16:13

The rodeo number eight. And that's the one that's three inches by eight and a quarter inches. And it's just so great to hold in your hand. So that was always like, you know, the fancy reporter's notepad, when there's always the, like, kind of crappy reporter's notepad they supply at newspapers and, like, media outlets. So there is a new fancy reporter's notepad on the scene. Well. And actually there's more than just one.

Johnny 16:41

Do I have to bring up the whole aesthetic?

Andy 16:47

Well, I don't know.

Johnny 16:48

You can figure it out for themselves. Everybody I asked said the same thing.

Andy 16:51

Okay. I'm not crazy.

Johnny 16:52

It's not just like, German guilt.

Andy 16:55

There's a logo on the front of it of an eagle that is clutching a pin and a lightning bolt. And both kind of like the eagle in this particular pose. And lightning bolts are reminiscent of branding and imagery from a certain political party in Germany a long time ago. So, yeah, go on the Internet if you want to join that discussion.

Ana Reinert 17:24

I think they did suggest when they did their pre release announcement, they had used a picture of a typewriter. And I think that that particular logo and branding was also on several brands of typewriters. Yeah, don't hold me to it.

Andy 17:41

No, I totally get it. And yeah, there's definitely plenty of, like, old school, like. Like American Federal, like, imagery that also has kind of. It's that eagle with, like, the side pose and the wings extending out, kind of clutching things. Like it's on our coins, like a lot of our coins. So it's definitely not just a Nazi thing. It's all over the place, but it's definitely something that people have brought up.

Johnny 18:09

Yeah, I think the gray played into it a lot.

Andy 18:11

Yeah.

Johnny 18:12

And the color of the belly band for some reason.

Andy 18:15

Oh, yeah, Yeah. I do. Like. So it's 12 or $13. $13 for a two pack of these. And it's just more paper and probably more like materials than a regular field notes.

Ana Reinert 18:29

They got the spiral.

Andy 18:30

Yeah.

Johnny 18:31

They're only 35 sheets each.

Andy 18:33

Oh, really?

Johnny 18:35

Seventy pages.

Andy 18:35

Yeah. But they're bigger than. Yeah, yeah.

Johnny 18:39

So I feel like on the one hand, you know, if you have a subscription, you're subscribing to two, three packs of pocket notebooks. So when they do the six pack, if you're a collector, which I'm not, you're like, oh, now I have to buy an extra one if I want to use one. It's like, the whole point of two is one to collect and one to use.

Andy 18:56

Yeah.

Johnny 18:57

But these aren't pocket notebooks. So I could see some people. Well, I mean, we actually did see some people that are, like, thoroughly pissed that that's not what they're getting.

Andy 19:07

Somebody in the field notes was going on about how they wish that they were always the same size and shape. And I was like, I'm curious as to why. Like, that's. That's interesting. They're like, well, when I stash it away, it's much easier to, like, store. Like, I don't think that field notes is thinking about that when they do this. Yeah, yeah, well.

Ana Reinert 19:25

And I think that would really limit their creativity if they lock themselves into the same size and shape every single time they did the colors edition. If you want the same size and shape, then don't subscribe to the colors edition. Just buy their regular editions.

Andy 19:41

Totally.

Johnny 19:42

Plus, they give you an out. If you don't like it, they'll give you the regular notebooks.

Andy 19:46

Yeah, yeah. I think they started that with arts and sciences, didn't they? Kind of the first break from their standard, like, three and a half by five size. Yeah.

Johnny 19:58

I feel like there's always a tide. People are pissed and they get them. They like them or they love them, and they get it, and they're like, oh, I'm not gonna use this, so I'm not gonna read it anymore.

Andy 20:06

Yeah, it'll be definitely interesting because there was a time in college and right after college when I worked at a newspaper and, like, all I wanted to do in life was be a journalist. And I feel like I always had that, like, tall reporter's notepad sticking out my back pocket. So I've definitely gotten used to something a little bit smaller and more compact sticking out of there. But it really still. You can't beat that reporter's notepad format when you're just writing standing up without, like, a table or something to write on. That's still the best for me. Cool. Any more to say about the byline edition?

Ana Reinert 20:49

Nope. I have said my piece.

Andy 20:52

Okay.

Johnny 20:53

Oh, they have a pocket in the back.

Andy 20:55

Oh, yeah. Yeah.

Johnny 20:56

That is something reporter notebooks don't have. That's pretty cool. I can dig that.

Andy 20:59

And I do like how the spiral is not exposed. Like, the COVID folds over the spiral.

Johnny 21:05

I'm afraid mine's gonna break in my pocket.

Andy 21:07

Uh.

Johnny 21:07

Oh, the COVID part will get all wonky and bent, but it's not that much paper, so I guess they're not gonna last that long?

Andy 21:13

Yeah.

Johnny 21:14

You write a lot.

Andy 21:15

But I feel like. Yeah, I mean, if it. If the COVID like, folds over the spiral, then hopefully, like, you know, the spiral won't get caught on something or pull loose or whatever. It seems nice. Sorry, go ahead.

Ana Reinert 21:26

Okay.

Johnny 21:27

We didn't mention the. Oh, my God. What's the guy's name from Meet the Press? They had a celebrity request this and help them design it. So in theory, this is a guy who uses them all the time who helped design them.

Andy 21:40

Yeah, that was John Dickerson from Face the Nation. Yeah. That's awesome. He said that he wrote to them out of the blue and asked them to make him one and offered to help. Yeah. And I've. I would love someday to get to the point where I can just like, call up my favorite stationary company and be like, oh, hey, I have an idea. Can't you please put this together? So, yeah, it's gorgeous. The spiral is not just like a standard spiral. It's one of those ones that just kind of like double back on itself. I love that. I think it's going to be a lot hardier than a lot of the reporter's notepads that I used that by the end of it would get like all bent around and the spiral would have come loose. And so if you're a color subscriber, you get those. Plus a sticker of said eagle, which

Johnny 22:37

is not going to show up on my Linux laptop, which is black.

Andy 22:43

Another reason why Johnny needs a Mac.

Johnny 22:46

I think I'm going to just use a needle and drive it into my

Andy 22:49

arm, have a tattoo.

Johnny 22:51

I'll see you with the ER Saturday.

Andy 22:55

I like to tease, but Johnny stands by his open source convictions.

Johnny 23:01

Usually, yeah. Not Skype,

Andy 23:05

although I do have to say so I don't want to. I don't want this to turn into a tech podcast, but after seeing the big Apple Developers Conference keynote yesterday, there's going to be some really cool imessaging things. So all I'm saying is if you got an iPhone, we could send each

Johnny 23:21

other

Andy 23:23

text messages that, like, shimmered and exploded and had fireworks. So that's what you're missing.

Johnny 23:31

But let us do Snapchat.

Andy 23:32

There you go.

Ana Reinert 23:34

I only made it through the first hour of the wwdc, which I watched this morning. I watched an hour of it I didn't get to the end of.

Andy 23:43

Was pretty good. We'll let Mike and Stephen Hackett and Federico talk about. Talk about the rest of it, which I have in my freshpoints once we get it. Johnny, do you want to talk about some stuff.

Johnny 23:58

Sure. So I think all of my fresh points amount to some kind of teasing. Two episodes ago, we talked about the ends of pencils, and I mentioned these pencils that Charlotte and I found in an art museum, which are like four fifths graphite, and then the other end you can sharpen into a rainbow pencil. And how I couldn't find them. And I found some at a local store, but you have to come to Baltimore if you want to buy them. They didn't have that many rainbow.

Ana Reinert 24:25

Like magic pencil rainbow.

Johnny 24:28

Yeah. And they're made in Japan and the graphite end is superb. And they're made of really nice cedar and they're butt ugly. They're really cool pencils. Plus, this particular store sells Harry Potter candy, so win, win. Yeah, but if you live in a city, do it. It's at a toy store called Shenanigans. If you do live in Baltimore, Shenanigans and Roland Park. And if you live in a city with a really cool toy store, you might find them there.

Andy 24:55

That's where I found them.

Johnny 24:57

So for like a buck a piece, I kind of bought all the stock, which was four. But I'll go back maybe. If people are nice, don't and claim to use Linux, I'll send you one.

Ana Reinert 25:11

I didn't make fun of your Linux.

Andy 25:14

You're the only one.

Johnny 25:16

Yeah, Anna's got one. I already have one in an envelope for her. I'm actually not kidding. So also, speaking of reporter's pads, if you're in our group, then you know there was another reporter's notebook that came out today from Write, Notepads and Company. So I was at the zoo and the kids were on the carousel. And I looked at my email and saw that Facebook had out. Or Facebook. Oh, my God. Field notes had reporter's notebooks. So I texted Chris Roth, I write notepads. I was like, hey, when's your reporter notebook coming out? He's like, came out today. Like, oh, crap.

Andy 25:46

Guess what?

Johnny 25:48

I was able to obtain two of them via messenger. Chris Roth.

Andy 25:53

Not via Facebook. Messenger. Yeah.

Johnny 25:56

Like, they came in a box with

Andy 25:58

my name on them, which was awesome.

Johnny 25:59

That's amazing. And like, they're really awesome.

Andy 26:03

Did you see who's in the chat now?

Johnny 26:06

Is Chris in the chat?

Andy 26:08

Somebody claiming to be. Claiming to be. Right. Yay.

Johnny 26:10

Yeah, that's Chris.

Ana Reinert 26:11

Hi, Chris.

Andy 26:15

Yeah, sorry, I didn't mean to interrupt.

Johnny 26:17

No. So they didn't mess with the size. They're four by eight and they're the same giantly strong Backing that's in the ledger books, if folks have those. And the paper is brand new and is really, really, really nice. So I feel that I don't want to turn this into a commercial, but if you like reporter's notebooks, get these because they're really freaking awesome and they actually have the full number of pages in them.

Andy 26:40

So that's. And I don't think that there's, like, any sane person who would think that one copied off the other because they were both released the same day. Because it's like, how could you do that? I just like to think that there's sort of like this collective consciousness shift to reporters notebooks, which I think is awesome. From, like, little. Yeah, yeah. It's kind of like how the car was invented in, like, three different places kind of concurrently, without people talking to each other.

Ana Reinert 27:11

It's like when all those volcano movies came out at the same time.

Andy 27:13

Yeah, it's exactly like that.

Johnny 27:15

But these are awesome.

Andy 27:17

Hopefully. Hopefully these have some more staying power than that. But I'm super excited. I. I think they each have different aesthetics. And I love the writepad's reporter's notebook has, like, the rightpad aesthetic, which is, you know, just incredible. So I can't wait to get my hands on one.

Johnny 27:36

Yeah, the lines are really, really nice. They're really faint. I think it's one of those non photo blue inks, which is sweet.

Ana Reinert 27:43

Ooh, nice.

Andy 27:45

Is he using the brass wire as the spiral?

Ana Reinert 27:49

Yep.

Johnny 27:49

This is the big double O super beef. And the paper is the new paper they're going to use in the pocket notebooks for summer.

Andy 27:59

Oh.

Johnny 28:00

Which is supposed to be more fountain pen friendly. Not that I would know, but it takes pencil very, very nicely. And the corners are perfect. Everything is perfect.

Andy 28:09

Yeah. So I know that. I know that Chris will come to your house and, you know, stab you with a wire o binding if you say. But can you give us any hints about what's coming for the summer?

Johnny 28:20

Well, first, there's another product coming out of which I have a couple in my hand. They're these itty bitty books. They're about the size of a business card, and they're not set on a name yet. They have some that say right, and some that have an oyster, which is sort of a Baltimore thing. And they're like a little notepad for carrying around and ripping pages out. They're all perforated and blank, white, heavy paper. Really, really cool little notebooks. I think they're going to sell them in six packs. They'll Be out in the near future.

Andy 28:49

Are they perforated?

Johnny 28:51

Yeah, all the pages are perforated.

Andy 28:52

So you can tear them out, leave little notes or something.

Johnny 28:55

Not like the Help Me Sweet Tooth Edition. These are really easy to tear out.

Andy 29:01

Cool.

Johnny 29:02

They're made to go. Bye Bye.

Andy 29:04

Anna, did you like the Sweet Tooth Edition?

Ana Reinert 29:06

I love the Sweet Tooth Edition.

Andy 29:08

Figure that. That seemed like. That seemed like up the alley of somebody who, like. Like an art. An art focus person.

Ana Reinert 29:15

Yeah, I. It's. They're really fun for colored pencil, like white colored pencils or any of the light tone pencils because the. Those will actually show up. And then like a lot of the, like gel pens. I said the, the pen with no cil at the end.

Johnny 29:35

Gel pens.

Ana Reinert 29:37

They're just. It's a lot of fun to play with those different kinds of tools. Yeah. But the, you know, the fountain pen guys don't like them as much, but they're great fun with pencil. And there's an urban sketcher whose name I can't think of right now who's been using them for her sketches. And it's been fun to watch her.

Andy 29:57

Tina Komaya or something like that. She's in the nuts group.

Ana Reinert 30:03

It might be.

Andy 30:05

She and I traded something because she had some Shelter woods. She had a shelter woods single and I had a Sweet Tooth single that I wasn't going to use. So we traded and yeah, she's posted in the group and it's like she's done the red with white and black.

Ana Reinert 30:19

Yes.

Andy 30:20

Yeah, she's fantastic.

Ana Reinert 30:22

I'm just gonna see if I could find her in my feedly today.

Andy 30:26

Her first name is Tina. Her last name's. It's K O M. Something like that.

Ana Reinert 30:33

Her blog is called Clouds and Coffee Fueled by Clouds and Coffee fueled by

Andy 30:43

one half of it is just like Johnny Clouds. I really like. Gary Varner did something really cool with the Sweet Tooth notebooks. I don't know if you guys have seen this. He actually took out the staples and reassembled them, but with alternating sheets of color.

Ana Reinert 31:01

Ooh, fun.

Andy 31:01

Yeah. So I can't remember what he called it, but it was, it was like,

Ana Reinert 31:04

oh, yeah, it is Tina. It's the same person.

Andy 31:07

Yeah, she's. She's great. I love looking at her sketches. She'll. She'll take something like really mundane like a fire hydrant or a lamppost and it just looks amazing.

Ana Reinert 31:20

I put her URL in the show notes.

Andy 31:23

Oh, perfect. Excellent. So yeah, Gary put together that like combination of all the different colors and it's Pretty great just to look at. I was thinking about buying one just to have and like, flip through and look at. But yeah. Anyhow, we got off track.

Ana Reinert 31:42

Sorry about that.

Andy 31:42

No, it's my fault. So, perforations.

Johnny 31:46

Talking about paper.

Andy 31:47

Yeah, that's true.

Ana Reinert 31:48

Paper. That's fun to draw with. Pencils.

Andy 31:50

Yeah.

Johnny 31:52

So I might know what is in some detail, but my lips are sealed. But I talked to Chris on the phone and there are a couple hints we can share if you guys are getting. So the Lenore had a story being that Baltimore sort of claims Edgar Allan Poe because he's buried here. And we literally have Ed Garland Poe.

Andy 32:14

Yeah.

Johnny 32:17

This one sort of has a story tie in. That's going to be a little more cerebral. Let me think, what is the other. The big key members written for a treat. Like last time, if you're a member, you know you got first dibs. But this time, if you're a member, you might get only dibs on something. See, I should work for the spy agency. So they're doing an exclusive pencil again. So that's awesome. Which, of course, we made in America. I've seen a picture of it. It's awesome. Super awesome. And I think they said that about two weeks from now they'll come out, hopefully. So they're not finished being made yet. But they don't contract. They make them so they can just stay up all night, get them done.

Andy 33:02

So, yeah.

Johnny 33:03

So they're really gonna be awesome.

Andy 33:07

Trying to think of all of, like, the Baltimore things I can think of. And the only other Baltimore thing I can think of is that thing that's in your harbor that eats garbage. Oh, what's that? Do you know what that is? Do you know what I'm talking about, Johnny?

Johnny 33:21

Yeah, I don't know what it's called.

Andy 33:22

It's like this weird little slow floating conveyor belt that conveyors up the garbage floating around in the harbor. And it's cool because it kind of goes. And it's completely automated and not. It doesn't use, like, gas or energy or anything.

Johnny 33:40

It's powered by sludge.

Andy 33:42

Yeah. Yeah.

Johnny 33:44

So we have a problem here where one of the main feeders for the harbor is a river called the Jones Falls river, which goes under the city. We buried it like 100 years ago. So that's caused some structural damage to some stuff, of course. And our sewer system is so old, there's just like poo and garbage constantly flowing in the harbor. It's not like people at the harbor are actually littering. Although I'm sure that happens, but that's not where it comes from.

Andy 34:09

Pencils made from dried hardened poo that it's very green. Less. Less in the group says in the chat says that all I can think of is the wire. So I definitely think it should be like beleaguered police station pencils with like, bite marks on it.

Johnny 34:29

Yes. And the end holds one sniff of cocaine. But you have to add the cocaine yourself.

Andy 34:36

Yeah. Confirmed. Confirmed by Wright Dompads in the chat that it is made out of recycled harbor trash. So you've heard it here first, folks.

Johnny 34:50

They're Oriole and Raven ticket stubs wrapped into. Wrapped around, you know, like a newspaper pencil. Yeah, but they're like 6 inches wide because ticket stubs are really thick. Yeah, yeah, it's awesome. It's very Baltimore.

Andy 35:06

Cool.

Johnny 35:06

But that's all I've got, Mr. Andy.

Andy 35:09

All right. I have a bunch of things, but they're all pretty short. So one thing I wanted to mention was because I'm a huge nerd, I went to Replay Con, which is basically just both. All three of the connected guys, including Mike Hurley, who does the pen addict with Brad. They all were in San Francisco for this big WWDC thing and they decided to just have a live recording. And they talked to Jason Snell and Christina Warren and John Sierra Cusa and all of the tech podcasters who, you know about, if you know anything about, like, technology podcasting. They were all in town. It was a lot of fun. I. I got a really awesome sticker of Mike Hurley. They had all three of the connected guys. They all had stickers, and I picked up one of each. But I think. I think Mike's my favorite because there's a little like. It's basically a picture of them and then a picture of like, some of their favorite stuff. So Mike's has the Drapolin space shuttle sticker and field notes in the little sticker with him. So I'll put a link in show notes too. I Instagrammed it earlier today, so it was really fun to see that. I hung out with some friends, being just like a meeting of Relay FM podcast listeners. I just heard somebody shout woohoo. In the background.

Johnny 36:40

Somebody else died.

Andy 36:46

I think somebody just probably learned what the summer edition of Write Notepads is just in the case.

Johnny 36:51

Yeah, I passed my note.

Andy 36:54

So anyhow, I have a picture in show notes of the Mike Hurley sticker. So anyhow, everybody's talking about their favorite Relay FM shows and is it connected or is it cortex or. Or is it upgrade or what have you. Pretty sure I was the only one there who said pen addict and wise choice. I got a lot of blank stares from people who was like, oh, is that. Is that the one that Mike does about, like, pens? Like, yeah, that's the one. They're like, I don't know how anybody can do, like, a whole podcast about pens. And I was like, well, let me tell you, in fact, do you think

Ana Reinert 37:33

they could do a whole show about pens?

Andy 37:34

Yeah, there's an entire podcast about pencils that exists out there. So me and this guy who proudly proclaimed that he hasn't picked up a pen except to sign a restaurant check or something like that in years, we start talking about how just the wide world of. The wide world of stationery and how you can go really deep on something like this. And there's probably people in the world who can't believe that you can do a show about, like, Mac News, Apple News. So, no, it was. It was a good show. I kind of live in both worlds, tech and stationary. So it was fun to meet all these other people. So, yeah, that was. That was Relaycon. Hi, Mike. If you're listening, he's probably not. I wanted to talk a little bit about something that Blackwing put on their Instagram last week. You know, everybody's very just, like, hungry for spoilers about the new volumes edition, which is due out very soon. But in the meantime, they posted a picture of the mmx, the original, like the classic Palomino Blackwing, and they said that there's some changes coming to it. So, Johnny, what. What did you think about? So the change, of course, is that there is no more gold stripe around the end of the barrel close to the ferrule. And I couldn't detect any more changes, but I guess there could be other ones that I don't know about.

Johnny 39:07

Yeah, I wasn't sure if they meant more changes to that pencil or more changes to Black wings.

Andy 39:12

Right. Yeah. Yeah. So I. I'm assuming this isn't like a teaser for their upcoming volume series or volumes edition. I think that this is just permanent change to the collection. I kind of see why they're doing that because it falls more in line with the aesthetic of the other two pencils. But, yeah, I appreciated the inconsistency and how it was unique because, like, the 602 has a. You know, the saying on it that the pearl and the mimics don't have. So.

Johnny 39:41

Yeah. And they have a name. The Blackwing officially is called the Blackwing. Yeah, it just Says Palomino Blackwing, and nothing. So the gold band just kind of, you know, gave us something to not get picked on in the pencil box.

Andy 39:53

What do you guys think about starting a Change.org petition to Blackwing to put. To call it the Blackwing mmx, and

Johnny 40:01

when they do, they owe us each a gross.

Andy 40:03

Yeah, exactly. I. I definitely think. I definitely think that would go over.

Johnny 40:08

That's a good use of change.org everybody calls it that.

Andy 40:11

Yeah.

Johnny 40:11

Really caught on.

Andy 40:12

Everybody. Literally everybody.

Johnny 40:14

You say, oh, the black Blackwing, and now you can't say that anymore because there is another black. Right?

Andy 40:19

You can say the Blackwing classic, but everybody really. You're referring to the Eberhard Faber one. Yeah.

Johnny 40:26

I think this needs to be done. I'll get it as a tattoo if it'll convince Charles on my butt so no one ever sees it. Unless I'm drunk and I moon somebody.

Andy 40:36

That never happens.

Ana Reinert 40:40

I feel like a bad pencil fan because I never really noticed the black. The gold ring around the mmx. It was. I literally. I had to mute my mic and crawl over to my pencil cup and pull them out so I have all of my black wings in my hand, and I'm like, all right. Oh, now I see it. There it is.

Andy 41:01

It really is. I mean, it really is a holdover from, like, the first small run that they did where they were sort of trying to, like, completely reimagine the Blackwing.

Ana Reinert 41:11

But my 1138 kind of has a black ring around the top of it, too, so, you know.

Andy 41:15

Yeah, yeah. It's just saying. Yeah, I understand. It's a little bit sleeker. It's a little bit more. I don't know if minimalist is the right word, but it's a little bit more of a step in that direction. But it'll be interesting to see also if they continue with sort of, like, the sparkly matte paint or if they'll go with something more like the 24 edition.

Ana Reinert 41:37

Well, because my 602 is the only. Because my. Yeah, my MMX is completely matte black.

Andy 41:43

Yeah. Yeah.

Ana Reinert 41:44

But the Pearl and the 602 are kind of shiny, like a little metallic finish.

Andy 41:50

Yeah. And I appreciated that about them. Like, you know, the 602 is a little bit metallic, and then the. The pearl is, like, pearlescent, and they. They all had sort of a different finish, but we'll see. I'm looking forward to seeing what it'll be like.

Ana Reinert 42:04

And then each one of mine has different colored erasers because they have to.

Andy 42:08

Because of Course, I like to put the pink erasers back into the 602 so it looks like the old ones. And also the. It's a much better eraser than the black one, in my opinion.

Ana Reinert 42:21

Would it surprise anybody that my 602 has a green eraser?

Johnny 42:26

I'm shocked, shocked, and above shocked.

Andy 42:32

Cool. I also wanted to mention we have a lot of T shirts coming out from various people engaged in stationary enterprises. Vito Grippy's Story Supply company has a really cool navy blue T shirt with the gold Story Supply Company logo on it. For those of you who don't know what Story Supply Company is, it's a company that's making little pocket notebooks and various accessories and giving money to children's literacy projects for every purchase. And they have a T shirt that's really cool. They have a really cool retro logo. Also, our favorite bullet pencil. The twist. There is a T shirt with that logo on it designed by TJ Cosgrove and produced by John Fontaine. So we'll have links to both of those in Show Notes. And the last thing I just wanted to mention is I have another link in Show Notes to a video that June Thomas did. June Thomas is our friend who has her own podcast on Slate, who recently went to Japan and bought a whole bunch of cool stationery. She did a video just talking about what she eats for breakfast, what her home studio looks like, and she walked the interviewer through a bunch of stationery on her desk, and she gave a shout out to the Erasable podcast. So that's awesome.

Johnny 43:51

What? That's awesome.

Andy 43:52

Yeah.

Ana Reinert 43:52

That's so cool.

Johnny 43:53

Oh, and thank you, Jun, for the cool goodies.

Andy 43:55

Yeah. Yeah. I was. I was thinking hopefully next week we can dig into some of those pencils a little bit in depth.

Johnny 44:04

Yeah.

Andy 44:04

But, yeah, they're. They're really cool. She. She sent a sampler pack, and she sent it to me to just save on shipping, and I distribute it out. So each one came with a NOK index card that says, dear Tim, Johnny, Andy, you're my favorite Erasable, please enjoy these pencils from Japan. And she circled the name of the person to whom it should go, so feel real special. Okay, we should get into the main topic now, which, of course, is all about erasers, and read with the I should. But one thing, like, usually we do a separate little segment talking about our sponsorship with CW Pencils, kind of their offering for everybody, but it just so happens this week that it flows right into this main topic. So this episode, once again, is sponsored by CW Pencils. Purveyors of superior graphite. Today they put together something really special which ties directly into our main topic. It's an erasable eraser sampler pack. It includes five of our favorite erasers with pics from me and Johnny and Tim, plus our good friend Anna, and a pick from the ladies and gentlemen of CW pencils. So do we decide what the. It's the pencil dude, right? It's not. It's the pencil ladies and the pencil dude.

Johnny 45:33

I say pencil people.

Andy 45:35

Pencil the pencil folk. So I'll go. I'll go through the list and then afterwards we should talk about why we chose the particular eraser that we chose. So, Johnny, tell us about your pick.

Johnny 45:47

Well, I picked the Milan 6030 Neon Eraser, which is sort of shaped like a squared off pink pearl, if that makes any sense. Sort of has beveled edges and it's got layers of color. It's made of synthetic rubber. And as I'll talk about more later, I chose it because I find it aesthetically pleasing, not necessarily that it works that great. And you guys all pick the same brand.

Andy 46:13

I see. It's true. I didn't even, like, notice that before.

Johnny 46:17

Leave me out, Mac people.

Andy 46:21

So, Anna, what did you pick?

Ana Reinert 46:26

I kept with the trend. I do love the Koh I Noor magic pencil. So I went with the Koh I Noor magic eraser, which is a layers of sort of marbleized colored natural rubber. It's pretty and it works pretty good.

Andy 46:42

That was my second pick, so I'm glad that it still got on the list. I really, really want to see the process of how they make this.

Ana Reinert 46:51

Oh, how they get the layers of color.

Andy 46:52

Yeah. Like, I just imagine a big vat of like melted rubber. I don't know. That's how you do it. Oh, God. Somebody just stirs it together.

Ana Reinert 47:02

No, I like eyedropper in color.

Johnny 47:04

Exactly.

Andy 47:05

It's just like how they marble paper. So Tim picked something that's similar to that. It's the Koh I Noor pebble erasers. It's also a natural rubber. It is sometimes solid colored, sometimes layered. And it's a little bit grittier than the magic eraser, but it's much smaller. It's the size of like, like, literally thumbnail size. It's very small. And CW pencil sells them as like, I think, like eight packs. They are very gritty, but they're like, really handy and really mobile. So I picked the Koh I Noor thermoplastic eraser, which is made out of a plastic. It's real weird shaped. It's hexagonal. It's maybe the size of like. Oh, I don't even know what this is the size of. It's like a couple inches in diameter and it has like a little like indent in the middle. It's really good to just like play with. I think Caroline came on and was talking about it once. It's like a little worry stone. You can just kind of like.

Ana Reinert 48:06

Is it the one that looks like the plastic throwing star?

Andy 48:09

Yeah, kind of looks like that. It's super cool. Yeah. Six sides. It erases really well. It's plastic, so it doesn't leave much of a residue, which we'll talk more about later, but it's pretty great. And then the CW pencils pick, which was Caroline and Katelyn at least, if not more contributing. They're talking about the Tombow Mono plastic eraser, which is also a very high quality plastic. It feels so plasticky that it doesn't seem like it's going to erase, but it erases really well. Have you two used that one? The Tombow Mono one?

Ana Reinert 48:46

That's actually, that's actually the good eraser.

Andy 48:50

That's the eraser that's picked for reasons of efficiency and erasability.

Johnny 48:56

Cool.

Andy 48:57

So once again, this pack includes the Milan 6030 Neon Eraser, the Koh I Noor thermoplastic eraser, the Koh I Noor magic eraser, the monoplastic eraser, and actually two of the Koh I Noor pebble erasers. Because they're so small, the sample back is available only to you. If you erasable listeners. We have a link in show notes that you can get to. Costs $4.50, which is roughly 25% off the normal retail price if you bought these erasers individually. So be sure to jump on that. It is again available only to you for a limited time. I think we're running this for five days. So through next Monday, $4.50. Build a card at CW Pencils and go go buy it. So thank you, Caroline and Caitlin and Alex and everybody at CW Pencil Enterprise for supporting the erasable podcast. So speaking of erasers, we talked a little bit about in our episode where we talk about what's on the tip of your pencil, what's on the back of it. We talked about like pencil erasers. But so much of the world, when they use erasers, use something separate, that's handheld. I feel like that's better for the art community, which is a great reason why Anna's here. Besides, just Having your company.

Ana Reinert 50:15

Thank you.

Andy 50:16

Which is awesome. So I'm just curious to know just everybody's thoughts about erasers. What do you look for in an eraser when you go to buy one? What do you ana?

Ana Reinert 50:30

Well, probably first and foremost what you really want is an eraser that actually works.

Andy 50:35

It's true.

Ana Reinert 50:38

But yes, I can be swayed by cool, funky, interesting designs, but I can no longer be swayed by erasers that are shaped like food.

Andy 50:49

Like those Japanese like sushi erasers.

Ana Reinert 50:51

I know, I just can't. I can't do it. You know, when I was 7, I would, that would sway me. But those things don't actually work.

Andy 50:57

Yeah.

Ana Reinert 50:57

But you know, ones that are, you know, marbleized, those will sway me occasionally.

Andy 51:04

I think I learned about it first from your blog, those magic erasers. And I remember I put together a big bulk order from someplace in the UK and my dream is to get those, but in blanks and then have the erasable logo stamped on it.

Ana Reinert 51:22

Wouldn't that be cool?

Andy 51:23

And then pass that out as essentially business cards.

Ana Reinert 51:28

That would be so cool.

Andy 51:29

That would be so amazing. But that's, I can't even imagine like they're. You can barely buy them in the US let alone like, you know, customizable.

Ana Reinert 51:37

Well, the funny thing is I do actually have one that came from a museum. Yeah. Like my sister in law brought one back from like one of the museums in Spain for me. Like she went to one of those fancy museums. And so I have one that's actually stamped with, you know, somebody else's logo on it.

Andy 51:58

I know. Are you pretty sure that it's. That it's the same? The same.

Ana Reinert 52:02

It's exactly the same. Eraser.

Andy 52:04

Oh man. Eraser goal. Hashtag. Eraser goals.

Ana Reinert 52:07

Eraser goals.

Andy 52:11

We should put together. We should put together. We should do a group order so we can like get enough people in on it. So we can just like get a big minimum.

Ana Reinert 52:19

Yeah. Total the nerd. Their bucket list. We want erasers.

Andy 52:24

Man, oh man, that's fantastic.

Ana Reinert 52:28

Yeah, but so there are, there are good erasers or at least adequate erasers that are fun. But yeah, for the most part, most of my erasers are pretty functional.

Andy 52:37

Yeah. What besides the magic eraser, what you usually have around.

Ana Reinert 52:42

I pretty much live and die by the Statler Mars plastic.

Andy 52:46

Yeah.

Ana Reinert 52:47

Or anything that looks or feels pretty much like a Statler Mars.

Andy 52:52

Yeah, those are pretty ubiquitous at most like big box stores.

Ana Reinert 52:57

So. Yeah. Any, you know, anything that's that sort of white plasticky. You know this. I have a Sanford Magic Rub the tombow mono. What else have I got over here? There's a bunch of them.

Andy 53:12

Yeah. Jenny, what about you? What do you look for in erasers?

Johnny 53:18

So I'm the opposite of Anna. I don't care that much if it works because I sort of don't really use erasers a lot. I usually just cross through. And I'm not a man that makes a lot of mistakes. You're supposed to laugh at that.

Andy 53:34

If Johnny. I was Googling. If Johnny says it, by definition, it is the truth.

Johnny 53:40

Thank you. That's been recorded.

Andy 53:43

A very reputable podcast.

Johnny 53:46

Two dozen people just heard it live. Okay. No, like, my kids like those, you know, Japanese erasers that are puzzles in a truck or a monkey. So I don't mean those. Like, I have a certain eraser aesthetic I like. I like something sort of smooth, soft, and rounded, but cubish, if that makes any sense. Yeah. So my original pick for the eraser pack was the Milan 430, which is a little square eraser with rounded quarters, but they're out of stock for the near future. But that is one of my favorite erasers because it has such a beautiful form factor.

Ana Reinert 54:22

I have one in my hot little hand right now.

Johnny 54:26

I have a green one.

Andy 54:26

It's yours.

Ana Reinert 54:27

Green, yeah, of course it is. That's awesome.

Andy 54:31

How dare you think otherwise?

Ana Reinert 54:35

They all come in, like, minty colors.

Johnny 54:38

Yeah, I have a bite and that faded pink, so.

Andy 54:43

Which is cool.

Johnny 54:44

I got a bunch of them on sale at Artist Craftsman Supply two years ago because I think Milan went my business and then someone else bought them. So now they're all back, which is sweet. So that's cool. Also, I have a thing for cardboard holders and anything with a logo that goes all the way through the eraser. Like those Staedtler ones that came out last back to school, I think at Target, they were like a square version of the Mars plastic, but they had the Mars logo going all the way through.

Andy 55:15

Really awesome. What do you mean? So is on the eraser and the cardboard thing. Yeah.

Johnny 55:20

If you looked at them, like, head on at the eraser, it's coming to get you. Yeah, it was right there.

Andy 55:26

Oh, I see. I see. That's cool.

Johnny 55:28

Yeah. We're going to talk later about what our favorites are, but that'll illustrate more what I mean by aesthetics. So. Yeah. How about you, Andy? What do you look for?

Andy 55:40

Oh, man. I have to say. So, like, if it erases, that's definitely important. I also really, really think that the shape is a big deal to me. I really like to just, like, fiddle with something while I'm, you know, while I'm reading or concentrating on my desk. And I love the thermoplastic eraser for that reason. I also love. Which we'll talk about a little bit later, but the Black Pearl. Taekond Row. Is it? No. Who makes it? Sanford.

Ana Reinert 56:15

Sanford.

Andy 56:15

Sanford. Yeah, it's the Sanford Pearl actually. It's.

Ana Reinert 56:17

It's Paper Mate now.

Johnny 56:18

Paper Mate.

Andy 56:19

Oh, yeah. Well, let it be known that Andy had a Paper Mate thing on his favorites list.

Johnny 56:26

Oh, I have one too.

Andy 56:27

Yeah. I also like it because usually those two erasers have a very, like, thin side. So it's easy to erase something that's like, in the middle of, like in the middle of some words. Or it just has a fine tip for erasing. I also like. Which I haven't used for a while. But I really do like the kneadable erasers, and not for the reason that they're made, which is to provide. I don't know. Why are there kneadable erasers? Like, why are they kneadable?

Ana Reinert 56:59

Because you can. It kind of eats the charcoal and graphite as you knead them. It kind of works it into the eraser.

Andy 57:08

You can kind of like, blot them a little bit more than. And then just like fold it up and then, you know, have another. Have another edge.

Ana Reinert 57:16

Yeah. And as you're work. As you're working it, you can kind of make a shape so that you can get it into this specific spot that you need it.

Andy 57:23

Yeah, that's what I thought. I was just wanting to make sure. From an art person. I actually like that too, just because I like to fiddle with it and, you know, knead it sometimes. I used to have Silly Putty at my desk just to do something with my hands while I was reading something on. On the computer. And the kneadable eraser is both an eraser and Silly Putty. So I like that a lot too. I also want to try to find a good balance with cohesion of the eraser. There's some that are just, like, super crumbly that I find that the Koh I Noor Magic pebble eraser to be pretty crumbly. It's like very gritty and crumbly most of the time. Some of them are just like, too hard and plasticky. So finding a good balance. I don't think cohesion is probably the best word that I could use for that. But yeah, I like to find something right in the middle there. So, yeah, when you're just. Just Try a few of these erasers. If you buy the sampler pack, you will have, like, a wide variety of erasers to try out and just kind of find what works best for you. A lot of people like erasers that are very, like, crumbly and gritty and. And leave a lot of, like, dirt behind, but. But then they're. They're often better. They often, like, erase better. They're just kind of messy.

Ana Reinert 58:41

Some of the grittier ones, I think work better depending on what type of paper or material you're using.

Andy 58:48

Yeah, yeah, the. The paper. And then also I feel like a lot of the softer graphite really requires a grittier eraser just to get. Get down into it. I've used, like, really soft, dark pencils that, like a plastic eraser just can. Can fade it out, but I can't erase it completely, so I feel like that does too. And then the grittier ones, Anna, correct me if I'm wrong, but maybe it's better for, like, some of the more texturized paper.

Ana Reinert 59:15

Yeah, I think so.

Andy 59:16

Yeah. Like some. Some linen paper or just, like, sketch bad paper.

Ana Reinert 59:22

Yeah. Toothier paper.

Andy 59:23

Yeah.

Ana Reinert 59:24

Or if you. Maybe if you write with a heavier hand.

Andy 59:27

Yeah. So, Anna, what are some of your favorite erasers that you've picked up out there?

Ana Reinert 59:35

Well, I kind of have to agree with you. I do. Sort of like the black pearl. It's a nice little worry stone of a. Of an eraser.

Andy 59:42

Yeah. It feels really nice in your pocket.

Ana Reinert 59:44

It does. It's just a nice. It's nice to hold on to. But, yeah, no, I do. I use the Statler Mars as, like, the baseline by which I measure all other erasers, but also how erasable most pencils are. So if I cannot erase something with the Statler Mars, it just doesn't erase. If I can't use that, it just doesn't erase. But I'm trying to think, like, different erasers, for me. Yeah. Serve different purposes, which is probably why I have so, so many of them. Because, like, I have an old, like, art gum eraser, which is, you know, it's just nasty and gross, and it's one of those ones that is a little bit grittier. But. Yeah, when other erasers don't work, this is a good one because it is a little grittier if something doesn't get into a space the way I want it to.

Andy 1:00:37

Les has a good point. In the chat, she mentioned that very abrasive erasers often will just remove layers of the paper in addition to the graphite itself. So. So if you have, like, a big, thick paper and it can stand to have some layers removed, some fibers removed from it, then, yeah, that works just fine. Whereas I've definitely torn, like, cheap school loose leaf paper with erasers before.

Ana Reinert 1:01:00

Yep. So, yeah, if you're using, like, you know, art paper or something where you. Where you can afford to lose a little bit of. A little bit of the paper, then a grittier eraser is probably okay.

Andy 1:01:09

Yeah.

Ana Reinert 1:01:11

But. Oh, and then there's like, those pickup. Have you seen, like, the pickup erasers? The ones that'll get, like, the, like, glue boogers off?

Andy 1:01:20

No. What?

Ana Reinert 1:01:22

You don't know about a pickup eraser?

Andy 1:01:24

I do not know about a pickup eraser.

Ana Reinert 1:01:26

They don't actually really do anything for getting graphite or pencil or anything, but they're specifically used to get, like. They used to be used to get rubber cement.

Andy 1:01:34

Oh, rubber cement erasers.

Ana Reinert 1:01:36

Yeah, to get that. But they still work for, like, getting, like. If you get glue stick or anything else. If you get, like, glue buggers, you know, from your glue, sticking something down and you get glue boogers around the edges.

Johnny 1:01:50

Yeah.

Ana Reinert 1:01:51

Sort of get them off.

Andy 1:01:52

I. Okay. My. My. My mother has some of this. And does it kind of, like. Does it feel a little waxy?

Ana Reinert 1:02:01

It just. It has, like, a. The texture of, like, the bottom of a. A pair of, like. Like old school gym shoes that didn't actually have, like, treads on them, but they would just have, like, that gum. Like the old gum shoe I could think of. It's just sort of like a bubbly.

Andy 1:02:19

Hello, gum shoes.

Ana Reinert 1:02:21

Gum shoe. Yeah, that's the texture of it. And so it's kind of. It's a little sticky on the edges.

Andy 1:02:25

Yeah.

Ana Reinert 1:02:26

And it'll pick up. It'll pick up like glue residue. The polite term, I guess, would be residue and not book.

Andy 1:02:33

I think glue boogers is the term that is clearly the best one.

Ana Reinert 1:02:37

You guys all know what I'm talking about.

Andy 1:02:38

I totally know what you're talking about, but.

Ana Reinert 1:02:41

Yeah, so it's like, you know, if you're ever, you know, putting together artwork or you're putting gluing stuff down, and you get the glue stick kind of oozes out of the side, let it dry, and then use one of those pickup erasers, and I'll take it right off.

Andy 1:02:54

Can I tell you a confession about my childhood?

Ana Reinert 1:02:57

Do tell.

Johnny 1:02:59

Oh, my.

Andy 1:03:00

This isn't about eating paste. I swear. I. I was one of those kids. One of those kids who really hated to get dirty, so I always refused to participate in like, finger painting and, like, Cheetos, all of that stuff. And I. One of my, like, early memories is. I mean, not like, super early, but an early memory for me is sitting in kindergarten and, like, my classmates are doing that thing where they put glue on their hands so they can let it dry and then peel it off and, like, just crying because it just seems so horrifying. And like, whenever I would touch, like, glue sticks, I would be all freaked out by it. I was a weird kid.

Ana Reinert 1:03:48

I'm just entertained by the chat room. Using electric motorized erasers.

Andy 1:03:54

Oh, yeah. It's like an electric toothbrush. It seems. It seems unnecessary to me, but I think they're cool.

Ana Reinert 1:04:03

My husband sometimes uses them if in printing, they get, like, a little bit of a scuff. Like, it's like if there's ink transfer from one print to another, if the ink doesn't dry quite fast enough when they're coming off the press, they will actually sit and use the electric eraser to remove just those little tiny. They'll be just like a little hairline tick on a print job.

Andy 1:04:27

That's cool.

Ana Reinert 1:04:29

And the joke is, a lot of times it's hard to find replacement erasers for those. And so at one point, he went into an old art supply store or whatever, and he found a whole bunch for the electric eraser that he had, and he. And he bought them all and he got them, and they were completely, like, bone dry, and it's just shards everywhere. He was like, this is ridiculous.

Andy 1:04:50

No, totally useless. Sometimes you can, like, just sand off the very outer layer of that, and it's fine underneath. Well.

Ana Reinert 1:04:59

Cause they're so skinny. They're like, skinny. Almost like pencil lead thick.

Andy 1:05:02

Yeah.

Ana Reinert 1:05:03

So, yeah, there's nothing to sand off. They were totally useless.

Andy 1:05:07

That's one thing we didn't talk about, was those, like, extendable pencil eraser erasers that come in, like a. Like a holder, like a pencil. I guess that's a handheld eraser.

Ana Reinert 1:05:18

Those are kind of cool. I know a lot of people really like them because there's some that are even. They even come, like, flat. So they're like.

Andy 1:05:24

It's like a carpenter pencil eraser.

Ana Reinert 1:05:26

Exactly.

Andy 1:05:27

Yeah.

Ana Reinert 1:05:28

That are great because you can actually get in, like, almost like you can erase a whole line of text out of a. You know, off of a document or something. But I think most, you know, like a pink pearl or a black pearl, the edge of that is thin enough that you can kind of get in that line as well.

Andy 1:05:47

Yeah. Johnny, what are your. Some of your Favorite erasers.

Johnny 1:05:53

My favorite eraser in the world is pink pearl, which is sort of a piece of crap of an eraser. Doesn't really erase, but it's a classic sand. Yeah. Plus we've talked about this before. They change, changed the formulation, they're softer and they actually work now. Which is not the point of a pink pearl. But yeah, I think the pink pearl is my favorite. There's also general stakes. One that's a lot like it, but

Andy 1:06:16

it's a lot smoother and works better.

Johnny 1:06:18

That I like almost equally well. Anything from a lot and that's rounded off. I really like that little Ticonderoga pencil shaped eraser. It came out two or three years ago. That is actually a really good eraser and really adorable and fun to use.

Andy 1:06:35

I have a pack of those I need to actually open and try that out.

Johnny 1:06:38

But yeah, they're adorable.

Andy 1:06:41

Yeah.

Johnny 1:06:42

So when I actually want something to erase, my favorite eraser is the Faber Castell dust free eraser which is on the lines of the Staedtler Mars, but it works better. And I don't know if this makes sense. It's an eight sided eraser. The corners are sheared off. So it actually has eight corners so it's extra usable. And it's really cool because it says dust free and giant red letters.

Andy 1:07:06

Is it actually dust free?

Johnny 1:07:08

Yeah, it's more dust free than Mars. It makes less of a mess. So usually it's like a weird ball.

Andy 1:07:13

Yeah. Usually those dust free ones instead of like everything coming off in like little tiny flakes or crumbs or whatever, it just sort of like beads up into a little pill that you can then pick off on the end.

Johnny 1:07:25

Yeah. This one is especially awesome. A little harder to find.

Andy 1:07:28

Yeah.

Johnny 1:07:30

But not expensive. Pretty good.

Andy 1:07:32

Yeah.

Johnny 1:07:32

It's not like they age, they're plastic.

Andy 1:07:35

Yeah.

Johnny 1:07:35

It'll be here for a million years. Like pencil.

Ana Reinert 1:07:41

One of the best tips anybody ever gave me and why I didn't think of this myself is beyond me. But with any of those plastic erasers or probably any eraser was that if the end of it gets too rounded and then you need to get a sharp point to just take an X acto blade and just cut the end of it so you get a sharp edge again.

Andy 1:08:04

Yeah, that's a great idea.

Ana Reinert 1:08:05

And I was like, are you kidding me? Why didn't I think of that?

Andy 1:08:08

I've definitely carved like taken big pink pearls and carved them into various shapes.

Ana Reinert 1:08:15

Well, and once I figured that out, I also figured out that you can take Basically, you can slice a regular sized Statler Mars if you just slice off a little piece. It fits into the end of a Blackwing. It's a little floppy. It's a little floppy, but it works.

Johnny 1:08:31

There's our episode title.

Andy 1:08:33

A little floppy, but it works. Oh, my. Somebody in the group was talking about how they took a. Basically some sort of coring tool and cored one of the pink pearls and made a bullet pencil, like a twist eraser out of it. Who did that in the group? One of our handier people, maybe less or Daryl or somebody. Yeah, I don't know. That was really cool. Well, I think some of my favorite erasers, apparently bread crumbs from a hipster restaurant near San Jose is one of them.

Johnny 1:09:13

I don't know. Are you hipsters in San Jose?

Andy 1:09:15

No, they're all up in San Francisco. No, they move there. They're called to the north by the bearded God. I don't know. And actually it's funny because before erasers existed, as we talked about from after Stationary Fever, people used to use stale bread to erase. Yeah, I can't imagine it worked very well, but. Maybe. But I can totally see it. Like, I. I want to just carry around in my, like, messenger bag now. Just a piece of stale bread.

Johnny 1:09:51

You don't.

Andy 1:09:52

I mean. Yeah, yeah, I do. Don't you?

Johnny 1:09:54

What? What kind of a pencil aficionado are you?

Andy 1:09:57

Do you even.

Johnny 1:09:57

Bread, bro? I don't even eat bread. I just buy it and let it sit out so it reads it for erasers.

Andy 1:10:03

Just always have that. Then I'll be in a meeting and I'll write something. Oh, crap. And I get my bread. And then everybody rolls their eyes because Annie's.

Johnny 1:10:10

Well, if. What are you doing?

Andy 1:10:11

Katie's making a mess again.

Johnny 1:10:15

Damn it, Wealthy. Eat your breakfast at home.

Andy 1:10:18

Sorry, man. I just get this. I don't like the carbs. I just get this for. If you want to be really hipster, you have to use gluten free bread to erase with.

Ana Reinert 1:10:27

Does that work as well?

Andy 1:10:28

I don't think so. You can use sprouted grain bread, but it's. Yeah, it probably doesn't go stale. It probably just goes.

Johnny 1:10:34

It has a mind of its own.

Ana Reinert 1:10:35

Right.

Andy 1:10:35

Just goes.

Ana Reinert 1:10:36

That'll really remove fibers from your paper.

Andy 1:10:38

Yeah.

Johnny 1:10:40

So have we talked about how rubber is called rubber because it erases pencil?

Andy 1:10:45

Oh, yeah. I mean, amongst ourselves, I think that's

Johnny 1:10:50

like the most adorable and awesome thing.

Andy 1:10:51

Yeah, that's where somebody suggested an episode title in the chat of Rubber Lubber. I'm Actually a huge fan of. But, yeah, that's where rubber comes from. And it was used mostly for that. And then the name just spread to, like, everything made out of that material. Right? Yeah, yeah.

Johnny 1:11:15

Car tires.

Andy 1:11:17

Yeah. You can erase your. Erase your stuff by driving your car over it. Just rub it on your face.

Johnny 1:11:24

You just crush it like that. Groundhog I hit this weekend.

Ana Reinert 1:11:29

Didn't need to know that.

Andy 1:11:30

Yeah.

Johnny 1:11:30

Johnny, I was kidding. I would never do that. I live in the city, so.

Andy 1:11:36

I also really like the Faber Castell kneaded eraser. The last eraser that I'll just talk about here is one we've mentioned before that would be like that Koh I Noor thermoplastic eraser. I really like that one a lot. Other than that, I don't have a lot. I always have, like, an eraser in my little pencil bag. But I don't use external erasers that much.

Ana Reinert 1:12:00

You never make mistakes?

Andy 1:12:01

I never. Well, I think I don't admit to them. No. I just like. Johnny, if I say it by definition is the truth. No, we've talked a little bit before about it. I think that I really like pencils with erasers on the end because it provides a really nice counterbalance, like a counterweight to it. And because I mostly use it to write with. You know, there's. And I'm an American, there's a lot of pencils with erasers on the end of it that I have access to. So generally there's an eraser right there, and I just use that. But I'm definitely interested to know

Johnny 1:12:40

those

Andy 1:12:41

of you out there in chat land, what your favorite erasers are. And if there's something that we just haven't covered it all because there's. There's a bunch of them out there. There's.

Johnny 1:12:52

Of course.

Andy 1:12:53

Yeah. All the ones like we talked about, Anna, that look like food. There's. There's an entire store, I think, in Japantown, the Japantown Center Mall in San Francisco, that has, like, just a whole wall of erasers. Yeah.

Ana Reinert 1:13:11

Do any of those ever actually work? Does anyone ever.

Andy 1:13:15

So we talked a couple episodes ago, we talked about the Kikkerlund erasers, like the wild animal erasers that are really big and are expertly molded to look like endangered animals. And I guess those are decorative erasers, but they work surprisingly well. I used my rhino a little bit to erase something, and it works really well. Yeah. So some of the pencil toppers are mostly better as decoration rather than, like, as erasers. Like the microphones and the little, like, Guys, the little eraser guys. But yeah, the little wild animals work really well. So lesson the chat. We should have mentioned this earlier. The Sakura foam eraser. Have you guys used that?

Ana Reinert 1:14:07

I have not tried those.

Johnny 1:14:09

Yeah, I have one that less than me. They wear down really quickly.

Andy 1:14:13

Yeah, they're very like. I guess they're called foam because they're kind of like semi translucent and kind of like light and fluffy. It's like a plastic eraser. I don't know if it's actually like foam or if it is. It's really, really fine, like bubbles. But it's also just kind of just. Just very light and fluffy. Yeah, they do wear down quickly, but, yeah, they erase pretty well. I have one somewhere.

Ana Reinert 1:14:40

Well, I'm definitely ordering one next time I place an order, because I definitely want to try those.

Andy 1:14:45

Yeah. Yeah. So I don't know anything else that we should talk about that we haven't covered?

Johnny 1:14:54

Yeah. What's your favorite pencil or pencil mounted eraser?

Andy 1:15:00

Ooh, good question. Hmm.

Johnny 1:15:04

I feel like they've improved a lot in the last 10 or 15 years because everything is synthetic, so.

Andy 1:15:10

So, you know, like the. The very, like, classic pencil mounted eraser. That's just the little. It looks like the little cap. You know, the. Your classic, like, pink triangular cone thing.

Johnny 1:15:21

Oh, no, I mean, like, what's your favorite eraser that's actually mounted on a pencil?

Andy 1:15:24

Oh, that actually comes built into the pencil.

Johnny 1:15:26

Yeah.

Andy 1:15:27

Ooh, good question. Well, we know it's not the golden bear eraser. Like, I love me some golden bear, but that eraser is kind of sucky. It's just so pretty, though. I don't know.

Johnny 1:15:44

It's a head scratcher.

Ana Reinert 1:15:45

Yeah, it is a head scratcher.

Andy 1:15:48

I guess I almost always just judge the pencil based on the graphite and the wood rather than the eraser, but I think the, like, the generals, like the various generals eraser are pretty good. Like just their standard pink eraser. I can't imagine they use something different between, you know, all of their pencils that have pink erasers. But like, the one that's in my general's goddess right now is like a really good eraser. The pink eraser on the. On the black wings.

Johnny 1:16:20

Pretty good.

Andy 1:16:20

The Palomino black wings. Actually, the black erasers and the black wings aren't that bad. I think it's mostly just the white one that I'm not a big fan of.

Ana Reinert 1:16:28

I don't know. I just tried one of the pink ones.

Andy 1:16:31

Really?

Ana Reinert 1:16:32

Yeah. The black one's better.

Andy 1:16:33

Yeah, it's A little grittier, but.

Ana Reinert 1:16:37

And again, I think it might also be the paper I'm using. Very, very smooth paper.

Johnny 1:16:42

I feel like the Ticonderoga pink ones. Someone just mentioned that on here. Walter, they're pretty amazing.

Andy 1:16:48

Yeah, the ones in the last like

Johnny 1:16:49

10 years that are synthetic and soft and wonderful. But you know the best pencil eraser is the one on the back of Wilpex. Really? That's really good eraser.

Andy 1:16:59

All of my Wilpex don't have erasers.

Ana Reinert 1:17:02

What?

Andy 1:17:03

They're just untipped. I don't have fancy German connections like Johnny does.

Johnny 1:17:07

Yeah, these are the ones they sell at Staples. Okay, get those, those really, really, really green ones. Like offensively green.

Andy 1:17:17

I don't, I don't think there's. In Anna's eyes. I don't think there's any such thing.

Johnny 1:17:22

Yeah, well, they have the slightly different green, which is much more pleasing in the neon pack, but I think you have to buy those online. Yeah, but there's something about the compound they use. Maybe it's because a Wopex is very hard to erase with.

Andy 1:17:35

Yeah.

Johnny 1:17:35

Or to erase. But the erasers on those are amazing.

Ana Reinert 1:17:41

I'll have to look and see.

Johnny 1:17:43

Everybody's gonna go dig out their Woepex.

Andy 1:17:44

Hahaha. Well, if we branched out into erasers that come built into pencils, how do we feel about pencil caps? We should probably also mention our favorite ones of those. Yeah, and I think my favorite is just your standard like pink cone shaped cap that you put over your pencil once you've worn your eraser down.

Johnny 1:18:06

Yeah. Have you tried those new ones that are like super reinforced? CW pencils has them.

Andy 1:18:12

Yeah, they're kind of neon.

Johnny 1:18:14

No, they have ones that are pink. They're from paper mate. They're called the arrowhead.

Andy 1:18:17

Oh no. I knew.

Johnny 1:18:18

They're really, really, really tight fit and they're sort of, you know, a little more round than you're used to, but they're really beefy.

Andy 1:18:24

They're sweet. Yeah, that was almost always my problem is it was hard to use them without them just kind of like bending and warping.

Ana Reinert 1:18:33

I always like those pencil caps. When your pencil got really short and then they were. They provided that nice counterbalance.

Andy 1:18:39

Yeah, they're just. They make your pencil look like a war horse. Right. It's just like, hey, this thing has been to the front lines and this thing, this thing has been in action all bitness. Yeah.

Johnny 1:18:51

So there are these things called the bloom with an uml. I think they used to have them as CW pencils They're from the Bloomberg company. So they look like those eraser caps, but they also are longer, so you can use them as a point protector. And I've only seen them in really offensive neon colors.

Andy 1:19:07

By offensive you mean like just really bright. Really,

Johnny 1:19:13

really, really bright. And like, touch them when they're dirty.

Andy 1:19:16

Oh, yeah, I get ya.

Johnny 1:19:17

Yeah, yeah. But I don't know where to buy them. I found them in art shop in Annapolis. I've been meaning to send you guys some. Actually, I just found them. They're in my hand.

Andy 1:19:27

There you go.

Johnny 1:19:29

Yeah, but if you find them, they might have them on Amazon or something. I'll go check them out. But you can use them on the back of your pencil or on the

Andy 1:19:35

front of your pencil.

Johnny 1:19:35

They're pretty useful little devices.

Andy 1:19:39

Cool. What do you say, guys? Should we button it up?

Johnny 1:19:43

Sure. We have to revisit this in like a year.

Andy 1:19:47

Yeah. To see what new innovations and erasers have come about.

Ana Reinert 1:19:52

Definitely keep my eye out for more erasers and eraser caps.

Andy 1:19:56

Yeah. So, Ana, where can people find you on the Internet?

Ana Reinert 1:20:02

They can find me@thewellpointeddesk.com I'm on Twitter and Instagram as well. Apptdesk. And you can also listen to me on my new podcast, which is Art Supply Posse. And the website for that is artsupplyposse.com and we're on Instagram and Twitter as artsupplyposse.

Andy 1:20:26

And you should definitely have Johnny on to talk about his budding cartoonist career.

Ana Reinert 1:20:32

Absolutely. Making fun of the neighbors.

Andy 1:20:34

Oh, yeah,

Johnny 1:20:37

don't get me started.

Andy 1:20:38

Johnny, where can people find you on the Internet?

Johnny 1:20:40

You can find me@pencilrevolution.com on Twitter ensolution and on Instagram. JohnnyGamber.

Andy 1:20:47

Cool. We'll have where to find Tim in show notes and also we'll have him back next time unless he truly dislikes us. And then we'll just ask him back again. Anna, if that is your real identity.

Ana Reinert 1:21:01

Absolutely not. I'm actually Tim Wasome.

Andy 1:21:03

Exactly. So I'm Andy Welfle. I am at awelfley on Twitter. A W E L F L E. My blog, which needs to be updated, is woodclinch.com and it's on Twitter oodclinched erasable. The podcast is raceable us. Come join our Facebook community. It's chock full of amazing discussions around pencils and paper and everything what have you. We will not ban you for talking about ballpoint pencils. Unlike some groups out there. We are@facebook.com groups erasable if you want to see our Facebook page where we schedule events for our live recordings and it's kind of our official voice, that's facebook.com erasablepodcast we're on Twitter raceablepodcast and on Instagram at the same. Thank you so much to CW Pencils for sponsoring this episode. They again have a sampler pack with pics from Johnny, Tim and me and anna and from CW pencils themselves for $4.50. There's a link in Show Notes and you can find them at cwpencils.com or on Forsyth street in Lower Manhattan. The Lower east side of Manhattan. Yeah. And you can find this episode at erasable us54. And thank you very much and we will see you all next. The intro music for the Erasable podcast is graciously provided by this Mountain, a collaborative folk rock band from Johnson City, Tennessee. You can check out their music at www.thismountainband.com.

Johnny 1:22:59

If I could just count the times

Andy 1:23:02

this has happened before.